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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 21 / 3 / 30 it is the complementary color CMYK 33 / 0 / 28 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 21 / 3 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 21 / 3 / 30: CMYK 0 / 23 / 9 / 28, CMYK 0 / 21 / 7 / 21, CMYK 0 / 19 / 6 / 15, CMYK 0 / 17 / 4 / 8 and CMYK 0 / 15 / 3 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 21 / 3 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 21 / 3 / 30: CMYK 0 / 21 / 3 / 30, CMYK 0 / 24 / 5 / 36, CMYK 0 / 28 / 7 / 43, CMYK 0 / 32 / 9 / 50 and CMYK 0 / 38 / 13 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 3 / 30

HEX #B38DAD

RGB 179 141 173

HSL 309.47, 0.2%, 0.63%

LAB 63.05, 19.87, -11.3

 

Complementary color

CMYK 33 / 0 / 28 / 55

HEX #4C7252

RGB 76 114 82

HSL 129.47, 0.2%, 0.37%

LAB 44.49, -20.66, 13.56

 

CMYK 0 / 23 / 9 / 28

HEX #B88DA8

RGB 184 141 168

HSL 322.33, 0.23%, 0.64%

LAB 63.4, 20.73, -7.9

 

CMYK 0 / 21 / 7 / 21

HEX #C99FBB

RGB 201 159 187

HSL 320, 0.28%, 0.71%

LAB 70.04, 20.16, -8.48

 

CMYK 0 / 19 / 6 / 15

HEX #DAB1CE

RGB 218 177 206

HSL 317.56, 0.36%, 0.77%

LAB 76.56, 19.64, -9.04

 

CMYK 0 / 17 / 4 / 8

HEX #EBC3E1

RGB 235 195 225

HSL 315, 0.5%, 0.84%

LAB 82.98, 19.15, -9.57

 

CMYK 0 / 15 / 3 / 1

HEX #FCD5F4

RGB 252 213 244

HSL 312.31, 0.87%, 0.91%

LAB 89.31, 18.7, -10.08

 

CMYK 0 / 21 / 3 / 30

HEX #B38DAD

RGB 179 141 173

HSL 309.47, 0.2%, 0.63%

LAB 63.05, 19.87, -11.3

 

CMYK 0 / 24 / 5 / 36

HEX #A27B9A

RGB 162 123 154

HSL 312.31, 0.17%, 0.56%

LAB 56.27, 20.46, -10.78

 

CMYK 0 / 28 / 7 / 43

HEX #916987

RGB 145 105 135

HSL 315, 0.16%, 0.49%

LAB 49.34, 21.12, -10.23

 

CMYK 0 / 32 / 9 / 50

HEX #805774

RGB 128 87 116

HSL 317.56, 0.19%, 0.42%

LAB 42.26, 21.85, -9.63

 

CMYK 0 / 38 / 13 / 56

HEX #6F4561

RGB 111 69 97

HSL 320, 0.23%, 0.35%

LAB 35, 22.65, -8.95

 

CMYK 0 / 21 / 3 / 30

HEX #B38DAD

RGB 179 141 173

HSL 309.47, 0.2%, 0.63%

LAB 63.05, 19.87, -11.3

 

CMYK 0 / 21 / 7 / 30

HEX #B38DA7

RGB 179 141 167

HSL 318.95, 0.2%, 0.63%

LAB 62.86, 18.76, -8.19

 

CMYK 0 / 21 / 10 / 30

HEX #B38DA1

RGB 179 141 161

HSL 328.42, 0.2%, 0.63%

LAB 62.68, 17.69, -5.06

 

CMYK 0 / 21 / 14 / 30

HEX #B38D9A

RGB 179 141 154

HSL 339.47, 0.2%, 0.63%

LAB 62.48, 16.48, -1.38

 

CMYK 0 / 21 / 17 / 30

HEX #B38D94

RGB 179 141 148

HSL 348.95, 0.2%, 0.63%

LAB 62.31, 15.49, 1.79

 

