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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 16 / 62 / 53 it is the complementary color CMYK 35 / 26 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 16 / 62 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 16 / 62 / 53: CMYK 0 / 19 / 67 / 51, CMYK 0 / 16 / 58 / 44, CMYK 0 / 14 / 50 / 38, CMYK 0 / 12 / 44 / 31 and CMYK 0 / 10 / 39 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 16 / 62 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 16 / 62 / 53: CMYK 0 / 16 / 62 / 53, CMYK 0 / 19 / 74 / 60, CMYK 0 / 24 / 91 / 66, CMYK 0 / 32 / 100 / 73 and CMYK 0 / 44 / 100 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 62 / 53

HEX #78652E

RGB 120 101 46

HSL 44.59, 0.45%, 0.33%

LAB 43.5, 0.42, 33.39

 

Complementary color

CMYK 35 / 26 / 0 / 18

HEX #879AD1

RGB 135 154 209

HSL 224.59, 0.45%, 0.67%

LAB 64.05, 6.57, -30.32

 

CMYK 0 / 19 / 67 / 51

HEX #7D6529

RGB 125 101 41

HSL 42.86, 0.51%, 0.33%

LAB 43.98, 2.4, 36.63

 

CMYK 0 / 16 / 58 / 44

HEX #8E773C

RGB 142 119 60

HSL 43.17, 0.41%, 0.4%

LAB 51, 1.32, 35.34

 

CMYK 0 / 14 / 50 / 38

HEX #9F894F

RGB 159 137 79

HSL 43.5, 0.34%, 0.47%

LAB 57.87, 0.46, 33.98

 

CMYK 0 / 12 / 44 / 31

HEX #B09B62

RGB 176 155 98

HSL 43.85, 0.33%, 0.54%

LAB 64.61, -0.23, 32.67

 

CMYK 0 / 10 / 39 / 24

HEX #C1AD75

RGB 193 173 117

HSL 44.21, 0.38%, 0.61%

LAB 71.22, -0.8, 31.41

 

CMYK 0 / 16 / 62 / 53

HEX #78652E

RGB 120 101 46

HSL 44.59, 0.45%, 0.33%

LAB 43.5, 0.42, 33.39

 

CMYK 0 / 19 / 74 / 60

HEX #67531B

RGB 103 83 27

HSL 44.21, 0.58%, 0.25%

LAB 36.27, 1.62, 34.56

 

CMYK 0 / 24 / 91 / 66

HEX #564108

RGB 86 65 8

HSL 43.85, 0.83%, 0.18%

LAB 28.84, 3.25, 34.87

 

CMYK 0 / 32 / 100 / 73

HEX #452F00

RGB 69 47 0

HSL 40.87, 1%, 0.14%

LAB 21.2, 5.53, 30.06

 

CMYK 0 / 44 / 100 / 80

HEX #341D00

RGB 52 29 0

HSL 33.46, 1%, 0.1%

LAB 13.28, 8.41, 19.86

 

CMYK 0 / 16 / 62 / 53

HEX #78652E

RGB 120 101 46

HSL 44.59, 0.45%, 0.33%

LAB 43.5, 0.42, 33.39

 

CMYK 0 / 7 / 62 / 52

HEX #7A722E

RGB 122 114 46

HSL 53.68, 0.45%, 0.33%

LAB 47.46, -6.13, 37.89

 

CMYK 5 / 0 / 62 / 52

HEX #747A2E

RGB 116 122 46

HSL 64.74, 0.45%, 0.33%

LAB 49.29, -13.3, 39.75

 

CMYK 15 / 0 / 62 / 52

HEX #687A2E

RGB 104 122 46

HSL 74.21, 0.45%, 0.33%

LAB 48.33, -18.63, 38.43

 

CMYK 25 / 0 / 62 / 52

HEX #5B7A2E

RGB 91 122 46

HSL 84.47, 0.45%, 0.33%

LAB 47.42, -24.15, 37.16

 

