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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 29 / 25 / 24 it is the complementary color CMYK 48 / 0 / 6 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 29 / 25 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 29 / 25 / 24: CMYK 0 / 31 / 30 / 22, CMYK 0 / 28 / 26 / 15, CMYK 0 / 25 / 24 / 9, CMYK 0 / 23 / 21 / 2 and CMYK 0 / 18 / 15 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 29 / 25 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 29 / 25 / 24: CMYK 0 / 29 / 25 / 24, CMYK 0 / 32 / 29 / 31, CMYK 0 / 36 / 33 / 37, CMYK 0 / 41 / 38 / 44 and CMYK 0 / 48 / 45 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 25 / 24

HEX #C28A91

RGB 194 138 145

HSL 352.5, 0.31%, 0.65%

LAB 63.09, 22.37, 4.81

 

Complementary color

CMYK 48 / 0 / 6 / 54

HEX #3D756E

RGB 61 117 110

HSL 172.5, 0.31%, 0.35%

LAB 45.41, -20.32, -1.87

 

CMYK 0 / 31 / 30 / 22

HEX #C78A8C

RGB 199 138 140

HSL 358.03, 0.35%, 0.66%

LAB 63.52, 23.56, 8.33

 

CMYK 0 / 28 / 26 / 15

HEX #D89C9F

RGB 216 156 159

HSL 357, 0.43%, 0.73%

LAB 70.09, 22.8, 7.32

 

CMYK 0 / 25 / 24 / 9

HEX #E9AEB2

RGB 233 174 178

HSL 355.93, 0.57%, 0.8%

LAB 76.56, 22.11, 6.4

 

CMYK 0 / 23 / 21 / 2

HEX #FAC0C5

RGB 250 192 197

HSL 354.83, 0.85%, 0.87%

LAB 82.94, 21.49, 5.54

 

CMYK 0 / 18 / 15 / 0

HEX #FFD2D8

RGB 255 210 216

HSL 352, 1%, 0.91%

LAB 88.12, 16.68, 2.98

 

CMYK 0 / 29 / 25 / 24

HEX #C28A91

RGB 194 138 145

HSL 352.5, 0.31%, 0.65%

LAB 63.09, 22.37, 4.81

 

CMYK 0 / 32 / 29 / 31

HEX #B1787E

RGB 177 120 126

HSL 353.68, 0.27%, 0.58%

LAB 56.37, 23.15, 5.81

 

CMYK 0 / 36 / 33 / 37

HEX #A0666B

RGB 160 102 107

HSL 354.83, 0.23%, 0.51%

LAB 49.54, 24.03, 6.94

 

CMYK 0 / 41 / 38 / 44

HEX #8F5458

RGB 143 84 88

HSL 355.93, 0.26%, 0.45%

LAB 42.59, 25.02, 8.26

 

CMYK 0 / 48 / 45 / 51

HEX #7E4245

RGB 126 66 69

HSL 357, 0.31%, 0.38%

LAB 35.52, 26.13, 9.84

 

CMYK 0 / 29 / 25 / 24

HEX #C28A91

RGB 194 138 145

HSL 352.5, 0.31%, 0.65%

LAB 63.09, 22.37, 4.81

 

CMYK 0 / 28 / 28 / 24

HEX #C18B8A

RGB 193 139 138

HSL 1.09, 0.31%, 0.65%

LAB 63.04, 20.43, 8.7

 

CMYK 0 / 23 / 28 / 24

HEX #C1958A

RGB 193 149 138

HSL 12, 0.31%, 0.65%

LAB 65.49, 14.91, 12.16

 

CMYK 0 / 18 / 28 / 24

HEX #C19E8A

RGB 193 158 138

HSL 21.82, 0.31%, 0.65%

LAB 67.74, 9.96, 15.32

 

CMYK 0 / 13 / 28 / 24

HEX #C1A78A

RGB 193 167 138

HSL 31.64, 0.31%, 0.65%

LAB 70.04, 5.06, 18.51

 

