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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 15 / 54 / 29 it is the complementary color CMYK 57 / 41 / 0 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 15 / 54 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 15 / 54 / 29: CMYK 0 / 17 / 58 / 27, CMYK 0 / 15 / 52 / 20, CMYK 0 / 14 / 47 / 14, CMYK 0 / 12 / 43 / 7 and CMYK 0 / 11 / 39 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 15 / 54 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 15 / 54 / 29: CMYK 0 / 15 / 54 / 29, CMYK 0 / 17 / 61 / 36, CMYK 0 / 20 / 69 / 42, CMYK 0 / 23 / 80 / 49 and CMYK 0 / 27 / 94 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

 

Complementary color

CMYK 57 / 41 / 0 / 33

HEX #4A65AC

RGB 74 101 172

HSL 223.47, 0.4%, 0.48%

LAB 43.86, 11.73, -41.09

 

CMYK 0 / 17 / 58 / 27

HEX #BA9A4E

RGB 186 154 78

HSL 42.22, 0.44%, 0.52%

LAB 65.04, 2.74, 43.73

 

CMYK 0 / 15 / 52 / 20

HEX #CBAC61

RGB 203 172 97

HSL 42.45, 0.5%, 0.59%

LAB 71.6, 1.86, 42.43

 

CMYK 0 / 14 / 47 / 14

HEX #DCBE74

RGB 220 190 116

HSL 42.69, 0.6%, 0.66%

LAB 78.05, 1.11, 41.15

 

CMYK 0 / 12 / 43 / 7

HEX #EDD087

RGB 237 208 135

HSL 42.94, 0.74%, 0.73%

LAB 84.41, 0.47, 39.9

 

CMYK 0 / 11 / 39 / 0

HEX #FEE29A

RGB 254 226 154

HSL 43.2, 0.98%, 0.8%

LAB 90.69, -0.09, 38.71

 

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

 

CMYK 0 / 17 / 61 / 36

HEX #A48840

RGB 164 136 64

HSL 43.2, 0.44%, 0.45%

LAB 57.91, 1.93, 41.88

 

CMYK 0 / 20 / 69 / 42

HEX #93762D

RGB 147 118 45

HSL 42.94, 0.53%, 0.38%

LAB 51.09, 3.08, 43.04

 

CMYK 0 / 23 / 80 / 49

HEX #82641A

RGB 130 100 26

HSL 42.69, 0.67%, 0.31%

LAB 44.14, 4.52, 43.74

 

CMYK 0 / 27 / 94 / 56

HEX #715207

RGB 113 82 7

HSL 42.45, 0.88%, 0.24%

LAB 37.04, 6.35, 43.23

 

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

 

CMYK 0 / 6 / 54 / 29

HEX #B5AA53

RGB 181 170 83

HSL 53.27, 0.4%, 0.52%

LAB 68.89, -7.57, 45.65

 

CMYK 3 / 0 / 54 / 29

HEX #B0B553

RGB 176 181 83

HSL 63.06, 0.4%, 0.52%

LAB 71.49, -15.38, 48.55

 

CMYK 12 / 0 / 54 / 29

HEX #A0B553

RGB 160 181 83

HSL 72.86, 0.4%, 0.52%

LAB 70.28, -21.95, 46.84

 

CMYK 20 / 0 / 54 / 29

HEX #90B553

RGB 144 181 83

HSL 82.65, 0.4%, 0.52%

LAB 69.18, -28.31, 45.28

 

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

 

CMYK 0 / 15 / 54 / 9

HEX #E8C56A

RGB 232 197 106

HSL 43.33, 0.73%, 0.66%

LAB 80.81, 1.5, 49.71

 

CMYK 0 / 14 / 54 / 89

HEX #1C180D

RGB 28 24 13

HSL 44, 0.37%, 0.08%

LAB 8.39, -0.2, 7.11

 

CMYK 0 / 15 / 54 / 69

HEX #4F4324

RGB 79 67 36

HSL 43.26, 0.37%, 0.23%

LAB 28.91, 0.39, 20.61

 

CMYK 0 / 15 / 54 / 49

HEX #826F3C

RGB 130 111 60

HSL 43.71, 0.37%, 0.37%

LAB 47.55, 0.46, 30.92

 

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

 

CMYK 50 / 0 / 54 / 29

HEX #5BB553

RGB 91 181 83

HSL 115.1, 0.4%, 0.52%

LAB 66.44, -46.51, 41.36

 

CMYK 37 / 54 / 0 / 29

HEX #7253B5

RGB 114 83 181

HSL 258.98, 0.4%, 0.52%

LAB 42.91, 35.16, -47.7

 

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

 

CMYK 54 / 0 / 15 / 29

HEX #53B599

RGB 83 181 153

HSL 162.86, 0.4%, 0.52%

LAB 67.42, -35.64, 5.59

 

CMYK 15 / 54 / 0 / 29

HEX #9953B5

RGB 153 83 181

HSL 282.86, 0.4%, 0.52%

LAB 47.36, 45.41, -40.36

 

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

 

CMYK 50 / 0 / 54 / 29

HEX #5BB553

RGB 91 181 83

HSL 115.1, 0.4%, 0.52%

LAB 66.44, -46.51, 41.36

 

CMYK 54 / 39 / 0 / 29

HEX #536FB5

RGB 83 111 181

HSL 222.86, 0.4%, 0.52%

LAB 47.68, 10.46, -40.26

 

CMYK 4 / 54 / 0 / 29

HEX #AD53B5

RGB 173 83 181

HSL 295.1, 0.4%, 0.52%

LAB 49.99, 50.89, -36.04

 

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

 

CMYK 54 / 0 / 43 / 29

HEX #53B568

RGB 83 181 104

HSL 132.86, 0.4%, 0.52%

LAB 66.43, -45.6, 30.69

 

CMYK 54 / 39 / 0 / 29

HEX #536FB5

RGB 83 111 181

HSL 222.86, 0.4%, 0.52%

LAB 47.68, 10.46, -40.26

 

CMYK 0 / 54 / 12 / 29

HEX #B553A0

RGB 181 83 160

HSL 312.86, 0.4%, 0.52%

LAB 50.15, 49.49, -23.38

 

Description

Color code: CMYK 0 / 15 / 54 / 29 | qconv.com Color code: CMYK 0 / 15 / 54 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 154 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 154 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 54 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 54% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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