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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 17 / 2 / 28 it is the complementary color CMYK 31 / 0 / 27 / 60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 17 / 2 / 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 17 / 2 / 28: CMYK 0 / 20 / 7 / 26, CMYK 0 / 17 / 6 / 19, CMYK 0 / 16 / 4 / 13, CMYK 0 / 14 / 3 / 6 and CMYK 0 / 12 / 2 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 17 / 2 / 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 17 / 2 / 28: CMYK 0 / 17 / 2 / 28, CMYK 0 / 20 / 4 / 35, CMYK 0 / 23 / 5 / 41, CMYK 0 / 26 / 8 / 48 and CMYK 0 / 31 / 10 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 2 / 28

HEX #B898B4

RGB 184 152 180

HSL 307.5, 0.18%, 0.66%

LAB 66.48, 16.79, -10.07

 

Complementary color

CMYK 31 / 0 / 27 / 60

HEX #47674B

RGB 71 103 75

HSL 127.5, 0.18%, 0.34%

LAB 40.49, -17.99, 12.17

 

CMYK 0 / 20 / 7 / 26

HEX #BD98AF

RGB 189 152 175

HSL 322.7, 0.22%, 0.67%

LAB 66.8, 17.64, -6.73

 

CMYK 0 / 17 / 6 / 19

HEX #CEAAC2

RGB 206 170 194

HSL 320, 0.27%, 0.74%

LAB 73.39, 17.14, -7.31

 

CMYK 0 / 16 / 4 / 13

HEX #DFBCD5

RGB 223 188 213

HSL 317.14, 0.35%, 0.81%

LAB 79.87, 16.68, -7.86

 

CMYK 0 / 14 / 3 / 6

HEX #F0CEE8

RGB 240 206 232

HSL 314.12, 0.53%, 0.87%

LAB 86.25, 16.25, -8.39

 

CMYK 0 / 12 / 2 / 0

HEX #FFE0FB

RGB 255 224 251

HSL 307.74, 1%, 0.94%

LAB 92.37, 15.19, -9.17

 

CMYK 0 / 17 / 2 / 28

HEX #B898B4

RGB 184 152 180

HSL 307.5, 0.18%, 0.66%

LAB 66.48, 16.79, -10.07

 

CMYK 0 / 20 / 4 / 35

HEX #A786A1

RGB 167 134 161

HSL 310.91, 0.16%, 0.59%

LAB 59.74, 17.3, -9.55

 

CMYK 0 / 23 / 5 / 41

HEX #96748E

RGB 150 116 142

HSL 314.12, 0.14%, 0.52%

LAB 52.87, 17.88, -9.02

 

CMYK 0 / 26 / 8 / 48

HEX #85627B

RGB 133 98 123

HSL 317.14, 0.15%, 0.45%

LAB 45.84, 18.51, -8.44

 

CMYK 0 / 31 / 10 / 55

HEX #745068

RGB 116 80 104

HSL 320, 0.18%, 0.38%

LAB 38.64, 19.23, -7.82

 

CMYK 0 / 17 / 2 / 28

HEX #B898B4

RGB 184 152 180

HSL 307.5, 0.18%, 0.66%

LAB 66.48, 16.79, -10.07

 

CMYK 0 / 17 / 4 / 28

HEX #B798AF

RGB 183 152 175

HSL 315.48, 0.18%, 0.66%

LAB 66.23, 15.5, -7.65

 

CMYK 0 / 17 / 8 / 28

HEX #B798A9

RGB 183 152 169

HSL 327.1, 0.18%, 0.66%

LAB 66.05, 14.41, -4.55

 

CMYK 0 / 17 / 10 / 28

HEX #B798A4

RGB 183 152 164

HSL 336.77, 0.18%, 0.66%

LAB 65.91, 13.53, -1.95

 

CMYK 0 / 17 / 13 / 28

HEX #B7989F

RGB 183 152 159

HSL 346.45, 0.18%, 0.66%

LAB 65.77, 12.68, 0.65

 

