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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 15 / 38 / 22 it is the complementary color CMYK 58 / 35 / 0 / 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 15 / 38 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 15 / 38 / 22: CMYK 0 / 17 / 42 / 20, CMYK 0 / 15 / 38 / 13, CMYK 0 / 14 / 34 / 7, CMYK 0 / 13 / 31 / 0 and CMYK 0 / 5 / 24 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 15 / 38 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 15 / 38 / 22: CMYK 0 / 15 / 38 / 22, CMYK 0 / 17 / 43 / 29, CMYK 0 / 19 / 48 / 35, CMYK 0 / 22 / 55 / 42 and CMYK 0 / 26 / 64 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 38 / 22

HEX #C7A97B

RGB 199 169 123

HSL 36.32, 0.4%, 0.63%

LAB 70.84, 4.47, 27.81

 

Complementary color

CMYK 58 / 35 / 0 / 48

HEX #385684

RGB 56 86 132

HSL 216.32, 0.4%, 0.37%

LAB 36.29, 3.53, -29.15

 

CMYK 0 / 17 / 42 / 20

HEX #CCA976

RGB 204 169 118

HSL 35.58, 0.46%, 0.63%

LAB 71.23, 5.94, 31.09

 

CMYK 0 / 15 / 38 / 13

HEX #DDBB89

RGB 221 187 137

HSL 35.71, 0.55%, 0.7%

LAB 77.71, 5.3, 29.86

 

CMYK 0 / 14 / 34 / 7

HEX #EECD9C

RGB 238 205 156

HSL 35.85, 0.71%, 0.77%

LAB 84.09, 4.74, 28.7

 

CMYK 0 / 13 / 31 / 0

HEX #FFDFAF

RGB 255 223 175

HSL 36, 1%, 0.84%

LAB 90.38, 4.25, 27.62

 

CMYK 0 / 5 / 24 / 0

HEX #FFF1C2

RGB 255 241 194

HSL 46.23, 1%, 0.88%

LAB 95.19, -2.44, 24.44

 

CMYK 0 / 15 / 38 / 22

HEX #C7A97B

RGB 199 169 123

HSL 36.32, 0.4%, 0.63%

LAB 70.84, 4.47, 27.81

 

CMYK 0 / 17 / 43 / 29

HEX #B69768

RGB 182 151 104

HSL 36.15, 0.35%, 0.56%

LAB 64.22, 5.12, 29.06

 

CMYK 0 / 19 / 48 / 35

HEX #A58555

RGB 165 133 85

HSL 36, 0.32%, 0.49%

LAB 57.49, 5.89, 30.41

 

CMYK 0 / 22 / 55 / 42

HEX #947342

RGB 148 115 66

HSL 35.85, 0.38%, 0.42%

LAB 50.63, 6.82, 31.84

 

CMYK 0 / 26 / 64 / 49

HEX #83612F

RGB 131 97 47

HSL 35.71, 0.47%, 0.35%

LAB 43.62, 7.98, 33.32

 

CMYK 0 / 15 / 38 / 22

HEX #C7A97B

RGB 199 169 123

HSL 36.32, 0.4%, 0.63%

LAB 70.84, 4.47, 27.81

 

CMYK 0 / 9 / 38 / 22

HEX #C6B47A

RGB 198 180 122

HSL 45.79, 0.4%, 0.63%

LAB 73.58, -1.92, 31.93

 

CMYK 0 / 3 / 38 / 22

HEX #C6C17A

RGB 198 193 122

HSL 56.05, 0.4%, 0.63%

LAB 77.01, -8.71, 36.37

 

CMYK 4 / 0 / 38 / 22

HEX #BEC67A

RGB 190 198 122

HSL 66.32, 0.4%, 0.63%

LAB 77.72, -14.44, 37.15

 

CMYK 10 / 0 / 38 / 22

HEX #B2C67A

RGB 178 198 122

HSL 75.79, 0.4%, 0.63%

LAB 76.84, -19.11, 35.84

 

