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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 17 / 54 / 36 it is the complementary color CMYK 49 / 33 / 0 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 17 / 54 / 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 17 / 54 / 36: CMYK 0 / 20 / 58 / 34, CMYK 0 / 17 / 52 / 27, CMYK 0 / 15 / 47 / 21, CMYK 0 / 14 / 42 / 14 and CMYK 0 / 12 / 38 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 17 / 54 / 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 17 / 54 / 36: CMYK 0 / 17 / 54 / 36, CMYK 0 / 20 / 62 / 43, CMYK 0 / 23 / 71 / 49, CMYK 0 / 28 / 84 / 56 and CMYK 0 / 34 / 100 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 54 / 36

HEX #A3874B

RGB 163 135 75

HSL 40.91, 0.37%, 0.47%

LAB 57.68, 2.95, 35.95

 

Complementary color

CMYK 49 / 33 / 0 / 29

HEX #5C78B4

RGB 92 120 180

HSL 220.91, 0.37%, 0.53%

LAB 50.69, 6.77, -34.9

 

CMYK 0 / 20 / 58 / 34

HEX #A88746

RGB 168 135 70

HSL 39.8, 0.41%, 0.47%

LAB 58.13, 4.72, 39.21

 

CMYK 0 / 17 / 52 / 27

HEX #B99959

RGB 185 153 89

HSL 40, 0.41%, 0.54%

LAB 64.82, 3.78, 37.85

 

CMYK 0 / 15 / 47 / 21

HEX #CAAB6C

RGB 202 171 108

HSL 40.21, 0.47%, 0.61%

LAB 71.4, 3, 36.52

 

CMYK 0 / 14 / 42 / 14

HEX #DBBD7F

RGB 219 189 127

HSL 40.43, 0.56%, 0.68%

LAB 77.87, 2.34, 35.26

 

CMYK 0 / 12 / 38 / 7

HEX #ECCF92

RGB 236 207 146

HSL 40.67, 0.7%, 0.75%

LAB 84.24, 1.77, 34.05

 

CMYK 0 / 17 / 54 / 36

HEX #A3874B

RGB 163 135 75

HSL 40.91, 0.37%, 0.47%

LAB 57.68, 2.95, 35.95

 

CMYK 0 / 20 / 62 / 43

HEX #927538

RGB 146 117 56

HSL 40.67, 0.45%, 0.4%

LAB 50.83, 3.95, 37.32

 

CMYK 0 / 23 / 71 / 49

HEX #816325

RGB 129 99 37

HSL 40.43, 0.55%, 0.33%

LAB 43.84, 5.2, 38.56

 

CMYK 0 / 28 / 84 / 56

HEX #705112

RGB 112 81 18

HSL 40.21, 0.72%, 0.25%

LAB 36.69, 6.8, 39.26

 

CMYK 0 / 34 / 100 / 63

HEX #5F3F00

RGB 95 63 0

HSL 39.79, 1%, 0.19%

LAB 29.38, 8.82, 39.02

 

CMYK 0 / 17 / 54 / 36

HEX #A3874B

RGB 163 135 75

HSL 40.91, 0.37%, 0.47%

LAB 57.68, 2.95, 35.95

 

CMYK 0 / 9 / 54 / 36

HEX #A4954B

RGB 164 149 75

HSL 49.89, 0.37%, 0.47%

LAB 61.56, -4.32, 40.62

 

CMYK 0 / 0 / 54 / 36

HEX #A4A44B

RGB 164 164 75

HSL 60, 0.37%, 0.47%

LAB 65.71, -12.32, 45.45

 

CMYK 9 / 0 / 54 / 36

HEX #95A44B

RGB 149 164 75

HSL 70.11, 0.37%, 0.47%

LAB 64.52, -18.64, 43.77

 

CMYK 18 / 0 / 54 / 36

HEX #86A44B

RGB 134 164 75

HSL 80.22, 0.37%, 0.47%

LAB 63.45, -24.77, 42.24

 

