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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 22 / 27 / 1 it is the complementary color CMYK 96 / 18 / 0 / 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 22 / 27 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 22 / 27 / 1: CMYK 0 / 23 / 30 / 0, CMYK 0 / 16 / 22 / 0, CMYK 0 / 9 / 15 / 0, CMYK 0 / 2 / 7 / 0 and CMYK 0 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 22 / 27 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 22 / 27 / 1: CMYK 0 / 22 / 27 / 1, CMYK 0 / 24 / 30 / 8, CMYK 0 / 26 / 33 / 15, CMYK 0 / 29 / 37 / 21 and CMYK 0 / 32 / 41 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 27 / 1

HEX #FCC5B8

RGB 252 197 184

HSL 11.47, 0.92%, 0.85%

LAB 84.01, 17.77, 14.03

 

Complementary color

CMYK 96 / 18 / 0 / 72

HEX #033A47

RGB 3 58 71

HSL 191.47, 0.92%, 0.15%

LAB 21.95, -11.23, -12.72

 

CMYK 0 / 23 / 30 / 0

HEX #FFC5B3

RGB 255 197 179

HSL 14.21, 1%, 0.85%

LAB 84.2, 18.23, 17

 

CMYK 0 / 16 / 22 / 0

HEX #FFD7C6

RGB 255 215 198

HSL 17.89, 1%, 0.89%

LAB 88.89, 11.41, 13.57

 

CMYK 0 / 9 / 15 / 0

HEX #FFE9D9

RGB 255 233 217

HSL 25.26, 1%, 0.93%

LAB 93.69, 4.94, 10.47

 

CMYK 0 / 2 / 7 / 0

HEX #FFFBEC

RGB 255 251 236

HSL 47.37, 1%, 0.96%

LAB 98.56, -1.19, 7.64

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 0 / 22 / 27 / 1

HEX #FCC5B8

RGB 252 197 184

HSL 11.47, 0.92%, 0.85%

LAB 84.01, 17.77, 14.03

 

CMYK 0 / 24 / 30 / 8

HEX #EBB3A5

RGB 235 179 165

HSL 12, 0.64%, 0.78%

LAB 77.65, 18.41, 15.03

 

CMYK 0 / 26 / 33 / 15

HEX #DAA192

RGB 218 161 146

HSL 12.5, 0.49%, 0.71%

LAB 71.19, 19.12, 16.1

 

CMYK 0 / 29 / 37 / 21

HEX #C98F7F

RGB 201 143 127

HSL 12.97, 0.41%, 0.64%

LAB 64.64, 19.92, 17.27

 

CMYK 0 / 32 / 41 / 28

HEX #B87D6C

RGB 184 125 108

HSL 13.42, 0.35%, 0.57%

LAB 57.98, 20.82, 18.56

 

CMYK 0 / 22 / 27 / 1

HEX #FCC5B8

RGB 252 197 184

HSL 11.47, 0.92%, 0.85%

LAB 84.01, 17.77, 14.03

 

CMYK 0 / 18 / 28 / 2

HEX #FBCEB5

RGB 251 206 181

HSL 21.43, 0.9%, 0.85%

LAB 86, 12.3, 18.4

 

CMYK 0 / 14 / 28 / 2

HEX #FBD9B5

RGB 251 217 181

HSL 30.86, 0.9%, 0.85%

LAB 88.67, 6.59, 22.11

 

CMYK 0 / 9 / 28 / 2

HEX #FBE5B5

RGB 251 229 181

HSL 41.14, 0.9%, 0.85%

LAB 91.63, 0.44, 26.18

 

CMYK 0 / 4 / 28 / 2

HEX #FBF1B5

RGB 251 241 181

HSL 51.43, 0.9%, 0.85%

LAB 94.63, -5.62, 30.25

 

