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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 15 / 63 / 14 it is the complementary color CMYK 79 / 60 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 15 / 63 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 15 / 63 / 14: CMYK 0 / 17 / 66 / 12, CMYK 0 / 15 / 61 / 5, CMYK 0 / 13 / 55 / 0, CMYK 0 / 6 / 48 / 0 and CMYK 0 / 0 / 40 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 15 / 63 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 15 / 63 / 14: CMYK 0 / 15 / 63 / 14, CMYK 0 / 17 / 69 / 21, CMYK 0 / 19 / 77 / 27, CMYK 0 / 21 / 86 / 34 and CMYK 0 / 25 / 97 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 63 / 14

HEX #DBBA51

RGB 219 186 81

HSL 45.65, 0.66%, 0.59%

LAB 76.54, 0, 56.16

 

Complementary color

CMYK 79 / 60 / 0 / 32

HEX #2445AE

RGB 36 69 174

HSL 225.65, 0.66%, 0.41%

LAB 33.32, 27.28, -59.35

 

CMYK 0 / 17 / 66 / 12

HEX #E0BA4C

RGB 224 186 76

HSL 44.59, 0.7%, 0.59%

LAB 76.97, 1.81, 58.97

 

CMYK 0 / 15 / 61 / 5

HEX #F1CC5F

RGB 241 204 95

HSL 44.79, 0.84%, 0.66%

LAB 83.29, 0.78, 57.93

 

CMYK 0 / 13 / 55 / 0

HEX #FFDE72

RGB 255 222 114

HSL 45.96, 1%, 0.72%

LAB 89.26, -1.32, 56.41

 

CMYK 0 / 6 / 48 / 0

HEX #FFF085

RGB 255 240 133

HSL 52.62, 1%, 0.76%

LAB 94, -8.77, 53.16

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 0 / 15 / 63 / 14

HEX #DBBA51

RGB 219 186 81

HSL 45.65, 0.66%, 0.59%

LAB 76.54, 0, 56.16

 

CMYK 0 / 17 / 69 / 21

HEX #CAA83E

RGB 202 168 62

HSL 45.43, 0.57%, 0.52%

LAB 70.11, 1.1, 57.09

 

CMYK 0 / 19 / 77 / 27

HEX #B9962B

RGB 185 150 43

HSL 45.21, 0.62%, 0.45%

LAB 63.59, 2.4, 57.61

 

CMYK 0 / 21 / 86 / 34

HEX #A88418

RGB 168 132 24

HSL 45, 0.75%, 0.38%

LAB 56.97, 3.96, 57.31

 

CMYK 0 / 25 / 97 / 41

HEX #977205

RGB 151 114 5

HSL 44.79, 0.94%, 0.31%

LAB 50.25, 5.82, 55.56

 

CMYK 0 / 15 / 63 / 14

HEX #DBBA51

RGB 219 186 81

HSL 45.65, 0.66%, 0.59%

LAB 76.54, 0, 56.16

 

CMYK 0 / 5 / 63 / 14

HEX #DBCF51

RGB 219 207 81

HSL 54.78, 0.66%, 0.59%

LAB 81.99, -10.8, 62.05

 

CMYK 5 / 0 / 63 / 14

HEX #CFDB51

RGB 207 219 81

HSL 65.22, 0.66%, 0.59%

LAB 84.24, -21.68, 64.15

 

CMYK 16 / 0 / 63 / 14

HEX #B8DB51

RGB 184 219 81

HSL 75.22, 0.66%, 0.59%

LAB 82.62, -30.86, 61.94

 

CMYK 26 / 0 / 63 / 14

HEX #A1DB51

RGB 161 219 81

HSL 85.22, 0.66%, 0.59%

LAB 81.2, -39.6, 59.99

 

CMYK 0 / 15 / 63 / 14

HEX #DBBA51

RGB 219 186 81

HSL 45.65, 0.66%, 0.59%

LAB 76.54, 0, 56.16

 

CMYK 0 / 13 / 60 / 94

HEX #0F0D06

RGB 15 13 6

HSL 46.67, 0.43%, 0.04%

LAB 3.64, -0.36, 2.98

 

CMYK 0 / 15 / 64 / 74

HEX #423818

RGB 66 56 24

HSL 45.71, 0.47%, 0.18%

LAB 23.84, -0.39, 21.35

 

CMYK 0 / 15 / 63 / 54

HEX #75632B

RGB 117 99 43

HSL 45.41, 0.46%, 0.31%

LAB 42.58, -0.06, 33.82

 

CMYK 0 / 15 / 63 / 34

HEX #A88F3E

RGB 168 143 62

HSL 45.85, 0.46%, 0.45%

LAB 60.17, -0.3, 45.5

 

CMYK 0 / 15 / 63 / 14

HEX #DBBA51

RGB 219 186 81

HSL 45.65, 0.66%, 0.59%

LAB 76.54, 0, 56.16

 

CMYK 60 / 0 / 63 / 14

HEX #58DB51

RGB 88 219 81

HSL 116.96, 0.66%, 0.59%

LAB 78.07, -61.89, 55.66

 

CMYK 41 / 63 / 0 / 14

HEX #8151DB

RGB 129 81 219

HSL 260.87, 0.66%, 0.59%

LAB 46.53, 49.88, -63.75

 

CMYK 0 / 15 / 63 / 14

HEX #DBBA51

RGB 219 186 81

HSL 45.65, 0.66%, 0.59%

LAB 76.54, 0, 56.16

 

CMYK 63 / 0 / 16 / 14

HEX #51DBB8

RGB 81 219 184

HSL 164.78, 0.66%, 0.59%

LAB 79.54, -45.5, 6.26

 

CMYK 16 / 63 / 0 / 14

HEX #B851DB

RGB 184 81 219

HSL 284.78, 0.66%, 0.59%

LAB 53.16, 61.98, -52.75

 

CMYK 0 / 15 / 63 / 14

HEX #DBBA51

RGB 219 186 81

HSL 45.65, 0.66%, 0.59%

LAB 76.54, 0, 56.16

 

CMYK 60 / 0 / 63 / 14

HEX #58DB51

RGB 88 219 81

HSL 116.96, 0.66%, 0.59%

LAB 78.07, -61.89, 55.66

 

CMYK 63 / 47 / 0 / 14

HEX #5173DB

RGB 81 115 219

HSL 225.22, 0.66%, 0.59%

LAB 50.83, 20.36, -57

 

CMYK 3 / 63 / 0 / 14

HEX #D451DB

RGB 212 81 219

HSL 296.96, 0.66%, 0.59%

LAB 57.07, 68.51, -46.28

 

CMYK 0 / 15 / 63 / 14

HEX #DBBA51

RGB 219 186 81

HSL 45.65, 0.66%, 0.59%

LAB 76.54, 0, 56.16

 

CMYK 63 / 0 / 47 / 14

HEX #51DB73

RGB 81 219 115

HSL 134.78, 0.66%, 0.59%

LAB 78.26, -59.1, 40.21

 

CMYK 63 / 47 / 0 / 14

HEX #5173DB

RGB 81 115 219

HSL 225.22, 0.66%, 0.59%

LAB 50.83, 20.36, -57

 

CMYK 0 / 63 / 16 / 14

HEX #DB51B8

RGB 219 81 184

HSL 315.22, 0.66%, 0.59%

LAB 56.49, 64.74, -27.13

 

Description

Color code: CMYK 0 / 15 / 63 / 14 | qconv.com Color code: CMYK 0 / 15 / 63 / 14 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 186 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 186 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 63 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 63% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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