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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 24 / 43 / 52 it is the complementary color CMYK 28 / 12 / 0 / 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 24 / 43 / 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 24 / 43 / 52: CMYK 0 / 27 / 49 / 50, CMYK 0 / 23 / 42 / 44, CMYK 0 / 20 / 36 / 37, CMYK 0 / 17 / 31 / 30 and CMYK 0 / 15 / 28 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 24 / 43 / 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 24 / 43 / 52: CMYK 0 / 24 / 43 / 52, CMYK 0 / 29 / 51 / 59, CMYK 0 / 35 / 64 / 65, CMYK 0 / 45 / 82 / 72 and CMYK 0 / 61 / 100 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 43 / 52

HEX #7A5D46

RGB 122 93 70

HSL 26.54, 0.27%, 0.38%

LAB 41.86, 8.53, 17.76

 

Complementary color

CMYK 28 / 12 / 0 / 27

HEX #85A2B9

RGB 133 162 185

HSL 206.54, 0.27%, 0.62%

LAB 65.22, -4.64, -15.15

 

CMYK 0 / 27 / 49 / 50

HEX #7F5D41

RGB 127 93 65

HSL 27.1, 0.32%, 0.38%

LAB 42.34, 10.18, 21.48

 

CMYK 0 / 23 / 42 / 44

HEX #906F54

RGB 144 111 84

HSL 27, 0.26%, 0.45%

LAB 49.42, 9.27, 20.04

 

CMYK 0 / 20 / 36 / 37

HEX #A18167

RGB 161 129 103

HSL 26.9, 0.24%, 0.52%

LAB 56.34, 8.52, 18.76

 

CMYK 0 / 17 / 31 / 30

HEX #B2937A

RGB 178 147 122

HSL 26.79, 0.27%, 0.59%

LAB 63.13, 7.89, 17.6

 

CMYK 0 / 15 / 28 / 24

HEX #C3A58D

RGB 195 165 141

HSL 26.67, 0.31%, 0.66%

LAB 69.78, 7.34, 16.53

 

CMYK 0 / 24 / 43 / 52

HEX #7A5D46

RGB 122 93 70

HSL 26.54, 0.27%, 0.38%

LAB 41.86, 8.53, 17.76

 

CMYK 0 / 29 / 51 / 59

HEX #694B33

RGB 105 75 51

HSL 26.67, 0.35%, 0.31%

LAB 34.55, 9.5, 19.27

 

CMYK 0 / 35 / 64 / 65

HEX #583920

RGB 88 57 32

HSL 26.79, 0.47%, 0.24%

LAB 27.03, 10.78, 21

 

CMYK 0 / 45 / 82 / 72

HEX #47270D

RGB 71 39 13

HSL 26.9, 0.69%, 0.16%

LAB 19.31, 12.51, 22.62

 

CMYK 0 / 61 / 100 / 79

HEX #361500

RGB 54 21 0

HSL 23.33, 1%, 0.11%

LAB 11.42, 14.83, 17.39

 

CMYK 0 / 24 / 43 / 52

HEX #7A5D46

RGB 122 93 70

HSL 26.54, 0.27%, 0.38%

LAB 41.86, 8.53, 17.76

 

CMYK 0 / 17 / 43 / 52

HEX #7B6646

RGB 123 102 70

HSL 36.23, 0.27%, 0.38%

LAB 44.46, 3.63, 21.22

 

CMYK 0 / 11 / 43 / 52

HEX #7B6E46

RGB 123 110 70

HSL 45.28, 0.27%, 0.38%

LAB 46.72, -1.04, 24.15

 

CMYK 0 / 3 / 43 / 52

HEX #7B7746

RGB 123 119 70

HSL 55.47, 0.27%, 0.38%

LAB 49.31, -6.18, 27.45

 

CMYK 5 / 0 / 43 / 52

HEX #757B46

RGB 117 123 70

HSL 66.79, 0.27%, 0.38%

LAB 49.97, -11.02, 28.17

 

