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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 20 / 54 / 26 it is the complementary color CMYK 61 / 38 / 0 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 20 / 54 / 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 20 / 54 / 26: CMYK 0 / 22 / 58 / 24, CMYK 0 / 20 / 52 / 17, CMYK 0 / 18 / 47 / 11, CMYK 0 / 16 / 43 / 4 and CMYK 0 / 13 / 38 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 20 / 54 / 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 20 / 54 / 26: CMYK 0 / 20 / 54 / 26, CMYK 0 / 23 / 60 / 33, CMYK 0 / 26 / 68 / 39, CMYK 0 / 30 / 78 / 46 and CMYK 0 / 35 / 91 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 54 / 26

HEX #BD9757

RGB 189 151 87

HSL 37.65, 0.44%, 0.54%

LAB 64.68, 6.4, 38.8

 

Complementary color

CMYK 61 / 38 / 0 / 34

HEX #4268A8

RGB 66 104 168

HSL 217.65, 0.44%, 0.46%

LAB 44.07, 6.8, -38.44

 

CMYK 0 / 22 / 58 / 24

HEX #C29752

RGB 194 151 82

HSL 36.96, 0.48%, 0.54%

LAB 65.13, 8.13, 42.03

 

CMYK 0 / 20 / 52 / 17

HEX #D3A965

RGB 211 169 101

HSL 37.09, 0.56%, 0.61%

LAB 71.67, 7.15, 40.66

 

CMYK 0 / 18 / 47 / 11

HEX #E4BB78

RGB 228 187 120

HSL 37.22, 0.67%, 0.68%

LAB 78.11, 6.32, 39.34

 

CMYK 0 / 16 / 43 / 4

HEX #F5CD8B

RGB 245 205 139

HSL 37.36, 0.84%, 0.75%

LAB 84.45, 5.6, 38.07

 

CMYK 0 / 13 / 38 / 0

HEX #FFDF9E

RGB 255 223 158

HSL 40.21, 1%, 0.81%

LAB 90.09, 2.26, 35.93

 

CMYK 0 / 20 / 54 / 26

HEX #BD9757

RGB 189 151 87

HSL 37.65, 0.44%, 0.54%

LAB 64.68, 6.4, 38.8

 

CMYK 0 / 23 / 60 / 33

HEX #AC8544

RGB 172 133 68

HSL 37.5, 0.43%, 0.47%

LAB 58, 7.44, 40.19

 

CMYK 0 / 26 / 68 / 39

HEX #9B7331

RGB 155 115 49

HSL 37.36, 0.52%, 0.4%

LAB 51.21, 8.69, 41.52

 

CMYK 0 / 30 / 78 / 46

HEX #8A611E

RGB 138 97 30

HSL 37.22, 0.64%, 0.33%

LAB 44.3, 10.23, 42.57

 

CMYK 0 / 35 / 91 / 53

HEX #794F0B

RGB 121 79 11

HSL 37.09, 0.83%, 0.26%

LAB 37.26, 12.15, 42.65

 

CMYK 0 / 20 / 54 / 26

HEX #BD9757

RGB 189 151 87

HSL 37.65, 0.44%, 0.54%

LAB 64.68, 6.4, 38.8

 

CMYK 0 / 12 / 54 / 26

HEX #BDA656

RGB 189 166 86

HSL 46.6, 0.44%, 0.54%

LAB 68.58, -1.79, 43.99

 

CMYK 0 / 3 / 54 / 26

HEX #BDB856

RGB 189 184 86

HSL 57.09, 0.44%, 0.54%

LAB 73.4, -11.24, 49.61

 

CMYK 6 / 0 / 54 / 26

HEX #B1BD56

RGB 177 189 86

HSL 66.99, 0.44%, 0.54%

LAB 73.81, -18.76, 49.84

 

CMYK 15 / 0 / 54 / 26

HEX #A0BD56

RGB 160 189 86

HSL 76.89, 0.44%, 0.54%

LAB 72.59, -25.61, 48.11

 

