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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 33 / 22 it is the complementary color CMYK 54 / 23 / 0 / 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 33 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 19 / 33 / 22: CMYK 0 / 21 / 37 / 20, CMYK 0 / 19 / 33 / 13, CMYK 0 / 17 / 30 / 7, CMYK 0 / 16 / 27 / 0 and CMYK 0 / 9 / 20 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 33 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 19 / 33 / 22: CMYK 0 / 19 / 33 / 22, CMYK 0 / 21 / 37 / 29, CMYK 0 / 24 / 42 / 35, CMYK 0 / 28 / 49 / 42 and CMYK 0 / 32 / 56 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 33 / 22

HEX #C7A185

RGB 199 161 133

HSL 25.45, 0.37%, 0.65%

LAB 68.99, 10.03, 19.89

 

Complementary color

CMYK 54 / 23 / 0 / 52

HEX #385E7A

RGB 56 94 122

HSL 205.45, 0.37%, 0.35%

LAB 38.29, -4.88, -19.91

 

CMYK 0 / 21 / 37 / 20

HEX #CCA180

RGB 204 161 128

HSL 26.05, 0.43%, 0.65%

LAB 69.39, 11.4, 23.25

 

CMYK 0 / 19 / 33 / 13

HEX #DDB393

RGB 221 179 147

HSL 25.95, 0.52%, 0.72%

LAB 75.9, 10.74, 22.09

 

CMYK 0 / 17 / 30 / 7

HEX #EEC5A6

RGB 238 197 166

HSL 25.83, 0.68%, 0.79%

LAB 82.3, 10.16, 21.01

 

CMYK 0 / 16 / 27 / 0

HEX #FFD7B9

RGB 255 215 185

HSL 25.71, 1%, 0.86%

LAB 88.62, 9.64, 20

 

CMYK 0 / 9 / 20 / 0

HEX #FFE9CC

RGB 255 233 204

HSL 34.12, 1%, 0.9%

LAB 93.41, 3.01, 16.81

 

CMYK 0 / 19 / 33 / 22

HEX #C7A185

RGB 199 161 133

HSL 25.45, 0.37%, 0.65%

LAB 68.99, 10.03, 19.89

 

CMYK 0 / 21 / 37 / 29

HEX #B68F72

RGB 182 143 114

HSL 25.59, 0.32%, 0.58%

LAB 62.34, 10.7, 21.06

 

CMYK 0 / 24 / 42 / 35

HEX #A57D5F

RGB 165 125 95

HSL 25.71, 0.28%, 0.51%

LAB 55.58, 11.48, 22.35

 

CMYK 0 / 28 / 49 / 42

HEX #946B4C

RGB 148 107 76

HSL 25.83, 0.32%, 0.44%

LAB 48.68, 12.41, 23.77

 

CMYK 0 / 32 / 56 / 49

HEX #835939

RGB 131 89 57

HSL 25.95, 0.39%, 0.37%

LAB 41.63, 13.55, 25.36

 

CMYK 0 / 19 / 33 / 22

HEX #C7A185

RGB 199 161 133

HSL 25.45, 0.37%, 0.65%

LAB 68.99, 10.03, 19.89

 

CMYK 0 / 14 / 33 / 22

HEX #C6AB84

RGB 198 171 132

HSL 35.45, 0.37%, 0.65%

LAB 71.42, 4.09, 23.72

 

CMYK 0 / 8 / 33 / 22

HEX #C6B684

RGB 198 182 132

HSL 45.45, 0.37%, 0.65%

LAB 74.27, -1.78, 27.56

 

CMYK 0 / 3 / 33 / 22

HEX #C6C184

RGB 198 193 132

HSL 55.45, 0.37%, 0.65%

LAB 77.17, -7.54, 31.4

 

CMYK 3 / 0 / 33 / 22

HEX #C1C684

RGB 193 198 132

HSL 64.55, 0.37%, 0.65%

LAB 78.11, -12.07, 32.56

 

