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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 23 / 3 / 15 it is the complementary color CMYK 57 / 0 / 49 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 23 / 3 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 23 / 3 / 15: CMYK 0 / 25 / 8 / 13, CMYK 0 / 23 / 6 / 6, CMYK 0 / 20 / 5 / 0, CMYK 0 / 13 / 0 / 0 and CMYK 0 / 6 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 23 / 3 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 23 / 3 / 15: CMYK 0 / 23 / 3 / 15, CMYK 0 / 26 / 5 / 22, CMYK 0 / 28 / 6 / 28, CMYK 0 / 32 / 8 / 35 and CMYK 0 / 36 / 10 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 3 / 15

HEX #D9A7D2

RGB 217 167 210

HSL 308.4, 0.4%, 0.75%

LAB 74.22, 25.42, -14.74

 

Complementary color

CMYK 57 / 0 / 49 / 65

HEX #26582D

RGB 38 88 45

HSL 128.4, 0.4%, 0.25%

LAB 33.09, -27.28, 19.9

 

CMYK 0 / 25 / 8 / 13

HEX #DEA7CD

RGB 222 167 205

HSL 318.55, 0.45%, 0.76%

LAB 74.56, 26.23, -11.44

 

CMYK 0 / 23 / 6 / 6

HEX #EFB9E0

RGB 239 185 224

HSL 316.67, 0.63%, 0.83%

LAB 80.98, 25.65, -11.98

 

CMYK 0 / 20 / 5 / 0

HEX #FFCBF3

RGB 255 203 243

HSL 313.85, 1%, 0.9%

LAB 87.21, 24.77, -12.64

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 0 / 6 / 0 / 0

HEX #FFEFFF

RGB 255 239 255

HSL 300, 1%, 0.97%

LAB 96.09, 8.15, -5.76

 

CMYK 0 / 23 / 3 / 15

HEX #D9A7D2

RGB 217 167 210

HSL 308.4, 0.4%, 0.75%

LAB 74.22, 25.42, -14.74

 

CMYK 0 / 26 / 5 / 22

HEX #C895BF

RGB 200 149 191

HSL 310.59, 0.32%, 0.68%

LAB 67.68, 26.03, -14.25

 

CMYK 0 / 28 / 6 / 28

HEX #B783AC

RGB 183 131 172

HSL 312.69, 0.27%, 0.62%

LAB 61.03, 26.68, -13.74

 

CMYK 0 / 32 / 8 / 35

HEX #A67199

RGB 166 113 153

HSL 314.72, 0.23%, 0.55%

LAB 54.26, 27.39, -13.19

 

CMYK 0 / 36 / 10 / 42

HEX #955F86

RGB 149 95 134

HSL 316.67, 0.22%, 0.48%

LAB 47.36, 28.16, -12.58

 

CMYK 0 / 23 / 3 / 15

HEX #D9A7D2

RGB 217 167 210

HSL 308.4, 0.4%, 0.75%

LAB 74.22, 25.42, -14.74

 

CMYK 0 / 24 / 7 / 15

HEX #D8A5C9

RGB 216 165 201

HSL 317.65, 0.4%, 0.75%

LAB 73.37, 24.56, -11.09

 

CMYK 0 / 24 / 11 / 15

HEX #D8A5C0

RGB 216 165 192

HSL 328.24, 0.4%, 0.75%

LAB 73.1, 23.02, -6.54

 

CMYK 0 / 24 / 15 / 15

HEX #D8A5B8

RGB 216 165 184

HSL 337.65, 0.4%, 0.75%

LAB 72.87, 21.7, -2.47

 

CMYK 0 / 24 / 19 / 15

HEX #D8A5AF

RGB 216 165 175

HSL 348.24, 0.4%, 0.75%

LAB 72.63, 20.28, 2.14

 

