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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 25 / 44 / 46 it is the complementary color CMYK 34 / 15 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 25 / 44 / 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 25 / 44 / 46: CMYK 0 / 28 / 50 / 44, CMYK 0 / 24 / 43 / 37, CMYK 0 / 21 / 38 / 31, CMYK 0 / 19 / 34 / 24 and CMYK 0 / 17 / 30 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 25 / 44 / 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 25 / 44 / 46: CMYK 0 / 25 / 44 / 46, CMYK 0 / 30 / 52 / 53, CMYK 0 / 36 / 63 / 59, CMYK 0 / 44 / 77 / 66 and CMYK 0 / 56 / 99 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 44 / 46

HEX #8A674D

RGB 138 103 77

HSL 25.57, 0.28%, 0.42%

LAB 46.5, 10.5, 20.12

 

Complementary color

CMYK 34 / 15 / 0 / 30

HEX #7598B2

RGB 117 152 178

HSL 205.57, 0.28%, 0.58%

LAB 61.18, -5.61, -17.44

 

CMYK 0 / 28 / 50 / 44

HEX #8F6748

RGB 143 103 72

HSL 26.2, 0.33%, 0.42%

LAB 46.99, 12.13, 23.77

 

CMYK 0 / 24 / 43 / 37

HEX #A0795B

RGB 160 121 91

HSL 26.09, 0.27%, 0.49%

LAB 53.92, 11.18, 22.33

 

CMYK 0 / 21 / 38 / 31

HEX #B18B6E

RGB 177 139 110

HSL 25.97, 0.3%, 0.56%

LAB 60.73, 10.39, 21.02

 

CMYK 0 / 19 / 34 / 24

HEX #C29D81

RGB 194 157 129

HSL 25.85, 0.35%, 0.63%

LAB 67.4, 9.71, 19.84

 

CMYK 0 / 17 / 30 / 17

HEX #D3AF94

RGB 211 175 148

HSL 25.71, 0.42%, 0.7%

LAB 73.96, 9.12, 18.74

 

CMYK 0 / 25 / 44 / 46

HEX #8A674D

RGB 138 103 77

HSL 25.57, 0.28%, 0.42%

LAB 46.5, 10.5, 20.12

 

CMYK 0 / 30 / 52 / 53

HEX #79553A

RGB 121 85 58

HSL 25.71, 0.35%, 0.35%

LAB 39.36, 11.51, 21.63

 

CMYK 0 / 36 / 63 / 59

HEX #684327

RGB 104 67 39

HSL 25.85, 0.45%, 0.28%

LAB 32.04, 12.79, 23.35

 

CMYK 0 / 44 / 77 / 66

HEX #573114

RGB 87 49 20

HSL 25.97, 0.63%, 0.21%

LAB 24.56, 14.46, 25.23

 

CMYK 0 / 56 / 99 / 73

HEX #461F01

RGB 70 31 1

HSL 26.09, 0.97%, 0.14%

LAB 16.91, 16.52, 24.72

 

CMYK 0 / 25 / 44 / 46

HEX #8A674D

RGB 138 103 77

HSL 25.57, 0.28%, 0.42%

LAB 46.5, 10.5, 20.12

 

CMYK 0 / 18 / 44 / 46

HEX #89704D

RGB 137 112 77

HSL 35, 0.28%, 0.42%

LAB 48.81, 4.81, 23.14

 

CMYK 0 / 11 / 44 / 46

HEX #897A4D

RGB 137 122 77

HSL 45, 0.28%, 0.42%

LAB 51.58, -0.92, 26.71

 

CMYK 0 / 4 / 44 / 46

HEX #89844D

RGB 137 132 77

HSL 55, 0.28%, 0.42%

LAB 54.4, -6.53, 30.29

 

CMYK 4 / 0 / 44 / 46

HEX #84894D

RGB 132 137 77

HSL 65, 0.28%, 0.42%

LAB 55.41, -11.41, 31.47

 