CMYK 0 / 19 / 33 / 22

HEX #C7A185

RGB 199 161 133

HSL 25.45, 0.37%, 0.65%

LAB 68.99, 10.03, 19.89

 

CMYK 0 / 19 / 33 / 2

HEX #FACAA7

RGB 250 202 167

HSL 25.3, 0.89%, 0.82%

LAB 84.67, 12.23, 23.91

 

CMYK 0 / 20 / 33 / 82

HEX #2E251F

RGB 46 37 31

HSL 24, 0.19%, 0.15%

LAB 15.5, 3.07, 5.58

 

CMYK 0 / 20 / 33 / 62

HEX #614E41

RGB 97 78 65

HSL 24.38, 0.2%, 0.32%

LAB 34.75, 5.81, 10.7

 

CMYK 0 / 19 / 33 / 42

HEX #947863

RGB 148 120 99

HSL 25.71, 0.2%, 0.48%

LAB 52.54, 7.7, 15.65

 

CMYK 0 / 19 / 33 / 22

HEX #C7A185

RGB 199 161 133

HSL 25.45, 0.37%, 0.65%

LAB 68.99, 10.03, 19.89

 

CMYK 20 / 0 / 33 / 22

HEX #9EC684

RGB 158 198 132

HSL 96.36, 0.37%, 0.65%

LAB 75.65, -25.23, 28.87

 

CMYK 33 / 33 / 0 / 22

HEX #8584C6

RGB 133 132 198

HSL 240.91, 0.37%, 0.65%

LAB 57.62, 15.82, -34.14

 

CMYK 0 / 19 / 33 / 22

HEX #C7A185

RGB 199 161 133

HSL 25.45, 0.37%, 0.65%

LAB 68.99, 10.03, 19.89

 

CMYK 33 / 0 / 19 / 22

HEX #84C6A0

RGB 132 198 160

HSL 145.45, 0.37%, 0.65%

LAB 74.72, -29.08, 12.47

 

CMYK 19 / 33 / 0 / 22

HEX #A084C6

RGB 160 132 198

HSL 265.45, 0.37%, 0.65%

LAB 59.94, 23.9, -30.36

 

CMYK 0 / 19 / 33 / 22

HEX #C7A185

RGB 199 161 133

HSL 25.45, 0.37%, 0.65%

LAB 68.99, 10.03, 19.89

 

CMYK 20 / 0 / 33 / 22

HEX #9EC684

RGB 158 198 132

HSL 96.36, 0.37%, 0.65%

LAB 75.65, -25.23, 28.87

 

CMYK 33 / 14 / 0 / 22

HEX #84ABC6

RGB 132 171 198

HSL 204.55, 0.37%, 0.65%

LAB 68.1, -6.62, -18.03

 

CMYK 13 / 33 / 0 / 22

HEX #AD84C6

RGB 173 132 198

HSL 277.27, 0.37%, 0.65%

LAB 61.19, 27.97, -28.32

 

CMYK 0 / 19 / 33 / 22

HEX #C7A185

RGB 199 161 133

HSL 25.45, 0.37%, 0.65%

LAB 68.99, 10.03, 19.89

 

CMYK 30 / 0 / 33 / 22

HEX #8AC684

RGB 138 198 132

HSL 114.55, 0.37%, 0.65%

LAB 74.48, -32.17, 27.1

 

CMYK 33 / 14 / 0 / 22

HEX #84ABC6

RGB 132 171 198

HSL 204.55, 0.37%, 0.65%

LAB 68.1, -6.62, -18.03

 

CMYK 3 / 33 / 0 / 22

HEX #C184C6

RGB 193 132 198

HSL 295.45, 0.37%, 0.65%

LAB 63.27, 34.35, -24.94

 

Description

Color code: CMYK 0 / 19 / 33 / 22 | qconv.com Color code: CMYK 0 / 19 / 33 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 161 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 161 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 33 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 33% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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