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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 18 / 36 / 5 it is the complementary color CMYK 87 / 44 / 0 / 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 18 / 36 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 18 / 36 / 5: CMYK 0 / 19 / 39 / 3, CMYK 0 / 15 / 34 / 0, CMYK 0 / 8 / 26 / 0, CMYK 0 / 1 / 19 / 0 and CMYK 0 / 0 / 11 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 18 / 36 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 18 / 36 / 5: CMYK 0 / 18 / 36 / 5, CMYK 0 / 20 / 40 / 12, CMYK 0 / 22 / 44 / 18, CMYK 0 / 24 / 49 / 25 and CMYK 0 / 27 / 55 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 36 / 5

HEX #F2C79B

RGB 242 199 155

HSL 30.34, 0.77%, 0.78%

LAB 82.96, 9.29, 27.77

 

Complementary color

CMYK 87 / 44 / 0 / 61

HEX #0D3864

RGB 13 56 100

HSL 210.34, 0.77%, 0.22%

LAB 23.11, 3.57, -30

 

CMYK 0 / 19 / 39 / 3

HEX #F7C796

RGB 247 199 150

HSL 30.31, 0.86%, 0.78%

LAB 83.35, 10.67, 30.99

 

CMYK 0 / 15 / 34 / 0

HEX #FFD9A9

RGB 255 217 169

HSL 33.49, 1%, 0.83%

LAB 88.8, 6.6, 28.57

 

CMYK 0 / 8 / 26 / 0

HEX #FFEBBC

RGB 255 235 188

HSL 42.09, 1%, 0.87%

LAB 93.58, -0.21, 25.31

 

CMYK 0 / 1 / 19 / 0

HEX #FFFDCF

RGB 255 253 207

HSL 57.5, 1%, 0.91%

LAB 98.44, -6.63, 22.31

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 18 / 36 / 5

HEX #F2C79B

RGB 242 199 155

HSL 30.34, 0.77%, 0.78%

LAB 82.96, 9.29, 27.77

 

CMYK 0 / 20 / 40 / 12

HEX #E1B588

RGB 225 181 136

HSL 30.34, 0.6%, 0.71%

LAB 76.58, 9.95, 28.95

 

CMYK 0 / 22 / 44 / 18

HEX #D0A375

RGB 208 163 117

HSL 30.33, 0.49%, 0.64%

LAB 70.1, 10.69, 30.22

 

CMYK 0 / 24 / 49 / 25

HEX #BF9162

RGB 191 145 98

HSL 30.32, 0.42%, 0.57%

LAB 63.52, 11.56, 31.58

 

CMYK 0 / 27 / 55 / 32

HEX #AE7F4F

RGB 174 127 79

HSL 30.32, 0.38%, 0.5%

LAB 56.82, 12.57, 33.04

 

CMYK 0 / 18 / 36 / 5

HEX #F2C79B

RGB 242 199 155

HSL 30.34, 0.77%, 0.78%

LAB 82.96, 9.29, 27.77

 

CMYK 0 / 12 / 36 / 5

HEX #F2D59B

RGB 242 213 155

HSL 40, 0.77%, 0.78%

LAB 86.42, 2.03, 32.4

 

CMYK 0 / 6 / 36 / 5

HEX #F2E39B

RGB 242 227 155

HSL 49.66, 0.77%, 0.78%

LAB 89.94, -5.11, 37.04

 

CMYK 0 / 0 / 36 / 5

HEX #F2F29B

RGB 242 242 155

HSL 60, 0.77%, 0.78%

LAB 93.77, -12.6, 42.02

 

CMYK 6 / 0 / 36 / 5

HEX #E3F29B

RGB 227 242 155

HSL 70.34, 0.77%, 0.78%

LAB 92.66, -18.25, 40.36

 

CMYK 0 / 18 / 36 / 5

HEX #F2C79B

RGB 242 199 155

HSL 30.34, 0.77%, 0.78%

LAB 82.96, 9.29, 27.77

 

CMYK 0 / 18 / 37 / 85

HEX #261F18

RGB 38 31 24

HSL 30, 0.23%, 0.12%

LAB 12.34, 1.98, 6.03

 

CMYK 0 / 18 / 36 / 65

HEX #594939

RGB 89 73 57

HSL 30, 0.22%, 0.29%

LAB 32.22, 4.1, 12.12

 

CMYK 0 / 18 / 36 / 45

HEX #8C735A

RGB 140 115 90

HSL 30, 0.22%, 0.45%

LAB 50.19, 5.99, 17.52

 

CMYK 0 / 18 / 36 / 25

HEX #BF9D7A

RGB 191 157 122

HSL 30.43, 0.35%, 0.61%

LAB 66.97, 7.63, 23.05

 

CMYK 0 / 18 / 36 / 5

HEX #F2C79B

RGB 242 199 155

HSL 30.34, 0.77%, 0.78%

LAB 82.96, 9.29, 27.77

 

CMYK 25 / 0 / 36 / 5

HEX #B5F29B

RGB 181 242 155

HSL 102.07, 0.77%, 0.78%

LAB 89.72, -34.71, 35.96

 

CMYK 32 / 36 / 0 / 5

HEX #A49BF2

RGB 164 155 242

HSL 246.21, 0.77%, 0.78%

LAB 67.83, 22.66, -42.47

 

CMYK 0 / 18 / 36 / 5

HEX #F2C79B

RGB 242 199 155

HSL 30.34, 0.77%, 0.78%

LAB 82.96, 9.29, 27.77

 

CMYK 36 / 0 / 18 / 5

HEX #9BF2C6

RGB 155 242 198

HSL 149.66, 0.77%, 0.78%

LAB 89.18, -35.55, 13.04

 

CMYK 18 / 36 / 0 / 5

HEX #C69BF2

RGB 198 155 242

HSL 269.66, 0.77%, 0.78%

LAB 70.77, 32.37, -37.66

 

CMYK 0 / 18 / 36 / 5

HEX #F2C79B

RGB 242 199 155

HSL 30.34, 0.77%, 0.78%

LAB 82.96, 9.29, 27.77

 

CMYK 25 / 0 / 36 / 5

HEX #B5F29B

RGB 181 242 155

HSL 102.07, 0.77%, 0.78%

LAB 89.72, -34.71, 35.96

 

CMYK 36 / 18 / 0 / 5

HEX #9BC6F2

RGB 155 198 242

HSL 210.34, 0.77%, 0.78%

LAB 78.33, -3.65, -26.28

 

CMYK 11 / 36 / 0 / 5

HEX #D89BF2

RGB 216 155 242

HSL 282.07, 0.77%, 0.78%

LAB 72.53, 37.74, -34.8

 

CMYK 0 / 18 / 36 / 5

HEX #F2C79B

RGB 242 199 155

HSL 30.34, 0.77%, 0.78%

LAB 82.96, 9.29, 27.77

 

CMYK 36 / 0 / 36 / 5

HEX #9BF29B

RGB 155 242 155

HSL 120, 0.77%, 0.78%

LAB 88.37, -43.08, 33.93

 

CMYK 36 / 18 / 0 / 5

HEX #9BC6F2

RGB 155 198 242

HSL 210.34, 0.77%, 0.78%

LAB 78.33, -3.65, -26.28

 

CMYK 0 / 36 / 0 / 5

HEX #F29BF2

RGB 242 155 242

HSL 300, 0.77%, 0.78%

LAB 75.28, 45.62, -30.32

 

Description

Color code: CMYK 0 / 18 / 36 / 5 | qconv.com Color code: CMYK 0 / 18 / 36 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 199 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 199 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 36 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 36% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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