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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 16 / 33 / 25 it is the complementary color CMYK 50 / 26 / 0 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 16 / 33 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 16 / 33 / 25: CMYK 0 / 18 / 37 / 23, CMYK 0 / 16 / 33 / 16, CMYK 0 / 14 / 30 / 10, CMYK 0 / 13 / 27 / 3 and CMYK 0 / 9 / 22 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 16 / 33 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 16 / 33 / 25: CMYK 0 / 16 / 33 / 25, CMYK 0 / 18 / 37 / 32, CMYK 0 / 20 / 43 / 38, CMYK 0 / 24 / 49 / 45 and CMYK 0 / 28 / 58 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 33 / 25

HEX #BFA180

RGB 191 161 128

HSL 31.43, 0.33%, 0.63%

LAB 68.11, 6.2, 21.31

 

Complementary color

CMYK 50 / 26 / 0 / 50

HEX #405E7F

RGB 64 94 127

HSL 211.43, 0.33%, 0.37%

LAB 38.95, -1.21, -21.92

 

CMYK 0 / 18 / 37 / 23

HEX #C4A17B

RGB 196 161 123

HSL 31.23, 0.38%, 0.63%

LAB 68.5, 7.59, 24.64

 

CMYK 0 / 16 / 33 / 16

HEX #D5B38E

RGB 213 179 142

HSL 31.27, 0.46%, 0.7%

LAB 75.04, 6.99, 23.48

 

CMYK 0 / 14 / 30 / 10

HEX #E6C5A1

RGB 230 197 161

HSL 31.3, 0.58%, 0.77%

LAB 81.47, 6.46, 22.4

 

CMYK 0 / 13 / 27 / 3

HEX #F7D7B4

RGB 247 215 180

HSL 31.34, 0.81%, 0.84%

LAB 87.81, 6, 21.38

 

CMYK 0 / 9 / 22 / 0

HEX #FFE9C7

RGB 255 233 199

HSL 36.43, 1%, 0.89%

LAB 93.3, 2.3, 19.25

 

CMYK 0 / 16 / 33 / 25

HEX #BFA180

RGB 191 161 128

HSL 31.43, 0.33%, 0.63%

LAB 68.11, 6.2, 21.31

 

CMYK 0 / 18 / 37 / 32

HEX #AE8F6D

RGB 174 143 109

HSL 31.38, 0.29%, 0.55%

LAB 61.44, 6.8, 22.48

 

CMYK 0 / 20 / 43 / 38

HEX #9D7D5A

RGB 157 125 90

HSL 31.34, 0.27%, 0.48%

LAB 54.63, 7.51, 23.77

 

CMYK 0 / 24 / 49 / 45

HEX #8C6B47

RGB 140 107 71

HSL 31.3, 0.33%, 0.41%

LAB 47.68, 8.38, 25.17

 

CMYK 0 / 28 / 58 / 52

HEX #7B5934

RGB 123 89 52

HSL 31.27, 0.41%, 0.34%

LAB 40.58, 9.44, 26.72

 

CMYK 0 / 16 / 33 / 25

HEX #BFA180

RGB 191 161 128

HSL 31.43, 0.33%, 0.63%

LAB 68.11, 6.2, 21.31

 

CMYK 0 / 10 / 32 / 25

HEX #BFAC81

RGB 191 172 129

HSL 41.61, 0.33%, 0.63%

LAB 70.99, 0.38, 24.65

 

CMYK 0 / 5 / 32 / 25

HEX #BFB681

RGB 191 182 129

HSL 51.29, 0.33%, 0.63%

LAB 73.62, -4.93, 28.18

 

CMYK 1 / 0 / 32 / 25

HEX #BEBF81

RGB 190 191 129

HSL 60.97, 0.33%, 0.63%

LAB 75.94, -10.02, 31.23

 

CMYK 6 / 0 / 32 / 25

HEX #B4BF81

RGB 180 191 129

HSL 70.65, 0.33%, 0.63%

LAB 75.17, -13.91, 30.07

 