CMYK 0 / 29 / 25 / 24

HEX #C28A91

RGB 194 138 145

HSL 352.5, 0.31%, 0.65%

LAB 63.09, 22.37, 4.81

 

CMYK 0 / 29 / 25 / 4

HEX #F5AEB7

RGB 245 174 183

HSL 352.39, 0.78%, 0.82%

LAB 77.94, 27.19, 5.81

 

CMYK 0 / 29 / 24 / 84

HEX #291D1F

RGB 41 29 31

HSL 350, 0.17%, 0.14%

LAB 12.28, 6.28, 0.9

 

CMYK 0 / 29 / 25 / 64

HEX #5C4145

RGB 92 65 69

HSL 351.11, 0.17%, 0.31%

LAB 30.61, 12.4, 2.22

 

CMYK 0 / 29 / 25 / 44

HEX #8F666B

RGB 143 102 107

HSL 352.68, 0.17%, 0.48%

LAB 47.5, 17.27, 3.75

 

CMYK 0 / 29 / 25 / 24

HEX #C28A91

RGB 194 138 145

HSL 352.5, 0.31%, 0.65%

LAB 63.09, 22.37, 4.81

 

CMYK 2 / 0 / 28 / 24

HEX #BDC18A

RGB 189 193 138

HSL 64.36, 0.31%, 0.65%

LAB 76.55, -10.27, 27.31

 

CMYK 28 / 13 / 0 / 24

HEX #8AA7C1

RGB 138 167 193

HSL 208.36, 0.31%, 0.65%

LAB 67.2, -3.92, -16.6

 

CMYK 0 / 29 / 25 / 24

HEX #C28A91

RGB 194 138 145

HSL 352.5, 0.31%, 0.65%

LAB 63.09, 22.37, 4.81

 

CMYK 25 / 0 / 28 / 24

HEX #91C18A

RGB 145 193 138

HSL 112.36, 0.31%, 0.65%

LAB 73.54, -26.44, 22.73

 

CMYK 28 / 25 / 0 / 24

HEX #8A91C1

RGB 138 145 193

HSL 232.36, 0.31%, 0.65%

LAB 61.22, 8.45, -25.7

 

CMYK 0 / 29 / 25 / 24

HEX #C28A91

RGB 194 138 145

HSL 352.5, 0.31%, 0.65%

LAB 63.09, 22.37, 4.81

 

CMYK 2 / 0 / 28 / 24

HEX #BDC18A

RGB 189 193 138

HSL 64.36, 0.31%, 0.65%

LAB 76.55, -10.27, 27.31

 

CMYK 28 / 0 / 4 / 24

HEX #8AC1BA

RGB 138 193 186

HSL 172.36, 0.31%, 0.65%

LAB 74.25, -19.32, -2.24

 

CMYK 27 / 28 / 0 / 24

HEX #8D8AC1

RGB 141 138 193

HSL 243.27, 0.31%, 0.65%

LAB 59.61, 13.39, -28.18

 

CMYK 0 / 29 / 25 / 24

HEX #C28A91

RGB 194 138 145

HSL 352.5, 0.31%, 0.65%

LAB 63.09, 22.37, 4.81

 

CMYK 10 / 0 / 28 / 24

HEX #ADC18A

RGB 173 193 138

HSL 81.82, 0.31%, 0.65%

LAB 75.36, -16.35, 25.5

 

CMYK 28 / 0 / 4 / 24

HEX #8AC1BA

RGB 138 193 186

HSL 172.36, 0.31%, 0.65%

LAB 74.25, -19.32, -2.24

 

CMYK 18 / 28 / 0 / 24

HEX #9E8AC1

RGB 158 138 193

HSL 261.82, 0.31%, 0.65%

LAB 61.04, 18.68, -25.85

 

Description

Color code: CMYK 0 / 29 / 25 / 24 | qconv.com Color code: CMYK 0 / 29 / 25 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 138 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 138 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 25 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 25% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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