CMYK 0 / 23 / 3 / 15

HEX #D9A7D2

RGB 217 167 210

HSL 308.4, 0.4%, 0.75%

LAB 74.22, 25.42, -14.74

 

CMYK 0 / 23 / 0 / 95

HEX #0D0A0D

RGB 13 10 13

HSL 300, 0.13%, 0.05%

LAB 3, 1.31, -0.93

 

CMYK 0 / 23 / 3 / 75

HEX #40313E

RGB 64 49 62

HSL 308, 0.13%, 0.22%

LAB 22.42, 9.48, -5.58

 

CMYK 0 / 23 / 3 / 55

HEX #73596F

RGB 115 89 111

HSL 309.23, 0.13%, 0.4%

LAB 41.12, 14.76, -8.43

 

CMYK 0 / 23 / 3 / 35

HEX #A680A1

RGB 166 128 161

HSL 307.89, 0.18%, 0.58%

LAB 58.15, 20.36, -11.95

 

CMYK 0 / 23 / 3 / 15

HEX #D9A7D2

RGB 217 167 210

HSL 308.4, 0.4%, 0.75%

LAB 74.22, 25.42, -14.74

 

CMYK 0 / 16 / 24 / 15

HEX #D8B6A5

RGB 216 182 165

HSL 20, 0.4%, 0.75%

LAB 76.54, 9.63, 13.2

 

CMYK 24 / 0 / 6 / 15

HEX #A5D8CB

RGB 165 216 203

HSL 164.71, 0.4%, 0.75%

LAB 82.61, -19.12, 1.03

 

CMYK 0 / 23 / 3 / 15

HEX #D9A7D2

RGB 217 167 210

HSL 308.4, 0.4%, 0.75%

LAB 74.22, 25.42, -14.74

 

CMYK 3 / 0 / 24 / 15

HEX #D1D8A5

RGB 209 216 165

HSL 68.24, 0.4%, 0.75%

LAB 84.68, -10.75, 24.41

 

CMYK 24 / 3 / 0 / 15

HEX #A5D1D8

RGB 165 209 216

HSL 188.24, 0.4%, 0.75%

LAB 81.05, -12.78, -8.2

 

CMYK 0 / 23 / 3 / 15

HEX #D9A7D2

RGB 217 167 210

HSL 308.4, 0.4%, 0.75%

LAB 74.22, 25.42, -14.74

 

CMYK 0 / 16 / 24 / 15

HEX #D8B6A5

RGB 216 182 165

HSL 20, 0.4%, 0.75%

LAB 76.54, 9.63, 13.2

 

CMYK 24 / 0 / 20 / 15

HEX #A5D8AC

RGB 165 216 172

HSL 128.24, 0.4%, 0.75%

LAB 81.89, -25.09, 16.43

 

CMYK 24 / 8 / 0 / 15

HEX #A5C7D8

RGB 165 199 216

HSL 200, 0.4%, 0.75%

LAB 78.35, -7.57, -12.22

 

CMYK 0 / 23 / 3 / 15

HEX #D9A7D2

RGB 217 167 210

HSL 308.4, 0.4%, 0.75%

LAB 74.22, 25.42, -14.74

 

CMYK 0 / 8 / 24 / 15

HEX #D8C6A5

RGB 216 198 165

HSL 38.82, 0.4%, 0.75%

LAB 80.57, 1.16, 18.84

 

CMYK 24 / 0 / 20 / 15

HEX #A5D8AC

RGB 165 216 172

HSL 128.24, 0.4%, 0.75%

LAB 81.89, -25.09, 16.43

 

CMYK 24 / 15 / 0 / 15

HEX #A5B8D8

RGB 165 184 216

HSL 217.65, 0.4%, 0.75%

LAB 74.34, 0.44, -18.25

 

Description

Color code: CMYK 0 / 23 / 3 / 15 | qconv.com Color code: CMYK 0 / 23 / 3 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 167 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 167 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 3 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 3% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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