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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 10 / 36 / 50 it is the complementary color CMYK 27 / 19 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 10 / 36 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 10 / 36 / 50: CMYK 0 / 14 / 42 / 48, CMYK 0 / 11 / 36 / 41, CMYK 0 / 10 / 31 / 35, CMYK 0 / 8 / 27 / 28 and CMYK 0 / 7 / 24 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 10 / 36 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 10 / 36 / 50: CMYK 0 / 10 / 36 / 50, CMYK 0 / 13 / 43 / 56, CMYK 0 / 16 / 53 / 63, CMYK 0 / 21 / 68 / 70 and CMYK 0 / 28 / 90 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 36 / 50

HEX #807352

RGB 128 115 82

HSL 43.04, 0.22%, 0.41%

LAB 48.83, -0.22, 20.13

 

Complementary color

CMYK 27 / 19 / 0 / 32

HEX #7F8CAD

RGB 127 140 173

HSL 223.04, 0.22%, 0.59%

LAB 58.31, 2.92, -18.91

 

CMYK 0 / 14 / 42 / 48

HEX #85734D

RGB 133 115 77

HSL 40.71, 0.27%, 0.41%

LAB 49.23, 1.33, 23.61

 

CMYK 0 / 11 / 36 / 41

HEX #968560

RGB 150 133 96

HSL 41.11, 0.22%, 0.48%

LAB 56.19, 0.75, 22.33

 

CMYK 0 / 10 / 31 / 35

HEX #A79773

RGB 167 151 115

HSL 41.54, 0.23%, 0.55%

LAB 63, 0.28, 21.15

 

CMYK 0 / 8 / 27 / 28

HEX #B8A986

RGB 184 169 134

HSL 42, 0.26%, 0.62%

LAB 69.67, -0.11, 20.06

 

CMYK 0 / 7 / 24 / 21

HEX #C9BB99

RGB 201 187 153

HSL 42.5, 0.31%, 0.69%

LAB 76.23, -0.45, 19.04

 

CMYK 0 / 10 / 36 / 50

HEX #807352

RGB 128 115 82

HSL 43.04, 0.22%, 0.41%

LAB 48.83, -0.22, 20.13

 

CMYK 0 / 13 / 43 / 56

HEX #6F613F

RGB 111 97 63

HSL 42.5, 0.28%, 0.34%

LAB 41.67, 0.34, 21.44

 

CMYK 0 / 16 / 53 / 63

HEX #5E4F2C

RGB 94 79 44

HSL 42, 0.36%, 0.27%

LAB 34.3, 1.09, 22.88

 

CMYK 0 / 21 / 68 / 70

HEX #4D3D19

RGB 77 61 25

HSL 41.54, 0.51%, 0.2%

LAB 26.69, 2.13, 24.38

 

CMYK 0 / 28 / 90 / 76

HEX #3C2B06

RGB 60 43 6

HSL 41.11, 0.82%, 0.13%

LAB 18.81, 3.66, 24.58

 

CMYK 0 / 10 / 36 / 50

HEX #807352

RGB 128 115 82

HSL 43.04, 0.22%, 0.41%

LAB 48.83, -0.22, 20.13

 

CMYK 0 / 4 / 36 / 50

HEX #7F7A51

RGB 127 122 81

HSL 53.48, 0.22%, 0.41%

LAB 50.72, -4.77, 23.17

 

CMYK 2 / 0 / 36 / 50

HEX #7D7F51

RGB 125 127 81

HSL 62.61, 0.22%, 0.41%

LAB 51.99, -8.43, 24.79

 

CMYK 8 / 0 / 36 / 50

HEX #757F51

RGB 117 127 81

HSL 73.04, 0.22%, 0.41%

LAB 51.33, -11.8, 23.81

 

CMYK 14 / 0 / 36 / 50

HEX #6D7F51

RGB 109 127 81

HSL 83.48, 0.22%, 0.41%

LAB 50.72, -15.09, 22.89

 

