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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 29 / 82 it is the complementary color CMYK 6 / 0 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 29 / 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 27 / 29 / 82: CMYK 0 / 33 / 45 / 80, CMYK 0 / 24 / 31 / 73, CMYK 0 / 18 / 22 / 67, CMYK 0 / 14 / 17 / 60 and CMYK 0 / 11 / 13 / 53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 29 / 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 27 / 29 / 82: CMYK 0 / 26 / 28 / 82, CMYK 0 / 45 / 52 / 89, CMYK 0 / 100 / 100 / 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 29 / 82

HEX #2E2221

RGB 46 34 33

HSL 4.62, 0.16%, 0.15%

LAB 14.59, 5.55, 2.87

 

Complementary color

CMYK 6 / 0 / 0 / 13

HEX #D1DDDE

RGB 209 221 222

HSL 184.62, 0.16%, 0.85%

LAB 87.26, -3.82, -1.89

 

CMYK 0 / 33 / 45 / 80

HEX #33221C

RGB 51 34 28

HSL 15.65, 0.29%, 0.15%

LAB 15.12, 7.18, 7.28

 

CMYK 0 / 24 / 31 / 73

HEX #44342F

RGB 68 52 47

HSL 14.29, 0.18%, 0.23%

LAB 23.3, 6.29, 5.9

 

CMYK 0 / 18 / 22 / 67

HEX #554642

RGB 85 70 66

HSL 12.63, 0.13%, 0.3%

LAB 31.13, 5.65, 4.79

 

CMYK 0 / 14 / 17 / 60

HEX #665855

RGB 102 88 85

HSL 10.59, 0.09%, 0.37%

LAB 38.66, 5.15, 3.84

 

CMYK 0 / 11 / 13 / 53

HEX #776A68

RGB 119 106 104

HSL 8, 0.07%, 0.44%

LAB 45.95, 4.74, 2.98

 

CMYK 0 / 26 / 28 / 82

HEX #2E2221

RGB 46 34 33

HSL 4.62, 0.16%, 0.15%

LAB 14.59, 5.55, 2.87

 

CMYK 0 / 45 / 52 / 89

HEX #1D100E

RGB 29 16 14

HSL 8, 0.35%, 0.08%

LAB 5.99, 5.76, 3.14

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 26 / 28 / 82

HEX #2E2221

RGB 46 34 33

HSL 4.62, 0.16%, 0.15%

LAB 14.59, 5.55, 2.87

 

CMYK 0 / 23 / 27 / 83

HEX #2C2220

RGB 44 34 32

HSL 10, 0.16%, 0.15%

LAB 14.31, 4.37, 3.15

 

CMYK 0 / 16 / 27 / 83

HEX #2C2520

RGB 44 37 32

HSL 25, 0.16%, 0.15%

LAB 15.29, 2.26, 4.54

 

CMYK 0 / 11 / 27 / 83

HEX #2C2720

RGB 44 39 32

HSL 35, 0.16%, 0.15%

LAB 15.96, 0.87, 5.47

 

CMYK 0 / 7 / 27 / 83

HEX #2C2920

RGB 44 41 32

HSL 45, 0.16%, 0.15%

LAB 16.63, -0.51, 6.41

 

CMYK 0 / 26 / 28 / 82

HEX #2E2221

RGB 46 34 33

HSL 4.62, 0.16%, 0.15%

LAB 14.59, 5.55, 2.87

 

CMYK 0 / 26 / 28 / 62

HEX #614846

RGB 97 72 70

HSL 4.44, 0.16%, 0.33%

LAB 33.17, 10.33, 5.34

 

CMYK 0 / 26 / 28 / 42

HEX #946D6A

RGB 148 109 106

HSL 4.29, 0.17%, 0.5%

LAB 49.83, 15.06, 7.75

 

CMYK 0 / 26 / 28 / 22

HEX #C7938F

RGB 199 147 143

HSL 4.29, 0.33%, 0.67%

LAB 65.74, 19.03, 9.81

 

CMYK 0 / 26 / 28 / 2

HEX #FAB9B3

RGB 250 185 179

HSL 5.07, 0.88%, 0.84%

LAB 80.89, 22.67, 12.27

 

CMYK 0 / 26 / 28 / 82

HEX #2E2221

RGB 46 34 33

HSL 4.62, 0.16%, 0.15%

LAB 14.59, 5.55, 2.87

 

CMYK 7 / 0 / 27 / 83

HEX #292C20

RGB 41 44 32

HSL 75, 0.16%, 0.15%

LAB 17.35, -4, 7.36

 

CMYK 27 / 18 / 0 / 83

HEX #20242C

RGB 32 36 44

HSL 220, 0.16%, 0.15%

LAB 14.12, 0.45, -5.9

 

CMYK 0 / 26 / 28 / 82

HEX #2E2221

RGB 46 34 33

HSL 4.62, 0.16%, 0.15%

LAB 14.59, 5.55, 2.87

 

CMYK 27 / 0 / 27 / 83

HEX #202C20

RGB 32 44 32

HSL 120, 0.16%, 0.15%

LAB 16.57, -8.17, 6.15

 

CMYK 27 / 27 / 0 / 83

HEX #20202C

RGB 32 32 44

HSL 240, 0.16%, 0.15%

LAB 12.75, 3.34, -7.99

 

CMYK 0 / 26 / 28 / 82

HEX #2E2221

RGB 46 34 33

HSL 4.62, 0.16%, 0.15%

LAB 14.59, 5.55, 2.87

 

CMYK 7 / 0 / 27 / 83

HEX #292C20

RGB 41 44 32

HSL 75, 0.16%, 0.15%

LAB 17.35, -4, 7.36

 

CMYK 27 / 2 / 0 / 83

HEX #202B2C

RGB 32 43 44

HSL 185, 0.16%, 0.15%

LAB 16.59, -4.42, -2.21

 

CMYK 20 / 27 / 0 / 83

HEX #23202C

RGB 35 32 44

HSL 255, 0.16%, 0.15%

LAB 13.06, 4.58, -7.48

 

CMYK 0 / 26 / 28 / 82

HEX #2E2221

RGB 46 34 33

HSL 4.62, 0.16%, 0.15%

LAB 14.59, 5.55, 2.87

 

CMYK 16 / 0 / 27 / 83

HEX #252C20

RGB 37 44 32

HSL 95, 0.16%, 0.15%

LAB 16.98, -5.9, 6.8

 

CMYK 27 / 2 / 0 / 83

HEX #202B2C

RGB 32 43 44

HSL 185, 0.16%, 0.15%

LAB 16.59, -4.42, -2.21

 

CMYK 11 / 27 / 0 / 83

HEX #27202C

RGB 39 32 44

HSL 275, 0.16%, 0.15%

LAB 13.51, 6.27, -6.75

 

Description

Color code: CMYK 0 / 27 / 29 / 82 | qconv.com Color code: CMYK 0 / 27 / 29 / 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 34 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 34 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 29 yellow and 82 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 29% 82% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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