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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 93 / 21 it is the complementary color CMYK 78 / 55 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 93 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 27 / 93 / 21: CMYK 0 / 29 / 96 / 19, CMYK 0 / 26 / 87 / 13, CMYK 0 / 24 / 80 / 6, CMYK 0 / 21 / 74 / 0 and CMYK 0 / 14 / 67 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 93 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 27 / 93 / 21: CMYK 0 / 27 / 93 / 21, CMYK 0 / 30 / 100 / 28, CMYK 0 / 34 / 100 / 35, CMYK 0 / 38 / 100 / 41 and CMYK 0 / 44 / 100 / 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 93 / 21

HEX #C9930E

RGB 201 147 14

HSL 42.67, 0.87%, 0.42%

LAB 64.42, 10.39, 66.92

 

Complementary color

CMYK 78 / 55 / 0 / 5

HEX #366CF1

RGB 54 108 241

HSL 222.67, 0.87%, 0.58%

LAB 49.33, 28.92, -71.86

 

CMYK 0 / 29 / 96 / 19

HEX #CE9309

RGB 206 147 9

HSL 42.03, 0.92%, 0.42%

LAB 64.97, 12.54, 68.32

 

CMYK 0 / 26 / 87 / 13

HEX #DFA51C

RGB 223 165 28

HSL 42.15, 0.78%, 0.49%

LAB 71.34, 10.61, 70.41

 

CMYK 0 / 24 / 80 / 6

HEX #F0B72F

RGB 240 183 47

HSL 42.28, 0.87%, 0.56%

LAB 77.64, 8.92, 71.12

 

CMYK 0 / 21 / 74 / 0

HEX #FFC942

RGB 255 201 66

HSL 42.86, 1%, 0.63%

LAB 83.67, 6.61, 70.72

 

CMYK 0 / 14 / 67 / 0

HEX #FFDB55

RGB 255 219 85

HSL 47.29, 1%, 0.67%

LAB 88.25, -1.68, 67.96

 

CMYK 0 / 27 / 93 / 21

HEX #C9930E

RGB 201 147 14

HSL 42.67, 0.87%, 0.42%

LAB 64.42, 10.39, 66.92

 

CMYK 0 / 30 / 100 / 28

HEX #B88100

RGB 184 129 0

HSL 42.07, 1%, 0.36%

LAB 57.93, 12.49, 63.63

 

CMYK 0 / 34 / 100 / 35

HEX #A76F00

RGB 167 111 0

HSL 39.88, 1%, 0.33%

LAB 51.36, 14.86, 58.25

 

CMYK 0 / 38 / 100 / 41

HEX #965D00

RGB 150 93 0

HSL 37.2, 1%, 0.29%

LAB 44.68, 17.33, 52.8

 

CMYK 0 / 44 / 100 / 48

HEX #854B00

RGB 133 75 0

HSL 33.83, 1%, 0.26%

LAB 37.88, 19.92, 47.28

 

CMYK 0 / 27 / 93 / 21

HEX #C9930E

RGB 201 147 14

HSL 42.67, 0.87%, 0.42%

LAB 64.42, 10.39, 66.92

 

CMYK 0 / 13 / 94 / 22

HEX #C8AF0D

RGB 200 175 13

HSL 51.98, 0.88%, 0.42%

LAB 71.53, -5.05, 72.33

 

CMYK 3 / 0 / 94 / 22

HEX #C2C80D

RGB 194 200 13

HSL 61.93, 0.88%, 0.42%

LAB 77.76, -20.38, 76.83

 

CMYK 19 / 0 / 94 / 22

HEX #A3C80D

RGB 163 200 13

HSL 71.87, 0.88%, 0.42%

LAB 75.53, -33.32, 74.13

 

CMYK 35 / 0 / 94 / 22

HEX #83C80D

RGB 131 200 13

HSL 82.14, 0.88%, 0.42%

LAB 73.65, -45.67, 71.85

 