CMYK 0 / 17 / 54 / 36

HEX #A3874B

RGB 163 135 75

HSL 40.91, 0.37%, 0.47%

LAB 57.68, 2.95, 35.95

 

CMYK 0 / 17 / 54 / 16

HEX #D6B162

RGB 214 177 98

HSL 40.86, 0.59%, 0.61%

LAB 73.95, 3.88, 45.02

 

CMYK 0 / 20 / 50 / 96

HEX #0A0805

RGB 10 8 5

HSL 36, 0.33%, 0.03%

LAB 2.25, 0.11, 1.32

 

CMYK 0 / 16 / 54 / 76

HEX #3D331C

RGB 61 51 28

HSL 41.82, 0.37%, 0.17%

LAB 21.74, 0.74, 16.2

 

CMYK 0 / 17 / 54 / 56

HEX #705D34

RGB 112 93 52

HSL 41, 0.37%, 0.32%

LAB 40.45, 1.95, 26.27

 

CMYK 0 / 17 / 54 / 36

HEX #A3874B

RGB 163 135 75

HSL 40.91, 0.37%, 0.47%

LAB 57.68, 2.95, 35.95

 

CMYK 47 / 0 / 54 / 36

HEX #57A44B

RGB 87 164 75

HSL 111.91, 0.37%, 0.47%

LAB 60.86, -41.64, 38.53

 

CMYK 40 / 54 / 0 / 36

HEX #634BA4

RGB 99 75 164

HSL 256.18, 0.37%, 0.47%

LAB 38.49, 31.45, -44.81

 

CMYK 0 / 17 / 54 / 36

HEX #A3874B

RGB 163 135 75

HSL 40.91, 0.37%, 0.47%

LAB 57.68, 2.95, 35.95

 

CMYK 54 / 0 / 18 / 36

HEX #4BA486

RGB 75 164 134

HSL 159.78, 0.37%, 0.47%

LAB 61.45, -34.1, 7.55

 

CMYK 18 / 54 / 0 / 36

HEX #864BA4

RGB 134 75 164

HSL 279.78, 0.37%, 0.47%

LAB 42.43, 40.74, -38.3

 

CMYK 0 / 17 / 54 / 36

HEX #A3874B

RGB 163 135 75

HSL 40.91, 0.37%, 0.47%

LAB 57.68, 2.95, 35.95

 

CMYK 47 / 0 / 54 / 36

HEX #57A44B

RGB 87 164 75

HSL 111.91, 0.37%, 0.47%

LAB 60.86, -41.64, 38.53

 

CMYK 54 / 36 / 0 / 36

HEX #4B69A4

RGB 75 105 164

HSL 219.78, 0.37%, 0.47%

LAB 44.63, 6.77, -35.16

 

CMYK 7 / 54 / 0 / 36

HEX #984BA4

RGB 152 75 164

HSL 291.91, 0.37%, 0.47%

LAB 44.78, 45.76, -34.43

 

CMYK 0 / 17 / 54 / 36

HEX #A3874B

RGB 163 135 75

HSL 40.91, 0.37%, 0.47%

LAB 57.68, 2.95, 35.95

 

CMYK 54 / 0 / 45 / 36

HEX #4BA45A

RGB 75 164 90

HSL 130.11, 0.37%, 0.47%

LAB 60.59, -42.88, 30.44

 

CMYK 54 / 36 / 0 / 36

HEX #4B69A4

RGB 75 105 164

HSL 219.78, 0.37%, 0.47%

LAB 44.63, 6.77, -35.16

 

CMYK 0 / 54 / 9 / 36

HEX #A44B95

RGB 164 75 149

HSL 310.11, 0.37%, 0.47%

LAB 45.76, 46.48, -23.83

 

Description

Color code: CMYK 0 / 17 / 54 / 36 | qconv.com Color code: CMYK 0 / 17 / 54 / 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 135 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 135 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 54 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 54% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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