CMYK 0 / 24 / 43 / 52

HEX #7A5D46

RGB 122 93 70

HSL 26.54, 0.27%, 0.38%

LAB 41.86, 8.53, 17.76

 

CMYK 0 / 24 / 43 / 32

HEX #AD8463

RGB 173 132 99

HSL 26.76, 0.31%, 0.53%

LAB 58.31, 11.35, 23.88

 

CMYK 0 / 24 / 42 / 12

HEX #E0AB81

RGB 224 171 129

HSL 26.53, 0.61%, 0.69%

LAB 73.91, 14.12, 29.11

 

CMYK 0 / 25 / 45 / 92

HEX #140F0B

RGB 20 15 11

HSL 26.67, 0.29%, 0.06%

LAB 4.65, 1.26, 2.46

 

CMYK 0 / 24 / 42 / 72

HEX #473629

RGB 71 54 41

HSL 26, 0.27%, 0.22%

LAB 24.12, 5.47, 11.08

 

CMYK 0 / 24 / 43 / 52

HEX #7A5D46

RGB 122 93 70

HSL 26.54, 0.27%, 0.38%

LAB 41.86, 8.53, 17.76

 

CMYK 28 / 0 / 43 / 52

HEX #597B46

RGB 89 123 70

HSL 98.49, 0.27%, 0.38%

LAB 47.92, -22.56, 25.15

 

CMYK 41 / 43 / 0 / 52

HEX #48467B

RGB 72 70 123

HSL 242.26, 0.27%, 0.38%

LAB 32.23, 15.16, -29.93

 

CMYK 0 / 24 / 43 / 52

HEX #7A5D46

RGB 122 93 70

HSL 26.54, 0.27%, 0.38%

LAB 41.86, 8.53, 17.76

 

CMYK 43 / 0 / 24 / 52

HEX #467B5D

RGB 70 123 93

HSL 146.04, 0.27%, 0.38%

LAB 47.31, -24.99, 10.97

 

CMYK 24 / 43 / 0 / 52

HEX #5D467B

RGB 93 70 123

HSL 266.04, 0.27%, 0.38%

LAB 34.27, 21.55, -26.58

 

CMYK 0 / 24 / 43 / 52

HEX #7A5D46

RGB 122 93 70

HSL 26.54, 0.27%, 0.38%

LAB 41.86, 8.53, 17.76

 

CMYK 28 / 0 / 43 / 52

HEX #597B46

RGB 89 123 70

HSL 98.49, 0.27%, 0.38%

LAB 47.92, -22.56, 25.15

 

CMYK 43 / 19 / 0 / 52

HEX #46647B

RGB 70 100 123

HSL 206.04, 0.27%, 0.38%

LAB 40.97, -4.45, -16.34

 

CMYK 16 / 43 / 0 / 52

HEX #67467B

RGB 103 70 123

HSL 277.36, 0.27%, 0.38%

LAB 35.39, 24.78, -24.74

 

CMYK 0 / 24 / 43 / 52

HEX #7A5D46

RGB 122 93 70

HSL 26.54, 0.27%, 0.38%

LAB 41.86, 8.53, 17.76

 

CMYK 40 / 0 / 43 / 52

HEX #4A7B46

RGB 74 123 70

HSL 115.47, 0.27%, 0.38%

LAB 47.06, -28.05, 23.87

 

CMYK 43 / 19 / 0 / 52

HEX #46647B

RGB 70 100 123

HSL 206.04, 0.27%, 0.38%

LAB 40.97, -4.45, -16.34

 

CMYK 3 / 43 / 0 / 52

HEX #77467B

RGB 119 70 123

HSL 295.47, 0.27%, 0.38%

LAB 37.36, 30.07, -21.53

 

Description

Color code: CMYK 0 / 24 / 43 / 52 | qconv.com Color code: CMYK 0 / 24 / 43 / 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 93 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 93 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 43 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 43% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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