CMYK 0 / 16 / 62 / 53

HEX #78652E

RGB 120 101 46

HSL 44.59, 0.45%, 0.33%

LAB 43.5, 0.42, 33.39

 

CMYK 0 / 16 / 61 / 33

HEX #AB9042

RGB 171 144 66

HSL 44.57, 0.44%, 0.46%

LAB 60.78, 0.76, 44.34

 

CMYK 0 / 16 / 62 / 13

HEX #DEBB55

RGB 222 187 85

HSL 44.67, 0.67%, 0.6%

LAB 77.12, 1, 55.08

 

CMYK 0 / 17 / 61 / 93

HEX #120F07

RGB 18 15 7

HSL 43.64, 0.44%, 0.05%

LAB 4.39, -0.12, 3.69

 

CMYK 0 / 16 / 62 / 73

HEX #453A1A

RGB 69 58 26

HSL 44.65, 0.45%, 0.19%

LAB 24.85, 0.06, 21.43

 

CMYK 0 / 16 / 62 / 53

HEX #78652E

RGB 120 101 46

HSL 44.59, 0.45%, 0.33%

LAB 43.5, 0.42, 33.39

 

CMYK 58 / 0 / 62 / 52

HEX #337A2E

RGB 51 122 46

HSL 116.05, 0.45%, 0.33%

LAB 45.39, -38.25, 34.31

 

CMYK 42 / 62 / 0 / 52

HEX #472E7A

RGB 71 46 122

HSL 259.74, 0.45%, 0.33%

LAB 25.86, 30.04, -39.49

 

CMYK 0 / 16 / 62 / 53

HEX #78652E

RGB 120 101 46

HSL 44.59, 0.45%, 0.33%

LAB 43.5, 0.42, 33.39

 

CMYK 62 / 0 / 17 / 52

HEX #2E7A65

RGB 46 122 101

HSL 163.42, 0.45%, 0.33%

LAB 46.23, -28.82, 4.6

 

CMYK 17 / 62 / 0 / 52

HEX #652E7A

RGB 101 46 122

HSL 283.42, 0.45%, 0.33%

LAB 29.73, 37.81, -33.07

 

CMYK 0 / 16 / 62 / 53

HEX #78652E

RGB 120 101 46

HSL 44.59, 0.45%, 0.33%

LAB 43.5, 0.42, 33.39

 

CMYK 58 / 0 / 62 / 52

HEX #337A2E

RGB 51 122 46

HSL 116.05, 0.45%, 0.33%

LAB 45.39, -38.25, 34.31

 

CMYK 62 / 46 / 0 / 52

HEX #2E427A

RGB 46 66 122

HSL 224.21, 0.45%, 0.33%

LAB 29.11, 10.93, -34.37

 

CMYK 5 / 62 / 0 / 52

HEX #742E7A

RGB 116 46 122

HSL 295.26, 0.45%, 0.33%

LAB 31.97, 41.9, -29.37

 

CMYK 0 / 16 / 62 / 53

HEX #78652E

RGB 120 101 46

HSL 44.59, 0.45%, 0.33%

LAB 43.5, 0.42, 33.39

 

CMYK 62 / 0 / 48 / 52

HEX #2E7A3F

RGB 46 122 63

HSL 133.42, 0.45%, 0.33%

LAB 45.44, -37.07, 25.44

 

CMYK 62 / 46 / 0 / 52

HEX #2E427A

RGB 46 66 122

HSL 224.21, 0.45%, 0.33%

LAB 29.11, 10.93, -34.37

 

CMYK 0 / 62 / 15 / 52

HEX #7A2E68

RGB 122 46 104

HSL 314.21, 0.45%, 0.33%

LAB 32.01, 40.36, -17.82

 

Description

Color code: CMYK 0 / 16 / 62 / 53 | qconv.com Color code: CMYK 0 / 16 / 62 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 101 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 101 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 62 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 62% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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