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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 24 / 27 / 33 it is the complementary color CMYK 35 / 4 / 0 / 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 24 / 27 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 24 / 27 / 33: CMYK 0 / 26 / 32 / 31, CMYK 0 / 23 / 28 / 24, CMYK 0 / 21 / 25 / 18, CMYK 0 / 19 / 22 / 11 and CMYK 0 / 17 / 20 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 24 / 27 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 24 / 27 / 33: CMYK 0 / 24 / 27 / 33, CMYK 0 / 27 / 31 / 40, CMYK 0 / 31 / 36 / 46, CMYK 0 / 37 / 43 / 53 and CMYK 0 / 44 / 52 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 27 / 33

HEX #AB827D

RGB 171 130 125

HSL 6.52, 0.21%, 0.58%

LAB 58.14, 15.03, 8.81

 

Complementary color

CMYK 35 / 4 / 0 / 49

HEX #547D82

RGB 84 125 130

HSL 186.52, 0.21%, 0.42%

LAB 49.69, -12.85, -7.27

 

CMYK 0 / 26 / 32 / 31

HEX #B08278

RGB 176 130 120

HSL 10.71, 0.26%, 0.58%

LAB 58.56, 16.31, 12.35

 

CMYK 0 / 23 / 28 / 24

HEX #C1948B

RGB 193 148 139

HSL 10, 0.3%, 0.65%

LAB 65.26, 15.6, 11.28

 

CMYK 0 / 21 / 25 / 18

HEX #D2A69E

RGB 210 166 158

HSL 9.23, 0.37%, 0.72%

LAB 71.85, 14.98, 10.31

 

CMYK 0 / 19 / 22 / 11

HEX #E3B8B1

RGB 227 184 177

HSL 8.4, 0.47%, 0.79%

LAB 78.34, 14.42, 9.4

 

CMYK 0 / 17 / 20 / 4

HEX #F4CAC4

RGB 244 202 196

HSL 7.5, 0.69%, 0.86%

LAB 84.72, 13.91, 8.55

 

CMYK 0 / 24 / 27 / 33

HEX #AB827D

RGB 171 130 125

HSL 6.52, 0.21%, 0.58%

LAB 58.14, 15.03, 8.81

 

CMYK 0 / 27 / 31 / 40

HEX #9A706A

RGB 154 112 106

HSL 7.5, 0.19%, 0.51%

LAB 51.27, 15.76, 9.88

 

CMYK 0 / 31 / 36 / 46

HEX #895E57

RGB 137 94 87

HSL 8.4, 0.22%, 0.44%

LAB 44.25, 16.61, 11.08

 

CMYK 0 / 37 / 43 / 53

HEX #784C44

RGB 120 76 68

HSL 9.23, 0.28%, 0.37%

LAB 37.08, 17.61, 12.48

 

CMYK 0 / 44 / 52 / 60

HEX #673A31

RGB 103 58 49

HSL 10, 0.36%, 0.3%

LAB 29.74, 18.82, 14.17

 

CMYK 0 / 24 / 27 / 33

HEX #AB827D

RGB 171 130 125

HSL 6.52, 0.21%, 0.58%

LAB 58.14, 15.03, 8.81

 

CMYK 0 / 19 / 26 / 33

HEX #AA897D

RGB 170 137 125

HSL 16, 0.21%, 0.58%

LAB 59.81, 10.69, 11.17

 

CMYK 0 / 15 / 26 / 33

HEX #AA907D

RGB 170 144 125

HSL 25.33, 0.21%, 0.58%

LAB 61.63, 6.77, 13.72

 

CMYK 0 / 11 / 26 / 33

HEX #AA987D

RGB 170 152 125

HSL 36, 0.21%, 0.58%

LAB 63.74, 2.33, 16.65

 

CMYK 0 / 6 / 26 / 33

HEX #AA9F7D

RGB 170 159 125

HSL 45.33, 0.21%, 0.58%

LAB 65.61, -1.5, 19.23

 

