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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 13 / 44 it is the complementary color CMYK 19 / 0 / 6 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 13 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 19 / 13 / 44: CMYK 0 / 22 / 20 / 42, CMYK 0 / 19 / 16 / 35, CMYK 0 / 16 / 14 / 29, CMYK 0 / 15 / 12 / 22 and CMYK 0 / 13 / 10 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 13 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 19 / 13 / 44: CMYK 0 / 19 / 13 / 44, CMYK 0 / 22 / 17 / 51, CMYK 0 / 27 / 21 / 57, CMYK 0 / 33 / 27 / 64 and CMYK 0 / 41 / 36 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 13 / 44

HEX #8F747C

RGB 143 116 124

HSL 342.22, 0.11%, 0.51%

LAB 51.59, 11.93, -0.41

 

Complementary color

CMYK 19 / 0 / 6 / 45

HEX #708B83

RGB 112 139 131

HSL 162.22, 0.11%, 0.49%

LAB 55.63, -11.31, 1.1

 

CMYK 0 / 22 / 20 / 42

HEX #947477

RGB 148 116 119

HSL 354.38, 0.13%, 0.52%

LAB 51.97, 13.03, 3.15

 

CMYK 0 / 19 / 16 / 35

HEX #A5868A

RGB 165 134 138

HSL 352.26, 0.15%, 0.59%

LAB 58.87, 12.46, 2.32

 

CMYK 0 / 16 / 14 / 29

HEX #B6989D

RGB 182 152 157

HSL 350, 0.17%, 0.65%

LAB 65.62, 11.97, 1.55

 

CMYK 0 / 15 / 12 / 22

HEX #C7AAB0

RGB 199 170 176

HSL 347.59, 0.21%, 0.72%

LAB 72.25, 11.52, 0.83

 

CMYK 0 / 13 / 10 / 15

HEX #D8BCC3

RGB 216 188 195

HSL 345, 0.26%, 0.79%

LAB 78.76, 11.12, 0.14

 

CMYK 0 / 19 / 13 / 44

HEX #8F747C

RGB 143 116 124

HSL 342.22, 0.11%, 0.51%

LAB 51.59, 11.93, -0.41

 

CMYK 0 / 22 / 17 / 51

HEX #7E6269

RGB 126 98 105

HSL 345, 0.13%, 0.44%

LAB 44.51, 12.5, 0.37

 

CMYK 0 / 27 / 21 / 57

HEX #6D5056

RGB 109 80 86

HSL 347.59, 0.15%, 0.37%

LAB 37.23, 13.17, 1.24

 

CMYK 0 / 33 / 27 / 64

HEX #5C3E43

RGB 92 62 67

HSL 350, 0.19%, 0.3%

LAB 29.73, 13.96, 2.25

 

CMYK 0 / 41 / 36 / 71

HEX #4B2C30

RGB 75 44 48

HSL 352.26, 0.26%, 0.23%

LAB 21.98, 14.94, 3.48

 

CMYK 0 / 19 / 13 / 44

HEX #8F747C

RGB 143 116 124

HSL 342.22, 0.11%, 0.51%

LAB 51.59, 11.93, -0.41

 

CMYK 0 / 19 / 17 / 44

HEX #8F7477

RGB 143 116 119

HSL 353.33, 0.11%, 0.51%

LAB 51.45, 11.06, 2.33

 

CMYK 0 / 18 / 19 / 44

HEX #8F7574

RGB 143 117 116

HSL 2.22, 0.11%, 0.51%

LAB 51.64, 9.97, 4.36

 

CMYK 0 / 15 / 19 / 44

HEX #8F7974

RGB 143 121 116

HSL 11.11, 0.11%, 0.51%

LAB 52.7, 7.65, 5.89

 

CMYK 0 / 12 / 19 / 44

HEX #8F7E74

RGB 143 126 116

HSL 22.22, 0.11%, 0.51%

LAB 54.05, 4.78, 7.82

 

