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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 22 / 65 / 20 it is the complementary color CMYK 72 / 48 / 0 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 22 / 65 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 22 / 65 / 20: CMYK 0 / 24 / 68 / 18, CMYK 0 / 22 / 62 / 11, CMYK 0 / 20 / 57 / 5, CMYK 0 / 16 / 52 / 0 and CMYK 0 / 9 / 44 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 22 / 65 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 22 / 65 / 20: CMYK 0 / 22 / 65 / 20, CMYK 0 / 25 / 72 / 27, CMYK 0 / 28 / 81 / 33, CMYK 0 / 31 / 91 / 40 and CMYK 0 / 36 / 100 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 65 / 20

HEX #CC9F47

RGB 204 159 71

HSL 39.7, 0.57%, 0.54%

LAB 68.09, 7.31, 51.02

 

Complementary color

CMYK 72 / 48 / 0 / 28

HEX #3360B8

RGB 51 96 184

HSL 219.7, 0.57%, 0.46%

LAB 42.05, 15.11, -51.09

 

CMYK 0 / 24 / 68 / 18

HEX #D19F42

RGB 209 159 66

HSL 39.02, 0.61%, 0.54%

LAB 68.57, 9.17, 53.97

 

CMYK 0 / 22 / 62 / 11

HEX #E2B155

RGB 226 177 85

HSL 39.15, 0.71%, 0.61%

LAB 74.99, 7.95, 52.81

 

CMYK 0 / 20 / 57 / 5

HEX #F3C368

RGB 243 195 104

HSL 39.28, 0.85%, 0.68%

LAB 81.34, 6.9, 51.55

 

CMYK 0 / 16 / 52 / 0

HEX #FFD57B

RGB 255 213 123

HSL 40.91, 1%, 0.74%

LAB 87.13, 3.98, 49.6

 

CMYK 0 / 9 / 44 / 0

HEX #FFE78E

RGB 255 231 142

HSL 47.26, 1%, 0.78%

LAB 91.85, -3.45, 46.17

 

CMYK 0 / 22 / 65 / 20

HEX #CC9F47

RGB 204 159 71

HSL 39.7, 0.57%, 0.54%

LAB 68.09, 7.31, 51.02

 

CMYK 0 / 25 / 72 / 27

HEX #BB8D34

RGB 187 141 52

HSL 39.56, 0.56%, 0.47%

LAB 61.54, 8.63, 52.07

 

CMYK 0 / 28 / 81 / 33

HEX #AA7B21

RGB 170 123 33

HSL 39.42, 0.67%, 0.4%

LAB 54.89, 10.19, 52.65

 

CMYK 0 / 31 / 91 / 40

HEX #99690E

RGB 153 105 14

HSL 39.28, 0.83%, 0.33%

LAB 48.14, 12.07, 52.15

 

CMYK 0 / 36 / 100 / 47

HEX #885700

RGB 136 87 0

HSL 38.38, 1%, 0.27%

LAB 41.3, 14.3, 49.69

 

CMYK 0 / 22 / 65 / 20

HEX #CC9F47

RGB 204 159 71

HSL 39.7, 0.57%, 0.54%

LAB 68.09, 7.31, 51.02

 

CMYK 0 / 12 / 66 / 20

HEX #CCB446

RGB 204 180 70

HSL 49.25, 0.57%, 0.54%

LAB 73.49, -3.93, 57.29

 

CMYK 0 / 1 / 66 / 20

HEX #CCCA46

RGB 204 202 70

HSL 59.1, 0.57%, 0.54%

LAB 79.34, -15.2, 63.37

 

CMYK 10 / 0 / 66 / 20

HEX #B8CC46

RGB 184 204 70

HSL 68.96, 0.57%, 0.54%

LAB 78.36, -24.47, 61.87

 

CMYK 21 / 0 / 66 / 20

HEX #A2CC46

RGB 162 204 70

HSL 78.81, 0.57%, 0.54%

LAB 76.87, -33.24, 59.85

 

CMYK 0 / 22 / 65 / 20

HEX #CC9F47

RGB 204 159 71

HSL 39.7, 0.57%, 0.54%

LAB 68.09, 7.31, 51.02

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 22 / 65 / 80

HEX #332812

RGB 51 40 18

HSL 40, 0.48%, 0.14%

LAB 16.82, 1.74, 16.25

 

CMYK 0 / 22 / 65 / 60

HEX #665024

RGB 102 80 36

HSL 40, 0.48%, 0.27%

LAB 35.38, 3.58, 28.93

 

CMYK 0 / 22 / 65 / 40

HEX #997735

RGB 153 119 53

HSL 39.6, 0.49%, 0.4%

LAB 52.09, 5.76, 40.46

 

CMYK 0 / 22 / 65 / 20

HEX #CC9F47

RGB 204 159 71

HSL 39.7, 0.57%, 0.54%

LAB 68.09, 7.31, 51.02

 

CMYK 56 / 0 / 66 / 20

HEX #5ACC46

RGB 90 204 70

HSL 111.04, 0.57%, 0.54%

LAB 73.42, -57.08, 55.14

 

CMYK 49 / 66 / 0 / 20

HEX #6846CC

RGB 104 70 204

HSL 255.22, 0.57%, 0.54%

LAB 40.71, 46.88, -64.72

 

CMYK 0 / 22 / 65 / 20

HEX #CC9F47

RGB 204 159 71

HSL 39.7, 0.57%, 0.54%

LAB 68.09, 7.31, 51.02

 

CMYK 66 / 0 / 23 / 20

HEX #46CC9D

RGB 70 204 157

HSL 158.96, 0.57%, 0.54%

LAB 74.14, -47.33, 12.94

 

CMYK 23 / 66 / 0 / 20

HEX #9D46CC

RGB 157 70 204

HSL 278.96, 0.57%, 0.54%

LAB 46.85, 57.74, -54.48

 

CMYK 0 / 22 / 65 / 20

HEX #CC9F47

RGB 204 159 71

HSL 39.7, 0.57%, 0.54%

LAB 68.09, 7.31, 51.02

 

CMYK 56 / 0 / 66 / 20

HEX #5ACC46

RGB 90 204 70

HSL 111.04, 0.57%, 0.54%

LAB 73.42, -57.08, 55.14

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 10 / 66 / 0 / 20

HEX #B846CC

RGB 184 70 204

HSL 291.04, 0.57%, 0.54%

LAB 50.61, 63.82, -48.26

 

CMYK 0 / 22 / 65 / 20

HEX #CC9F47

RGB 204 159 71

HSL 39.7, 0.57%, 0.54%

LAB 68.09, 7.31, 51.02

 

CMYK 66 / 0 / 56 / 20

HEX #46CC5A

RGB 70 204 90

HSL 128.96, 0.57%, 0.54%

LAB 73.04, -59.37, 45.75

 

CMYK 66 / 43 / 0 / 20

HEX #4675CC

RGB 70 117 204

HSL 218.96, 0.57%, 0.54%

LAB 49.96, 12.03, -49.91

 

CMYK 0 / 66 / 10 / 20

HEX #CC46B8

RGB 204 70 184

HSL 308.96, 0.57%, 0.54%

LAB 52.6, 65.23, -33.37

 

Description

Color code: CMYK 0 / 22 / 65 / 20 | qconv.com Color code: CMYK 0 / 22 / 65 / 20 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 159 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 159 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 65 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 65% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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