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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 12 / 62 / 7 it is the complementary color CMYK 89 / 72 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 12 / 62 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 12 / 62 / 7: CMYK 0 / 14 / 65 / 5, CMYK 0 / 11 / 59 / 0, CMYK 0 / 4 / 52 / 0, CMYK 0 / 0 / 44 / 0 and CMYK 0 / 0 / 37 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 12 / 62 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 12 / 62 / 7: CMYK 0 / 12 / 62 / 7, CMYK 0 / 13 / 68 / 14, CMYK 0 / 15 / 74 / 20, CMYK 0 / 17 / 82 / 27 and CMYK 0 / 19 / 92 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 62 / 7

HEX #EDD15A

RGB 237 209 90

HSL 48.57, 0.8%, 0.64%

LAB 84.14, -3.76, 60.99

 

Complementary color

CMYK 89 / 72 / 0 / 35

HEX #122EA5

RGB 18 46 165

HSL 228.57, 0.8%, 0.36%

LAB 26.15, 37.58, -65.74

 

CMYK 0 / 14 / 65 / 5

HEX #F2D155

RGB 242 209 85

HSL 47.39, 0.86%, 0.64%

LAB 84.55, -1.99, 63.71

 

CMYK 0 / 11 / 59 / 0

HEX #FFE368

RGB 255 227 104

HSL 48.87, 1%, 0.7%

LAB 90.41, -4.56, 62.25

 

CMYK 0 / 4 / 52 / 0

HEX #FFF57B

RGB 255 245 123

HSL 55.45, 1%, 0.74%

LAB 95.16, -12.08, 59.18

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 12 / 62 / 7

HEX #EDD15A

RGB 237 209 90

HSL 48.57, 0.8%, 0.64%

LAB 84.14, -3.76, 60.99

 

CMYK 0 / 13 / 68 / 14

HEX #DCBF47

RGB 220 191 71

HSL 48.32, 0.68%, 0.57%

LAB 77.83, -2.77, 61.86

 

CMYK 0 / 15 / 74 / 20

HEX #CBAD34

RGB 203 173 52

HSL 48.08, 0.59%, 0.5%

LAB 71.44, -1.61, 62.37

 

CMYK 0 / 17 / 82 / 27

HEX #BA9B21

RGB 186 155 33

HSL 47.84, 0.7%, 0.43%

LAB 64.96, -0.22, 62.22

 

CMYK 0 / 19 / 92 / 34

HEX #A9890E

RGB 169 137 14

HSL 47.61, 0.85%, 0.36%

LAB 58.38, 1.42, 60.85

 

CMYK 0 / 12 / 62 / 7

HEX #EDD15A

RGB 237 209 90

HSL 48.57, 0.8%, 0.64%

LAB 84.14, -3.76, 60.99

 

CMYK 0 / 2 / 62 / 7

HEX #ECE759

RGB 236 231 89

HSL 57.96, 0.79%, 0.64%

LAB 89.72, -15.25, 67.39

 

CMYK 8 / 0 / 62 / 7

HEX #D9EC59

RGB 217 236 89

HSL 67.76, 0.79%, 0.64%

LAB 89.61, -25.31, 66.84

 

CMYK 19 / 0 / 62 / 7

HEX #C0EC59

RGB 192 236 89

HSL 77.96, 0.79%, 0.64%

LAB 87.93, -35.04, 64.54

 

CMYK 29 / 0 / 62 / 7

HEX #A8EC59

RGB 168 236 89

HSL 87.76, 0.79%, 0.64%

LAB 86.52, -43.88, 62.6

 

CMYK 0 / 12 / 62 / 7

HEX #EDD15A

RGB 237 209 90

HSL 48.57, 0.8%, 0.64%

LAB 84.14, -3.76, 60.99

 

CMYK 0 / 12 / 61 / 87

HEX #211D0D

RGB 33 29 13

HSL 48, 0.43%, 0.09%

LAB 10.78, -1.03, 10.61

 

CMYK 0 / 12 / 62 / 67

HEX #544A20

RGB 84 74 32

HSL 48.46, 0.45%, 0.23%

LAB 31.55, -1.9, 26.21

 

CMYK 0 / 12 / 62 / 47

HEX #877733

RGB 135 119 51

HSL 48.57, 0.45%, 0.36%

LAB 50.2, -2.59, 38.82

 

CMYK 0 / 12 / 62 / 27

HEX #BAA447

RGB 186 164 71

HSL 48.52, 0.45%, 0.5%

LAB 67.61, -3.16, 50

 

CMYK 0 / 12 / 62 / 7

HEX #EDD15A

RGB 237 209 90

HSL 48.57, 0.8%, 0.64%

LAB 84.14, -3.76, 60.99

 

CMYK 62 / 0 / 62 / 7

HEX #59EC59

RGB 89 236 89

HSL 120, 0.79%, 0.64%

LAB 83.36, -66.77, 58.21

 

CMYK 37 / 62 / 0 / 7

HEX #9459EC

RGB 148 89 236

HSL 264.08, 0.79%, 0.64%

LAB 51.26, 53.97, -65.61

 

CMYK 0 / 12 / 62 / 7

HEX #EDD15A

RGB 237 209 90

HSL 48.57, 0.8%, 0.64%

LAB 84.14, -3.76, 60.99

 

CMYK 62 / 0 / 12 / 7

HEX #59ECCF

RGB 89 236 207

HSL 168.16, 0.79%, 0.64%

LAB 85.31, -45.9, 2.47

 

CMYK 12 / 62 / 0 / 7

HEX #CF59EC

RGB 207 89 236

HSL 288.16, 0.79%, 0.64%

LAB 58.48, 67.07, -53.64

 

CMYK 0 / 12 / 62 / 7

HEX #EDD15A

RGB 237 209 90

HSL 48.57, 0.8%, 0.64%

LAB 84.14, -3.76, 60.99

 

CMYK 62 / 0 / 62 / 7

HEX #59EC59

RGB 89 236 89

HSL 120, 0.79%, 0.64%

LAB 83.36, -66.77, 58.21

 

CMYK 62 / 50 / 0 / 7

HEX #5977EC

RGB 89 119 236

HSL 227.76, 0.79%, 0.64%

LAB 53.36, 25.03, -62.47

 

CMYK 0 / 62 / 0 / 7

HEX #EC59EC

RGB 236 89 236

HSL 300, 0.79%, 0.64%

LAB 62.54, 73.81, -46.95

 

CMYK 0 / 12 / 62 / 7

HEX #EDD15A

RGB 237 209 90

HSL 48.57, 0.8%, 0.64%

LAB 84.14, -3.76, 60.99

 

CMYK 62 / 0 / 44 / 7

HEX #59EC85

RGB 89 236 133

HSL 137.96, 0.79%, 0.64%

LAB 83.87, -60.99, 38.54

 

CMYK 62 / 50 / 0 / 7

HEX #5977EC

RGB 89 119 236

HSL 227.76, 0.79%, 0.64%

LAB 53.36, 25.03, -62.47

 

CMYK 0 / 62 / 19 / 7

HEX #EC59C0

RGB 236 89 192

HSL 317.96, 0.79%, 0.64%

LAB 60.59, 67.15, -25.19

 

Description

Color code: CMYK 0 / 12 / 62 / 7 | qconv.com Color code: CMYK 0 / 12 / 62 / 7 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 209 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 209 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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