CMYK 0 / 19 / 13 / 44

HEX #8F747C

RGB 143 116 124

HSL 342.22, 0.11%, 0.51%

LAB 51.59, 11.93, -0.41

 

CMYK 0 / 19 / 13 / 24

HEX #C29DA8

RGB 194 157 168

HSL 342.16, 0.23%, 0.69%

LAB 68.32, 15.48, -0.53

 

CMYK 0 / 19 / 13 / 4

HEX #F5C7D4

RGB 245 199 212

HSL 343.04, 0.7%, 0.87%

LAB 84.49, 18.31, -0.29

 

CMYK 0 / 20 / 12 / 84

HEX #292124

RGB 41 33 36

HSL 337.5, 0.11%, 0.15%

LAB 13.75, 4.48, -0.59

 

CMYK 0 / 18 / 13 / 64

HEX #5C4B50

RGB 92 75 80

HSL 342.35, 0.1%, 0.33%

LAB 33.75, 8.1, -0.28

 

CMYK 0 / 19 / 13 / 44

HEX #8F747C

RGB 143 116 124

HSL 342.22, 0.11%, 0.51%

LAB 51.59, 11.93, -0.41

 

CMYK 0 / 1 / 19 / 44

HEX #8F8D74

RGB 143 141 116

HSL 55.56, 0.11%, 0.51%

LAB 58.18, -3.69, 13.63

 

CMYK 19 / 6 / 0 / 44

HEX #74878F

RGB 116 135 143

HSL 197.78, 0.11%, 0.51%

LAB 55.1, -5.03, -6.59

 

CMYK 0 / 19 / 13 / 44

HEX #8F747C

RGB 143 116 124

HSL 342.22, 0.11%, 0.51%

LAB 51.59, 11.93, -0.41

 

CMYK 13 / 0 / 19 / 44

HEX #7C8F74

RGB 124 143 116

HSL 102.22, 0.11%, 0.51%

LAB 57.26, -12.14, 12.13

 

CMYK 19 / 13 / 0 / 44

HEX #747C8F

RGB 116 124 143

HSL 222.22, 0.11%, 0.51%

LAB 51.96, 1.29, -11.28

 

CMYK 0 / 19 / 13 / 44

HEX #8F747C

RGB 143 116 124

HSL 342.22, 0.11%, 0.51%

LAB 51.59, 11.93, -0.41

 

CMYK 0 / 1 / 19 / 44

HEX #8F8D74

RGB 143 141 116

HSL 55.56, 0.11%, 0.51%

LAB 58.18, -3.69, 13.63

 

CMYK 19 / 0 / 6 / 44

HEX #748F87

RGB 116 143 135

HSL 162.22, 0.11%, 0.51%

LAB 57.18, -11.26, 1.08

 

CMYK 19 / 17 / 0 / 44

HEX #74778F

RGB 116 119 143

HSL 233.33, 0.11%, 0.51%

LAB 50.56, 4.21, -13.4

 

CMYK 0 / 19 / 13 / 44

HEX #8F747C

RGB 143 116 124

HSL 342.22, 0.11%, 0.51%

LAB 51.59, 11.93, -0.41

 

CMYK 3 / 0 / 19 / 44

HEX #8A8F74

RGB 138 143 116

HSL 71.11, 0.11%, 0.51%

LAB 58.33, -6.76, 13.78

 

CMYK 19 / 0 / 6 / 44

HEX #748F87

RGB 116 143 135

HSL 162.22, 0.11%, 0.51%

LAB 57.18, -11.26, 1.08

 

CMYK 15 / 19 / 0 / 44

HEX #79748F

RGB 121 116 143

HSL 251.11, 0.11%, 0.51%

LAB 50.14, 7.71, -13.98

 

Description

Color code: CMYK 0 / 19 / 13 / 44 | qconv.com Color code: CMYK 0 / 19 / 13 / 44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 116 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 116 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 13 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 13% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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