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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 26 / 14 / 12 it is the complementary color CMYK 65 / 0 / 30 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 26 / 14 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 26 / 14 / 12: CMYK 0 / 28 / 18 / 10, CMYK 0 / 25 / 16 / 4, CMYK 0 / 21 / 11 / 0, CMYK 0 / 14 / 4 / 0 and CMYK 0 / 7 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 26 / 14 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 26 / 14 / 12: CMYK 0 / 26 / 14 / 12, CMYK 0 / 29 / 16 / 19, CMYK 0 / 32 / 18 / 25, CMYK 0 / 35 / 21 / 32 and CMYK 0 / 40 / 25 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 14 / 12

HEX #E0A6C1

RGB 224 166 193

HSL 332.07, 0.48%, 0.76%

LAB 74.17, 25.46, -5.41

 

Complementary color

CMYK 65 / 0 / 30 / 65

HEX #1F593E

RGB 31 89 62

HSL 152.07, 0.48%, 0.24%

LAB 33.53, -26.05, 10.16

 

CMYK 0 / 28 / 18 / 10

HEX #E5A6BC

RGB 229 166 188

HSL 339.05, 0.55%, 0.77%

LAB 74.55, 26.43, -2.05

 

CMYK 0 / 25 / 16 / 4

HEX #F6B8CF

RGB 246 184 207

HSL 337.74, 0.78%, 0.84%

LAB 80.95, 25.79, -2.79

 

CMYK 0 / 21 / 11 / 0

HEX #FFCAE2

RGB 255 202 226

HSL 332.83, 1%, 0.9%

LAB 86.5, 22.45, -4.69

 

CMYK 0 / 14 / 4 / 0

HEX #FFDCF5

RGB 255 220 245

HSL 317.14, 1%, 0.93%

LAB 91.25, 16.22, -7.69

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 26 / 14 / 12

HEX #E0A6C1

RGB 224 166 193

HSL 332.07, 0.48%, 0.76%

LAB 74.17, 25.46, -5.41

 

CMYK 0 / 29 / 16 / 19

HEX #CF94AE

RGB 207 148 174

HSL 333.56, 0.38%, 0.7%

LAB 67.65, 26.11, -4.71

 

CMYK 0 / 32 / 18 / 25

HEX #BE829B

RGB 190 130 155

HSL 335, 0.32%, 0.63%

LAB 61.03, 26.83, -3.95

 

CMYK 0 / 35 / 21 / 32

HEX #AD7088

RGB 173 112 136

HSL 336.39, 0.27%, 0.56%

LAB 54.29, 27.61, -3.11

 

CMYK 0 / 40 / 25 / 39

HEX #9C5E75

RGB 156 94 117

HSL 337.74, 0.25%, 0.49%

LAB 47.44, 28.46, -2.15

 

CMYK 0 / 26 / 14 / 12

HEX #E0A6C1

RGB 224 166 193

HSL 332.07, 0.48%, 0.76%

LAB 74.17, 25.46, -5.41

 

CMYK 0 / 26 / 18 / 13

HEX #DFA4B6

RGB 223 164 182

HSL 341.69, 0.48%, 0.76%

LAB 73.3, 24.44, -0.66

 

CMYK 0 / 26 / 23 / 13

HEX #DFA4AC

RGB 223 164 172

HSL 351.86, 0.48%, 0.76%

LAB 73.03, 22.94, 4.47

 

CMYK 0 / 26 / 26 / 13

HEX #DFA6A4

RGB 223 166 164

HSL 2.03, 0.48%, 0.76%

LAB 73.31, 20.72, 9.26

 

CMYK 0 / 21 / 26 / 13

HEX #DFB0A4

RGB 223 176 164

HSL 12.2, 0.48%, 0.76%

LAB 75.71, 15.35, 12.67

 