CMYK 0 / 21 / 3 / 30

HEX #B38DAD

RGB 179 141 173

HSL 309.47, 0.2%, 0.63%

LAB 63.05, 19.87, -11.3

 

CMYK 0 / 21 / 3 / 10

HEX #E6B5DE

RGB 230 181 222

HSL 309.8, 0.49%, 0.81%

LAB 79.12, 24.41, -13.76

 

CMYK 0 / 23 / 4 / 90

HEX #1A1419

RGB 26 20 25

HSL 310, 0.13%, 0.09%

LAB 7.14, 4.12, -2.37

 

CMYK 0 / 21 / 4 / 70

HEX #4D3D4A

RGB 77 61 74

HSL 311.25, 0.12%, 0.27%

LAB 27.87, 9.6, -5.27

 

CMYK 0 / 21 / 3 / 50

HEX #80657C

RGB 128 101 124

HSL 308.89, 0.12%, 0.45%

LAB 46.11, 15.05, -8.69

 

CMYK 0 / 21 / 3 / 30

HEX #B38DAD

RGB 179 141 173

HSL 309.47, 0.2%, 0.63%

LAB 63.05, 19.87, -11.3

 

CMYK 0 / 14 / 21 / 30

HEX #B39A8D

RGB 179 154 141

HSL 20.53, 0.2%, 0.63%

LAB 65.45, 7.15, 10.23

 

CMYK 21 / 0 / 5 / 30

HEX #8DB3AA

RGB 141 179 170

HSL 165.79, 0.2%, 0.63%

LAB 70.04, -14.67, 0.37

 

CMYK 0 / 21 / 3 / 30

HEX #B38DAD

RGB 179 141 173

HSL 309.47, 0.2%, 0.63%

LAB 63.05, 19.87, -11.3

 

CMYK 3 / 0 / 21 / 30

HEX #ADB38D

RGB 173 179 141

HSL 69.47, 0.2%, 0.63%

LAB 71.59, -8.67, 18.74

 

CMYK 21 / 3 / 0 / 30

HEX #8DADB3

RGB 141 173 179

HSL 189.47, 0.2%, 0.63%

LAB 68.61, -9.53, -6.7

 

CMYK 0 / 21 / 3 / 30

HEX #B38DAD

RGB 179 141 173

HSL 309.47, 0.2%, 0.63%

LAB 63.05, 19.87, -11.3

 

CMYK 0 / 14 / 21 / 30

HEX #B39A8D

RGB 179 154 141

HSL 20.53, 0.2%, 0.63%

LAB 65.45, 7.15, 10.23

 

CMYK 21 / 0 / 18 / 30

HEX #8DB393

RGB 141 179 147

HSL 129.47, 0.2%, 0.63%

LAB 69.48, -19.26, 12.19

 

CMYK 21 / 7 / 0 / 30

HEX #8DA6B3

RGB 141 166 179

HSL 200.53, 0.2%, 0.63%

LAB 66.66, -5.76, -9.59

 

CMYK 0 / 21 / 3 / 30

HEX #B38DAD

RGB 179 141 173

HSL 309.47, 0.2%, 0.63%

LAB 63.05, 19.87, -11.3

 

CMYK 0 / 7 / 21 / 30

HEX #B3A68D

RGB 179 166 141

HSL 39.47, 0.2%, 0.63%

LAB 68.59, 0.58, 14.65

 

CMYK 21 / 0 / 18 / 30

HEX #8DB393

RGB 141 179 147

HSL 129.47, 0.2%, 0.63%

LAB 69.48, -19.26, 12.19

 

CMYK 21 / 14 / 0 / 30

HEX #8D9AB3

RGB 141 154 179

HSL 219.47, 0.2%, 0.63%

LAB 63.37, 0.88, -14.54

 

Description

Color code: CMYK 0 / 21 / 3 / 30 | qconv.com Color code: CMYK 0 / 21 / 3 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 141 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 141 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 3 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 3% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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