CMYK 0 / 17 / 2 / 28

HEX #B898B4

RGB 184 152 180

HSL 307.5, 0.18%, 0.66%

LAB 66.48, 16.79, -10.07

 

CMYK 0 / 17 / 2 / 8

HEX #EBC2E6

RGB 235 194 230

HSL 307.32, 0.51%, 0.84%

LAB 82.89, 20.57, -12.38

 

CMYK 0 / 16 / 3 / 88

HEX #1F1A1E

RGB 31 26 30

HSL 312, 0.09%, 0.11%

LAB 9.98, 3.41, -1.87

 

CMYK 0 / 17 / 2 / 68

HEX #524450

RGB 82 68 80

HSL 308.57, 0.09%, 0.29%

LAB 30.66, 8.42, -4.95

 

CMYK 0 / 17 / 2 / 48

HEX #856E82

RGB 133 110 130

HSL 307.83, 0.09%, 0.48%

LAB 49.19, 12.77, -7.62

 

CMYK 0 / 17 / 2 / 28

HEX #B898B4

RGB 184 152 180

HSL 307.5, 0.18%, 0.66%

LAB 66.48, 16.79, -10.07

 

CMYK 0 / 11 / 17 / 28

HEX #B7A298

RGB 183 162 152

HSL 19.35, 0.18%, 0.66%

LAB 68.15, 6, 8

 

CMYK 17 / 0 / 4 / 28

HEX #98B7AF

RGB 152 183 175

HSL 164.52, 0.18%, 0.66%

LAB 71.99, -12.14, 0.55

 

CMYK 0 / 17 / 2 / 28

HEX #B898B4

RGB 184 152 180

HSL 307.5, 0.18%, 0.66%

LAB 66.48, 16.79, -10.07

 

CMYK 2 / 0 / 17 / 28

HEX #B4B798

RGB 180 183 152

HSL 65.81, 0.18%, 0.66%

LAB 73.44, -6.43, 15.44

 

CMYK 17 / 2 / 0 / 28

HEX #98B4B7

RGB 152 180 183

HSL 185.81, 0.18%, 0.66%

LAB 71.38, -8.87, -4.73

 

CMYK 0 / 17 / 2 / 28

HEX #B898B4

RGB 184 152 180

HSL 307.5, 0.18%, 0.66%

LAB 66.48, 16.79, -10.07

 

CMYK 0 / 11 / 17 / 28

HEX #B7A298

RGB 183 162 152

HSL 19.35, 0.18%, 0.66%

LAB 68.15, 6, 8

 

CMYK 17 / 0 / 15 / 28

HEX #98B79C

RGB 152 183 156

HSL 127.74, 0.18%, 0.66%

LAB 71.52, -15.85, 10.26

 

CMYK 17 / 5 / 0 / 28

HEX #98AEB7

RGB 152 174 183

HSL 197.42, 0.18%, 0.66%

LAB 69.73, -5.66, -7.17

 

CMYK 0 / 17 / 2 / 28

HEX #B898B4

RGB 184 152 180

HSL 307.5, 0.18%, 0.66%

LAB 66.48, 16.79, -10.07

 

CMYK 0 / 7 / 17 / 28

HEX #B7AB98

RGB 183 171 152

HSL 36.77, 0.18%, 0.66%

LAB 70.5, 1.11, 11.33

 

CMYK 17 / 0 / 15 / 28

HEX #98B79C

RGB 152 183 156

HSL 127.74, 0.18%, 0.66%

LAB 71.52, -15.85, 10.26

 

CMYK 17 / 10 / 0 / 28

HEX #98A4B7

RGB 152 164 183

HSL 216.77, 0.18%, 0.66%

LAB 67.01, -0.2, -11.22

 

Description

Color code: CMYK 0 / 17 / 2 / 28 | qconv.com Color code: CMYK 0 / 17 / 2 / 28 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 184 red, 152 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
184 152 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 2 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 2% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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