CMYK 0 / 15 / 38 / 22

HEX #C7A97B

RGB 199 169 123

HSL 36.32, 0.4%, 0.63%

LAB 70.84, 4.47, 27.81

 

CMYK 0 / 15 / 38 / 2

HEX #FAD49B

RGB 250 212 155

HSL 36, 0.9%, 0.79%

LAB 86.89, 5.64, 33.15

 

CMYK 0 / 15 / 39 / 82

HEX #2E271C

RGB 46 39 28

HSL 36.67, 0.24%, 0.15%

LAB 16.08, 1.16, 8.48

 

CMYK 0 / 15 / 38 / 62

HEX #61523C

RGB 97 82 60

HSL 35.68, 0.24%, 0.31%

LAB 35.8, 2.62, 15.23

 

CMYK 0 / 15 / 39 / 42

HEX #947E5B

RGB 148 126 91

HSL 36.84, 0.24%, 0.47%

LAB 54, 3.23, 22.2

 

CMYK 0 / 15 / 38 / 22

HEX #C7A97B

RGB 199 169 123

HSL 36.32, 0.4%, 0.63%

LAB 70.84, 4.47, 27.81

 

CMYK 30 / 0 / 38 / 22

HEX #8AC67A

RGB 138 198 122

HSL 107.37, 0.4%, 0.63%

LAB 74.32, -33.7, 32.08

 

CMYK 30 / 38 / 0 / 22

HEX #8A7AC6

RGB 138 122 198

HSL 252.63, 0.4%, 0.63%

LAB 55.48, 23.13, -37.46

 

CMYK 0 / 15 / 38 / 22

HEX #C7A97B

RGB 199 169 123

HSL 36.32, 0.4%, 0.63%

LAB 70.84, 4.47, 27.81

 

CMYK 38 / 0 / 15 / 22

HEX #7AC6A8

RGB 122 198 168

HSL 156.32, 0.4%, 0.63%

LAB 74.41, -30.36, 7.66

 

CMYK 15 / 38 / 0 / 22

HEX #A87AC6

RGB 168 122 198

HSL 276.32, 0.4%, 0.63%

LAB 58.34, 32.05, -32.78

 

CMYK 0 / 15 / 38 / 22

HEX #C7A97B

RGB 199 169 123

HSL 36.32, 0.4%, 0.63%

LAB 70.84, 4.47, 27.81

 

CMYK 30 / 0 / 38 / 22

HEX #8AC67A

RGB 138 198 122

HSL 107.37, 0.4%, 0.63%

LAB 74.32, -33.7, 32.08

 

CMYK 38 / 23 / 0 / 22

HEX #7A99C6

RGB 122 153 198

HSL 215.53, 0.4%, 0.63%

LAB 62.51, 0.57, -26.63

 

CMYK 8 / 38 / 0 / 22

HEX #B77AC6

RGB 183 122 198

HSL 288.16, 0.4%, 0.63%

LAB 59.95, 36.68, -30.16

 

CMYK 0 / 15 / 38 / 22

HEX #C7A97B

RGB 199 169 123

HSL 36.32, 0.4%, 0.63%

LAB 70.84, 4.47, 27.81

 

CMYK 38 / 0 / 34 / 22

HEX #7AC682

RGB 122 198 130

HSL 126.32, 0.4%, 0.63%

LAB 73.63, -37.62, 26.87

 

CMYK 38 / 23 / 0 / 22

HEX #7A99C6

RGB 122 153 198

HSL 215.53, 0.4%, 0.63%

LAB 62.51, 0.57, -26.63

 

CMYK 0 / 38 / 4 / 22

HEX #C67ABE

RGB 198 122 190

HSL 306.32, 0.4%, 0.63%

LAB 61.34, 39.88, -23.33

 

Description

Color code: CMYK 0 / 15 / 38 / 22 | qconv.com Color code: CMYK 0 / 15 / 38 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 169 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 169 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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