CMYK 0 / 10 / 36 / 50

HEX #807352

RGB 128 115 82

HSL 43.04, 0.22%, 0.41%

LAB 48.83, -0.22, 20.13

 

CMYK 0 / 10 / 36 / 30

HEX #B3A173

RGB 179 161 115

HSL 43.13, 0.3%, 0.58%

LAB 66.76, -0.29, 26.38

 

CMYK 0 / 10 / 36 / 10

HEX #E6CF93

RGB 230 207 147

HSL 43.37, 0.62%, 0.74%

LAB 83.73, -0.46, 32.77

 

CMYK 0 / 12 / 35 / 90

HEX #1A1711

RGB 26 23 17

HSL 40, 0.21%, 0.08%

LAB 7.88, 0.16, 4.23

 

CMYK 0 / 10 / 36 / 70

HEX #4D4531

RGB 77 69 49

HSL 42.86, 0.22%, 0.25%

LAB 29.55, -0.15, 13.34

 

CMYK 0 / 10 / 36 / 50

HEX #807352

RGB 128 115 82

HSL 43.04, 0.22%, 0.41%

LAB 48.83, -0.22, 20.13

 

CMYK 33 / 0 / 36 / 50

HEX #557F51

RGB 85 127 81

HSL 114.78, 0.22%, 0.41%

LAB 49.14, -24.33, 20.51

 

CMYK 24 / 36 / 0 / 50

HEX #60517F

RGB 96 81 127

HSL 259.57, 0.22%, 0.41%

LAB 37.67, 16.66, -23.71

 

CMYK 0 / 10 / 36 / 50

HEX #807352

RGB 128 115 82

HSL 43.04, 0.22%, 0.41%

LAB 48.83, -0.22, 20.13

 

CMYK 36 / 0 / 10 / 50

HEX #517F72

RGB 81 127 114

HSL 163.04, 0.22%, 0.41%

LAB 49.67, -18.87, 2.09

 

CMYK 10 / 36 / 0 / 50

HEX #72517F

RGB 114 81 127

HSL 283.04, 0.22%, 0.41%

LAB 39.57, 22.71, -20.61

 

CMYK 0 / 10 / 36 / 50

HEX #807352

RGB 128 115 82

HSL 43.04, 0.22%, 0.41%

LAB 48.83, -0.22, 20.13

 

CMYK 33 / 0 / 36 / 50

HEX #557F51

RGB 85 127 81

HSL 114.78, 0.22%, 0.41%

LAB 49.14, -24.33, 20.51

 

CMYK 36 / 26 / 0 / 50

HEX #515E7F

RGB 81 94 127

HSL 223.04, 0.22%, 0.41%

LAB 40.06, 3.69, -20.11

 

CMYK 3 / 36 / 0 / 50

HEX #7B517F

RGB 123 81 127

HSL 294.78, 0.22%, 0.41%

LAB 40.62, 25.8, -18.91

 

CMYK 0 / 10 / 36 / 50

HEX #807352

RGB 128 115 82

HSL 43.04, 0.22%, 0.41%

LAB 48.83, -0.22, 20.13

 

CMYK 36 / 0 / 28 / 50

HEX #517F5B

RGB 81 127 91

HSL 133.04, 0.22%, 0.41%

LAB 49.11, -23.89, 14.71

 

CMYK 36 / 26 / 0 / 50

HEX #515E7F

RGB 81 94 127

HSL 223.04, 0.22%, 0.41%

LAB 40.06, 3.69, -20.11

 

CMYK 0 / 36 / 8 / 50

HEX #7F5175

RGB 127 81 117

HSL 313.04, 0.22%, 0.41%

LAB 40.7, 25.22, -12.6

 

Description

Color code: CMYK 0 / 10 / 36 / 50 | qconv.com Color code: CMYK 0 / 10 / 36 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 115 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 115 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 36 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 36% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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