CMYK 0 / 22 / 27 / 1

HEX #FCC5B8

RGB 252 197 184

HSL 11.47, 0.92%, 0.85%

LAB 84.01, 17.77, 14.03

 

CMYK 0 / 21 / 27 / 81

HEX #302623

RGB 48 38 35

HSL 13.85, 0.16%, 0.16%

LAB 16.19, 4.1, 3.75

 

CMYK 0 / 22 / 27 / 61

HEX #634D48

RGB 99 77 72

HSL 11.11, 0.16%, 0.34%

LAB 34.86, 8.41, 6.5

 

CMYK 0 / 22 / 27 / 41

HEX #96756E

RGB 150 117 110

HSL 10.5, 0.16%, 0.51%

LAB 52.21, 11.83, 8.8

 

CMYK 0 / 22 / 27 / 21

HEX #C99D93

RGB 201 157 147

HSL 11.11, 0.33%, 0.68%

LAB 68.49, 14.88, 11.49

 

CMYK 0 / 22 / 27 / 1

HEX #FCC5B8

RGB 252 197 184

HSL 11.47, 0.92%, 0.85%

LAB 84.01, 17.77, 14.03

 

CMYK 11 / 0 / 28 / 2

HEX #E0FBB5

RGB 224 251 181

HSL 83.14, 0.9%, 0.85%

LAB 95.24, -20.37, 30.73

 

CMYK 28 / 22 / 0 / 2

HEX #B5C4FB

RGB 181 196 251

HSL 227.14, 0.9%, 0.85%

LAB 79.77, 6.9, -28.75

 

CMYK 0 / 22 / 27 / 1

HEX #FCC5B8

RGB 252 197 184

HSL 11.47, 0.92%, 0.85%

LAB 84.01, 17.77, 14.03

 

CMYK 28 / 0 / 23 / 2

HEX #B5FBC2

RGB 181 251 194

HSL 131.14, 0.9%, 0.85%

LAB 92.89, -32.73, 20.49

 

CMYK 23 / 28 / 0 / 2

HEX #C2B5FB

RGB 194 181 251

HSL 251.14, 0.9%, 0.85%

LAB 76.97, 18.89, -32.97

 

CMYK 0 / 22 / 27 / 1

HEX #FCC5B8

RGB 252 197 184

HSL 11.47, 0.92%, 0.85%

LAB 84.01, 17.77, 14.03

 

CMYK 11 / 0 / 28 / 2

HEX #E0FBB5

RGB 224 251 181

HSL 83.14, 0.9%, 0.85%

LAB 95.24, -20.37, 30.73

 

CMYK 28 / 5 / 0 / 2

HEX #B5EFFB

RGB 181 239 251

HSL 190.29, 0.9%, 0.85%

LAB 91.02, -15.55, -11.74

 

CMYK 17 / 28 / 0 / 2

HEX #D0B5FB

RGB 208 181 251

HSL 263.14, 0.9%, 0.85%

LAB 78.12, 23.09, -31.09

 

CMYK 0 / 22 / 27 / 1

HEX #FCC5B8

RGB 252 197 184

HSL 11.47, 0.92%, 0.85%

LAB 84.01, 17.77, 14.03

 

CMYK 19 / 0 / 28 / 2

HEX #CBFBB5

RGB 203 251 181

HSL 101.14, 0.9%, 0.85%

LAB 93.89, -27.67, 28.69

 

CMYK 28 / 5 / 0 / 2

HEX #B5EFFB

RGB 181 239 251

HSL 190.29, 0.9%, 0.85%

LAB 91.02, -15.55, -11.74

 

CMYK 9 / 28 / 0 / 2

HEX #E5B5FB

RGB 229 181 251

HSL 281.14, 0.9%, 0.85%

LAB 79.99, 29.55, -28.06

 

Description

Color code: CMYK 0 / 22 / 27 / 1 | qconv.com Color code: CMYK 0 / 22 / 27 / 1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 197 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 197 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 27 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 27% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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