CMYK 0 / 26 / 14 / 12

HEX #E0A6C1

RGB 224 166 193

HSL 332.07, 0.48%, 0.76%

LAB 74.17, 25.46, -5.41

 

CMYK 0 / 25 / 15 / 92

HEX #140F11

RGB 20 15 17

HSL 336, 0.14%, 0.07%

LAB 4.8, 2.29, -0.36

 

CMYK 0 / 25 / 14 / 72

HEX #47353D

RGB 71 53 61

HSL 333.33, 0.15%, 0.24%

LAB 24.39, 9.59, -1.89

 

CMYK 0 / 26 / 14 / 52

HEX #7A5A69

RGB 122 90 105

HSL 331.88, 0.15%, 0.42%

LAB 41.95, 15.71, -3.42

 

CMYK 0 / 26 / 14 / 32

HEX #AD8095

RGB 173 128 149

HSL 332, 0.22%, 0.59%

LAB 58.5, 20.73, -4.45

 

CMYK 0 / 26 / 14 / 12

HEX #E0A6C1

RGB 224 166 193

HSL 332.07, 0.48%, 0.76%

LAB 74.17, 25.46, -5.41

 

CMYK 0 / 7 / 26 / 13

HEX #DFCFA4

RGB 223 207 164

HSL 43.73, 0.48%, 0.76%

LAB 83.44, -1.03, 23.42

 

CMYK 26 / 4 / 0 / 13

HEX #A4D7DF

RGB 164 215 223

HSL 188.14, 0.48%, 0.76%

LAB 82.82, -14.58, -9.31

 

CMYK 0 / 26 / 14 / 12

HEX #E0A6C1

RGB 224 166 193

HSL 332.07, 0.48%, 0.76%

LAB 74.17, 25.46, -5.41

 

CMYK 14 / 0 / 26 / 13

HEX #BFDFA4

RGB 191 223 164

HSL 92.54, 0.48%, 0.76%

LAB 85.27, -20.92, 25.53

 

CMYK 26 / 14 / 0 / 13

HEX #A4BFDF

RGB 164 191 223

HSL 212.54, 0.48%, 0.76%

LAB 76.36, -2.01, -18.99

 

CMYK 0 / 26 / 14 / 12

HEX #E0A6C1

RGB 224 166 193

HSL 332.07, 0.48%, 0.76%

LAB 74.17, 25.46, -5.41

 

CMYK 0 / 7 / 26 / 13

HEX #DFCFA4

RGB 223 207 164

HSL 43.73, 0.48%, 0.76%

LAB 83.44, -1.03, 23.42

 

CMYK 26 / 0 / 13 / 13

HEX #A4DFC3

RGB 164 223 195

HSL 151.53, 0.48%, 0.76%

LAB 84.28, -24.5, 7.68

 

CMYK 26 / 19 / 0 / 13

HEX #A4B4DF

RGB 164 180 223

HSL 223.73, 0.48%, 0.76%

LAB 73.46, 3.97, -23.41

 

CMYK 0 / 26 / 14 / 12

HEX #E0A6C1

RGB 224 166 193

HSL 332.07, 0.48%, 0.76%

LAB 74.17, 25.46, -5.41

 

CMYK 1 / 0 / 26 / 13

HEX #DDDFA4

RGB 221 223 164

HSL 62.03, 0.48%, 0.76%

LAB 87.4, -9.96, 28.78

 

CMYK 26 / 0 / 13 / 13

HEX #A4DFC3

RGB 164 223 195

HSL 151.53, 0.48%, 0.76%

LAB 84.28, -24.5, 7.68

 

CMYK 26 / 26 / 0 / 13

HEX #A6A4DF

RGB 166 164 223

HSL 242.03, 0.48%, 0.76%

LAB 69.46, 13.45, -29.52

 

Description

Color code: CMYK 0 / 26 / 14 / 12 | qconv.com Color code: CMYK 0 / 26 / 14 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 166 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 166 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 14 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 14% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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