CMYK 0 / 20 / 54 / 26

HEX #BD9757

RGB 189 151 87

HSL 37.65, 0.44%, 0.54%

LAB 64.68, 6.4, 38.8

 

CMYK 0 / 20 / 54 / 6

HEX #F0C06E

RGB 240 192 110

HSL 37.85, 0.81%, 0.69%

LAB 80.38, 7.7, 47.43

 

CMYK 0 / 19 / 53 / 86

HEX #241D11

RGB 36 29 17

HSL 37.89, 0.36%, 0.1%

LAB 11.24, 1.19, 9.17

 

CMYK 0 / 20 / 54 / 66

HEX #574628

RGB 87 70 40

HSL 38.3, 0.37%, 0.25%

LAB 30.78, 2.86, 20.72

 

CMYK 0 / 20 / 54 / 46

HEX #8A6E40

RGB 138 110 64

HSL 37.3, 0.37%, 0.4%

LAB 48.17, 5.04, 29.67

 

CMYK 0 / 20 / 54 / 26

HEX #BD9757

RGB 189 151 87

HSL 37.65, 0.44%, 0.54%

LAB 64.68, 6.4, 38.8

 

CMYK 44 / 0 / 54 / 26

HEX #69BD56

RGB 105 189 86

HSL 108.93, 0.44%, 0.54%

LAB 69.52, -45.28, 43.73

 

CMYK 43 / 54 / 0 / 26

HEX #6C56BD

RGB 108 86 189

HSL 252.82, 0.44%, 0.54%

LAB 43.53, 34.18, -51.42

 

CMYK 0 / 20 / 54 / 26

HEX #BD9757

RGB 189 151 87

HSL 37.65, 0.44%, 0.54%

LAB 64.68, 6.4, 38.8

 

CMYK 54 / 0 / 21 / 26

HEX #56BD95

RGB 86 189 149

HSL 156.7, 0.44%, 0.54%

LAB 69.85, -39.52, 11.27

 

CMYK 21 / 54 / 0 / 26

HEX #9556BD

RGB 149 86 189

HSL 276.7, 0.44%, 0.54%

LAB 47.9, 44.51, -44.18

 

CMYK 0 / 20 / 54 / 26

HEX #BD9757

RGB 189 151 87

HSL 37.65, 0.44%, 0.54%

LAB 64.68, 6.4, 38.8

 

CMYK 44 / 0 / 54 / 26

HEX #69BD56

RGB 105 189 86

HSL 108.93, 0.44%, 0.54%

LAB 69.52, -45.28, 43.73

 

CMYK 54 / 34 / 0 / 26

HEX #567DBD

RGB 86 125 189

HSL 217.28, 0.44%, 0.54%

LAB 52.2, 5.2, -37.73

 

CMYK 10 / 54 / 0 / 26

HEX #AA56BD

RGB 170 86 189

HSL 288.93, 0.44%, 0.54%

LAB 50.54, 50.14, -39.83

 

CMYK 0 / 20 / 54 / 26

HEX #BD9757

RGB 189 151 87

HSL 37.65, 0.44%, 0.54%

LAB 64.68, 6.4, 38.8

 

CMYK 54 / 0 / 48 / 26

HEX #56BD62

RGB 86 189 98

HSL 126.99, 0.44%, 0.54%

LAB 68.94, -49.02, 36.97

 

CMYK 54 / 34 / 0 / 26

HEX #567DBD

RGB 86 125 189

HSL 217.28, 0.44%, 0.54%

LAB 52.2, 5.2, -37.73

 

CMYK 0 / 54 / 6 / 26

HEX #BD56B1

RGB 189 86 177

HSL 306.99, 0.44%, 0.54%

LAB 52.56, 53.21, -29.52

 

Description

Color code: CMYK 0 / 20 / 54 / 26 | qconv.com Color code: CMYK 0 / 20 / 54 / 26 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 151 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 151 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 54 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 54% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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