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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 14 / 62 / 6 it is the complementary color CMYK 91 / 70 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 14 / 62 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 14 / 62 / 6: CMYK 0 / 16 / 65 / 4, CMYK 0 / 12 / 59 / 0, CMYK 0 / 5 / 51 / 0, CMYK 0 / 0 / 44 / 0 and CMYK 0 / 0 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 14 / 62 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 14 / 62 / 6: CMYK 0 / 14 / 62 / 6, CMYK 0 / 16 / 68 / 13, CMYK 0 / 17 / 74 / 19, CMYK 0 / 20 / 82 / 26 and CMYK 0 / 22 / 91 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 62 / 6

HEX #F0CE5B

RGB 240 206 91

HSL 46.31, 0.83%, 0.65%

LAB 83.66, -0.92, 60.11

 

Complementary color

CMYK 91 / 70 / 0 / 36

HEX #0F31A4

RGB 15 49 164

HSL 226.31, 0.83%, 0.35%

LAB 26.67, 35.15, -64.29

 

CMYK 0 / 16 / 65 / 4

HEX #F5CE56

RGB 245 206 86

HSL 45.28, 0.89%, 0.65%

LAB 84.08, 0.85, 62.86

 

CMYK 0 / 12 / 59 / 0

HEX #FFE069

RGB 255 224 105

HSL 47.6, 1%, 0.71%

LAB 89.67, -2.98, 60.97

 

CMYK 0 / 5 / 51 / 0

HEX #FFF27C

RGB 255 242 124

HSL 54.05, 1%, 0.74%

LAB 94.41, -10.53, 57.84

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8F

RGB 255 255 143

HSL 60, 1%, 0.78%

LAB 97.94, -15.21, 53.26

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 14 / 62 / 6

HEX #F0CE5B

RGB 240 206 91

HSL 46.31, 0.83%, 0.65%

LAB 83.66, -0.92, 60.11

 

CMYK 0 / 16 / 68 / 13

HEX #DFBC48

RGB 223 188 72

HSL 46.09, 0.7%, 0.58%

LAB 77.35, 0.12, 61.03

 

CMYK 0 / 17 / 74 / 19

HEX #CEAA35

RGB 206 170 53

HSL 45.88, 0.61%, 0.51%

LAB 70.96, 1.33, 61.64

 

CMYK 0 / 20 / 82 / 26

HEX #BD9822

RGB 189 152 34

HSL 45.68, 0.7%, 0.44%

LAB 64.48, 2.77, 61.62

 

CMYK 0 / 22 / 91 / 33

HEX #AC860F

RGB 172 134 15

HSL 45.48, 0.84%, 0.37%

LAB 57.9, 4.47, 60.42

 

CMYK 0 / 14 / 62 / 6

HEX #F0CE5B

RGB 240 206 91

HSL 46.31, 0.83%, 0.65%

LAB 83.66, -0.92, 60.11

 

CMYK 0 / 4 / 62 / 6

HEX #EFE55B

RGB 239 229 91

HSL 55.95, 0.82%, 0.65%

LAB 89.46, -12.92, 66.37

 

CMYK 6 / 0 / 62 / 6

HEX #E1EF5B

RGB 225 239 91

HSL 65.68, 0.82%, 0.65%

LAB 91.01, -23.43, 67.69

 

CMYK 16 / 0 / 62 / 6

HEX #C8EF5B

RGB 200 239 91

HSL 75.81, 0.82%, 0.65%

LAB 89.28, -33.22, 65.34

 

CMYK 27 / 0 / 62 / 6

HEX #AFEF5B

RGB 175 239 91

HSL 85.95, 0.82%, 0.65%

LAB 87.78, -42.52, 63.26

 

CMYK 0 / 14 / 62 / 6

HEX #F0CE5B

RGB 240 206 91

HSL 46.31, 0.83%, 0.65%

LAB 83.66, -0.92, 60.11

 

CMYK 0 / 14 / 61 / 86

HEX #241F0E

RGB 36 31 14

HSL 46.36, 0.44%, 0.1%

LAB 11.87, -0.65, 11.67

 

CMYK 0 / 14 / 62 / 66

HEX #574B21

RGB 87 75 33

HSL 46.67, 0.45%, 0.24%

LAB 32.19, -0.94, 26.48

 

CMYK 0 / 14 / 62 / 46

HEX #8A7634

RGB 138 118 52

HSL 46.05, 0.45%, 0.37%

LAB 50.23, -0.58, 38.44

 

CMYK 0 / 14 / 62 / 26

HEX #BDA248

RGB 189 162 72

HSL 46.15, 0.47%, 0.51%

LAB 67.37, -0.72, 49.35

 

CMYK 0 / 14 / 62 / 6

HEX #F0CE5B

RGB 240 206 91

HSL 46.31, 0.83%, 0.65%

LAB 83.66, -0.92, 60.11

 

CMYK 60 / 0 / 62 / 6

HEX #60EF5B

RGB 96 239 91

HSL 117.97, 0.82%, 0.65%

LAB 84.47, -66.09, 58.67

 

CMYK 39 / 62 / 0 / 6

HEX #915BEF

RGB 145 91 239

HSL 261.89, 0.82%, 0.65%

LAB 51.54, 53.07, -66.87

 

CMYK 0 / 14 / 62 / 6

HEX #F0CE5B

RGB 240 206 91

HSL 46.31, 0.83%, 0.65%

LAB 83.66, -0.92, 60.11

 

CMYK 62 / 0 / 14 / 6

HEX #5BEFCD

RGB 91 239 205

HSL 166.22, 0.82%, 0.65%

LAB 86.19, -47.34, 4.8

 

CMYK 14 / 62 / 0 / 6

HEX #CD5BEF

RGB 205 91 239

HSL 286.22, 0.82%, 0.65%

LAB 58.69, 66.31, -55

 

CMYK 0 / 14 / 62 / 6

HEX #F0CE5B

RGB 240 206 91

HSL 46.31, 0.83%, 0.65%

LAB 83.66, -0.92, 60.11

 

CMYK 60 / 0 / 62 / 6

HEX #60EF5B

RGB 96 239 91

HSL 117.97, 0.82%, 0.65%

LAB 84.47, -66.09, 58.67

 

CMYK 62 / 47 / 0 / 6

HEX #5B7EEF

RGB 91 126 239

HSL 225.81, 0.82%, 0.65%

LAB 55.46, 22.1, -60.76

 

CMYK 2 / 62 / 0 / 6

HEX #EA5BEF

RGB 234 91 239

HSL 297.97, 0.82%, 0.65%

LAB 62.68, 73.05, -48.41

 

CMYK 0 / 14 / 62 / 6

HEX #F0CE5B

RGB 240 206 91

HSL 46.31, 0.83%, 0.65%

LAB 83.66, -0.92, 60.11

 

CMYK 62 / 0 / 45 / 6

HEX #5BEF83

RGB 91 239 131

HSL 136.22, 0.82%, 0.65%

LAB 84.79, -62.01, 40.72

 

CMYK 62 / 47 / 0 / 6

HEX #5B7EEF

RGB 91 126 239

HSL 225.81, 0.82%, 0.65%

LAB 55.46, 22.1, -60.76

 

CMYK 0 / 62 / 16 / 6

HEX #EF5BC8

RGB 239 91 200

HSL 315.81, 0.82%, 0.65%

LAB 61.66, 68.26, -28.06

 

Description

Color code: CMYK 0 / 14 / 62 / 6 | qconv.com Color code: CMYK 0 / 14 / 62 / 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 206 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 206 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 62 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 62% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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