CMYK 0 / 27 / 93 / 21

HEX #C9930E

RGB 201 147 14

HSL 42.67, 0.87%, 0.42%

LAB 64.42, 10.39, 66.92

 

CMYK 0 / 27 / 93 / 1

HEX #FCB812

RGB 252 184 18

HSL 42.56, 0.98%, 0.53%

LAB 79.05, 12.91, 79.54

 

CMYK 0 / 27 / 94 / 81

HEX #302303

RGB 48 35 3

HSL 42.67, 0.88%, 0.1%

LAB 14.61, 2.24, 20.27

 

CMYK 0 / 27 / 93 / 61

HEX #634807

RGB 99 72 7

HSL 42.39, 0.87%, 0.21%

LAB 32.49, 5.48, 38.9

 

CMYK 0 / 27 / 93 / 41

HEX #966E0A

RGB 150 110 10

HSL 42.86, 0.88%, 0.31%

LAB 49.08, 7.73, 53.63

 

CMYK 0 / 27 / 93 / 21

HEX #C9930E

RGB 201 147 14

HSL 42.67, 0.87%, 0.42%

LAB 64.42, 10.39, 66.92

 

CMYK 84 / 0 / 94 / 22

HEX #20C80D

RGB 32 200 13

HSL 113.9, 0.88%, 0.42%

LAB 70.63, -69.57, 68.12

 

CMYK 66 / 94 / 0 / 22

HEX #450DC8

RGB 69 13 200

HSL 257.97, 0.88%, 0.42%

LAB 28.7, 65.08, -82.27

 

CMYK 0 / 27 / 93 / 21

HEX #C9930E

RGB 201 147 14

HSL 42.67, 0.87%, 0.42%

LAB 64.42, 10.39, 66.92

 

CMYK 94 / 0 / 28 / 22

HEX #0DC890

RGB 13 200 144

HSL 162.03, 0.88%, 0.42%

LAB 71.83, -54.61, 16.55

 

CMYK 28 / 94 / 0 / 22

HEX #900DC8

RGB 144 13 200

HSL 282.03, 0.88%, 0.42%

LAB 38.53, 72.29, -65.73

 

CMYK 0 / 27 / 93 / 21

HEX #C9930E

RGB 201 147 14

HSL 42.67, 0.87%, 0.42%

LAB 64.42, 10.39, 66.92

 

CMYK 84 / 0 / 94 / 22

HEX #20C80D

RGB 32 200 13

HSL 113.9, 0.88%, 0.42%

LAB 70.63, -69.57, 68.12

 

CMYK 94 / 66 / 0 / 22

HEX #0D45C8

RGB 13 69 200

HSL 222.03, 0.88%, 0.42%

LAB 35.03, 35.8, -71.9

 

CMYK 10 / 94 / 0 / 22

HEX #B50DC8

RGB 181 13 200

HSL 293.9, 0.88%, 0.42%

LAB 44.63, 77.65, -55.54

 

CMYK 0 / 27 / 93 / 21

HEX #C9930E

RGB 201 147 14

HSL 42.67, 0.87%, 0.42%

LAB 64.42, 10.39, 66.92

 

CMYK 94 / 0 / 75 / 22

HEX #0DC833

RGB 13 200 51

HSL 132.19, 0.88%, 0.42%

LAB 70.62, -69.09, 58.99

 

CMYK 94 / 66 / 0 / 22

HEX #0D45C8

RGB 13 69 200

HSL 222.03, 0.88%, 0.42%

LAB 35.03, 35.8, -71.9

 

CMYK 0 / 94 / 19 / 22

HEX #C80DA3

RGB 200 13 163

HSL 311.87, 0.88%, 0.42%

LAB 45.92, 75.68, -31.5

 

Description

Color code: CMYK 0 / 27 / 93 / 21 | qconv.com Color code: CMYK 0 / 27 / 93 / 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 147 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 147 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 93 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 93% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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