CMYK 0 / 16 / 33 / 25

HEX #BFA180

RGB 191 161 128

HSL 31.43, 0.33%, 0.63%

LAB 68.11, 6.2, 21.31

 

CMYK 0 / 16 / 33 / 5

HEX #F2CCA2

RGB 242 204 162

HSL 31.5, 0.75%, 0.79%

LAB 84.31, 7.52, 25.93

 

CMYK 0 / 16 / 34 / 85

HEX #262019

RGB 38 32 25

HSL 32.31, 0.21%, 0.12%

LAB 12.7, 1.45, 5.82

 

CMYK 0 / 16 / 33 / 65

HEX #594B3C

RGB 89 75 60

HSL 31.03, 0.19%, 0.29%

LAB 32.88, 3.3, 11.13

 

CMYK 0 / 16 / 33 / 45

HEX #8C765E

RGB 140 118 94

HSL 31.3, 0.2%, 0.46%

LAB 51.08, 4.8, 16.41

 

CMYK 0 / 16 / 33 / 25

HEX #BFA180

RGB 191 161 128

HSL 31.43, 0.33%, 0.63%

LAB 68.11, 6.2, 21.31

 

CMYK 23 / 0 / 32 / 25

HEX #93BF81

RGB 147 191 129

HSL 102.58, 0.33%, 0.63%

LAB 72.92, -26.19, 26.68

 

CMYK 29 / 32 / 0 / 25

HEX #8881BF

RGB 136 129 191

HSL 246.77, 0.33%, 0.63%

LAB 56.78, 16.63, -31.46

 

CMYK 0 / 16 / 33 / 25

HEX #BFA180

RGB 191 161 128

HSL 31.43, 0.33%, 0.63%

LAB 68.11, 6.2, 21.31

 

CMYK 32 / 0 / 16 / 25

HEX #81BFA1

RGB 129 191 161

HSL 150.97, 0.33%, 0.63%

LAB 72.56, -26.39, 8.85

 

CMYK 16 / 32 / 0 / 25

HEX #A181BF

RGB 161 129 191

HSL 270.97, 0.33%, 0.63%

LAB 59.01, 24.34, -27.82

 

CMYK 0 / 16 / 33 / 25

HEX #BFA180

RGB 191 161 128

HSL 31.43, 0.33%, 0.63%

LAB 68.11, 6.2, 21.31

 

CMYK 23 / 0 / 32 / 25

HEX #93BF81

RGB 147 191 129

HSL 102.58, 0.33%, 0.63%

LAB 72.92, -26.19, 26.68

 

CMYK 32 / 17 / 0 / 25

HEX #819FBF

RGB 129 159 191

HSL 210.97, 0.33%, 0.63%

LAB 64.34, -2.67, -19.86

 

CMYK 9 / 32 / 0 / 25

HEX #AE81BF

RGB 174 129 191

HSL 283.55, 0.33%, 0.63%

LAB 60.3, 28.5, -25.72

 

CMYK 0 / 16 / 33 / 25

HEX #BFA180

RGB 191 161 128

HSL 31.43, 0.33%, 0.63%

LAB 68.11, 6.2, 21.31

 

CMYK 32 / 0 / 32 / 25

HEX #81BF82

RGB 129 191 130

HSL 120.97, 0.33%, 0.63%

LAB 71.92, -32.17, 24.63

 

CMYK 32 / 17 / 0 / 25

HEX #819FBF

RGB 129 159 191

HSL 210.97, 0.33%, 0.63%

LAB 64.34, -2.67, -19.86

 

CMYK 0 / 32 / 1 / 25

HEX #BF81BE

RGB 191 129 190

HSL 300.97, 0.33%, 0.63%

LAB 62.08, 33.82, -22.28

 

Description

Color code: CMYK 0 / 16 / 33 / 25 | qconv.com Color code: CMYK 0 / 16 / 33 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 161 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 161 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 33 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 33% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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