CMYK 0 / 25 / 44 / 46

HEX #8A674D

RGB 138 103 77

HSL 25.57, 0.28%, 0.42%

LAB 46.5, 10.5, 20.12

 

CMYK 0 / 25 / 44 / 26

HEX #BD8D69

RGB 189 141 105

HSL 25.71, 0.39%, 0.58%

LAB 62.41, 13.65, 26.28

 

CMYK 0 / 25 / 44 / 6

HEX #F0B386

RGB 240 179 134

HSL 25.47, 0.78%, 0.73%

LAB 77.57, 16.74, 31.6

 

CMYK 0 / 25 / 44 / 86

HEX #241B14

RGB 36 27 20

HSL 26.25, 0.29%, 0.11%

LAB 10.63, 3.12, 6.46

 

CMYK 0 / 25 / 44 / 66

HEX #574131

RGB 87 65 49

HSL 25.26, 0.28%, 0.27%

LAB 29.48, 7.1, 13.45

 

CMYK 0 / 25 / 44 / 46

HEX #8A674D

RGB 138 103 77

HSL 25.57, 0.28%, 0.42%

LAB 46.5, 10.5, 20.12

 

CMYK 27 / 0 / 44 / 46

HEX #64894D

RGB 100 137 77

HSL 97, 0.28%, 0.42%

LAB 53.1, -24.43, 28.06

 

CMYK 43 / 44 / 0 / 46

HEX #4E4D89

RGB 78 77 137

HSL 241, 0.28%, 0.42%

LAB 35.47, 16.63, -33.42

 

CMYK 0 / 25 / 44 / 46

HEX #8A674D

RGB 138 103 77

HSL 25.57, 0.28%, 0.42%

LAB 46.5, 10.5, 20.12

 

CMYK 44 / 0 / 26 / 46

HEX #4D8966

RGB 77 137 102

HSL 145, 0.28%, 0.42%

LAB 52.32, -27.9, 12.79

 

CMYK 26 / 44 / 0 / 46

HEX #664D89

RGB 102 77 137

HSL 265, 0.28%, 0.42%

LAB 37.73, 23.67, -29.69

 

CMYK 0 / 25 / 44 / 46

HEX #8A674D

RGB 138 103 77

HSL 25.57, 0.28%, 0.42%

LAB 46.5, 10.5, 20.12

 

CMYK 27 / 0 / 44 / 46

HEX #64894D

RGB 100 137 77

HSL 97, 0.28%, 0.42%

LAB 53.1, -24.43, 28.06

 

CMYK 44 / 18 / 0 / 46

HEX #4D7089

RGB 77 112 137

HSL 205, 0.28%, 0.42%

LAB 45.6, -5.46, -17.64

 

CMYK 17 / 44 / 0 / 46

HEX #724D89

RGB 114 77 137

HSL 277, 0.28%, 0.42%

LAB 39.06, 27.43, -27.52

 

CMYK 0 / 25 / 44 / 46

HEX #8A674D

RGB 138 103 77

HSL 25.57, 0.28%, 0.42%

LAB 46.5, 10.5, 20.12

 

CMYK 40 / 0 / 44 / 46

HEX #52894D

RGB 82 137 77

HSL 115, 0.28%, 0.42%

LAB 52.09, -30.9, 26.56

 

CMYK 44 / 18 / 0 / 46

HEX #4D7089

RGB 77 112 137

HSL 205, 0.28%, 0.42%

LAB 45.6, -5.46, -17.64

 

CMYK 4 / 44 / 0 / 46

HEX #844D89

RGB 132 77 137

HSL 295, 0.28%, 0.42%

LAB 41.25, 33.21, -23.94

 

Description

Color code: CMYK 0 / 25 / 44 / 46 | qconv.com Color code: CMYK 0 / 25 / 44 / 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 103 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 103 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 44 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 44% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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