CMYK 0 / 24 / 27 / 33

HEX #AB827D

RGB 171 130 125

HSL 6.52, 0.21%, 0.58%

LAB 58.14, 15.03, 8.81

 

CMYK 0 / 24 / 27 / 13

HEX #DEA9A2

RGB 222 169 162

HSL 7, 0.48%, 0.75%

LAB 73.88, 18.45, 11.15

 

CMYK 0 / 22 / 28 / 93

HEX #120E0D

RGB 18 14 13

HSL 12, 0.16%, 0.06%

LAB 4.26, 1.26, 0.96

 

CMYK 0 / 25 / 28 / 73

HEX #453432

RGB 69 52 50

HSL 6.32, 0.16%, 0.23%

LAB 23.51, 7.28, 4.19

 

CMYK 0 / 24 / 27 / 53

HEX #785B58

RGB 120 91 88

HSL 5.63, 0.15%, 0.41%

LAB 41.5, 11.4, 6.32

 

CMYK 0 / 24 / 27 / 33

HEX #AB827D

RGB 171 130 125

HSL 6.52, 0.21%, 0.58%

LAB 58.14, 15.03, 8.81

 

CMYK 8 / 0 / 26 / 33

HEX #9CAA7D

RGB 156 170 125

HSL 78.67, 0.21%, 0.58%

LAB 67.5, -12.85, 21.62

 

CMYK 26 / 19 / 0 / 33

HEX #7D8AAA

RGB 125 138 170

HSL 222.67, 0.21%, 0.58%

LAB 57.5, 2.7, -18.44

 

CMYK 0 / 24 / 27 / 33

HEX #AB827D

RGB 171 130 125

HSL 6.52, 0.21%, 0.58%

LAB 58.14, 15.03, 8.81

 

CMYK 26 / 0 / 24 / 33

HEX #7DAA81

RGB 125 170 129

HSL 125.33, 0.21%, 0.58%

LAB 65.51, -23.49, 16.37

 

CMYK 24 / 26 / 0 / 33

HEX #817DAA

RGB 129 125 170

HSL 245.33, 0.21%, 0.58%

LAB 54.28, 11.53, -23.35

 

CMYK 0 / 24 / 27 / 33

HEX #AB827D

RGB 171 130 125

HSL 6.52, 0.21%, 0.58%

LAB 58.14, 15.03, 8.81

 

CMYK 8 / 0 / 26 / 33

HEX #9CAA7D

RGB 156 170 125

HSL 78.67, 0.21%, 0.58%

LAB 67.5, -12.85, 21.62

 

CMYK 26 / 3 / 0 / 33

HEX #7DA5AA

RGB 125 165 170

HSL 186.67, 0.21%, 0.58%

LAB 65.1, -12.31, -7.01

 

CMYK 19 / 26 / 0 / 33

HEX #8A7DAA

RGB 138 125 170

HSL 257.33, 0.21%, 0.58%

LAB 55.04, 14.43, -22.1

 

CMYK 0 / 24 / 27 / 33

HEX #AB827D

RGB 171 130 125

HSL 6.52, 0.21%, 0.58%

LAB 58.14, 15.03, 8.81

 

CMYK 16 / 0 / 26 / 33

HEX #8FAA7D

RGB 143 170 125

HSL 96, 0.21%, 0.58%

LAB 66.57, -17.76, 20.2

 

CMYK 26 / 3 / 0 / 33

HEX #7DA5AA

RGB 125 165 170

HSL 186.67, 0.21%, 0.58%

LAB 65.1, -12.31, -7.01

 

CMYK 11 / 26 / 0 / 33

HEX #987DAA

RGB 152 125 170

HSL 276, 0.21%, 0.58%

LAB 56.33, 19.08, -20.02

 

Description

Color code: CMYK 0 / 24 / 27 / 33 | qconv.com Color code: CMYK 0 / 24 / 27 / 33 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 130 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 130 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 27 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 27% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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