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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 0 / 35 / 22 it is the complementary color CMYK 56 / 56 / 0 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 0 / 35 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 0 / 35 / 22: CMYK 0 / 2 / 39 / 20, CMYK 0 / 2 / 35 / 13, CMYK 0 / 1 / 32 / 7, CMYK 0 / 1 / 29 / 0 and CMYK 0 / 0 / 22 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 0 / 35 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 0 / 35 / 22: CMYK 0 / 0 / 35 / 22, CMYK 0 / 1 / 40 / 29, CMYK 0 / 1 / 45 / 35, CMYK 0 / 2 / 51 / 42 and CMYK 0 / 3 / 60 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 35 / 22

HEX #C7C781

RGB 199 199 129

HSL 60, 0.38%, 0.64%

LAB 78.8, -10.6, 35.09

 

Complementary color

CMYK 56 / 56 / 0 / 51

HEX #38387E

RGB 56 56 126

HSL 240, 0.38%, 0.36%

LAB 27.23, 21.35, -39.87

 

CMYK 0 / 2 / 39 / 20

HEX #CCC77C

RGB 204 199 124

HSL 56.25, 0.44%, 0.64%

LAB 79.12, -9.19, 38.15

 

CMYK 0 / 2 / 35 / 13

HEX #DDD98F

RGB 221 217 143

HSL 56.92, 0.53%, 0.71%

LAB 85.49, -9.54, 36.98

 

CMYK 0 / 1 / 32 / 7

HEX #EEEBA2

RGB 238 235 162

HSL 57.63, 0.69%, 0.78%

LAB 91.78, -9.84, 35.86

 

CMYK 0 / 1 / 29 / 0

HEX #FFFDB5

RGB 255 253 181

HSL 58.38, 1%, 0.85%

LAB 97.97, -10.09, 34.79

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 35 / 22

HEX #C7C781

RGB 199 199 129

HSL 60, 0.38%, 0.64%

LAB 78.8, -10.6, 35.09

 

CMYK 0 / 1 / 40 / 29

HEX #B6B56E

RGB 182 181 110

HSL 59.17, 0.33%, 0.57%

LAB 72.31, -10.27, 36.28

 

CMYK 0 / 1 / 45 / 35

HEX #A5A35B

RGB 165 163 91

HSL 58.38, 0.29%, 0.5%

LAB 65.71, -9.87, 37.5

 

CMYK 0 / 2 / 51 / 42

HEX #949148

RGB 148 145 72

HSL 57.63, 0.35%, 0.43%

LAB 58.99, -9.37, 38.74

 

CMYK 0 / 3 / 60 / 49

HEX #837F35

RGB 131 127 53

HSL 56.92, 0.42%, 0.36%

LAB 52.13, -8.72, 39.9

 

CMYK 0 / 0 / 35 / 22

HEX #C7C781

RGB 199 199 129

HSL 60, 0.38%, 0.64%

LAB 78.8, -10.6, 35.09

 

CMYK 6 / 0 / 35 / 22

HEX #BAC680

RGB 186 198 128

HSL 70.29, 0.38%, 0.64%

LAB 77.51, -15.28, 33.75

 

CMYK 12 / 0 / 35 / 22

HEX #AEC680

RGB 174 198 128

HSL 80.57, 0.38%, 0.64%

LAB 76.65, -19.88, 32.45

 

CMYK 18 / 0 / 35 / 22

HEX #A3C680

RGB 163 198 128

HSL 90, 0.38%, 0.64%

LAB 75.91, -23.98, 31.34

 

CMYK 24 / 0 / 35 / 22

HEX #97C680

RGB 151 198 128

HSL 100.29, 0.38%, 0.64%

LAB 75.16, -28.31, 30.21

 

CMYK 0 / 0 / 35 / 22

HEX #C7C781

RGB 199 199 129

HSL 60, 0.38%, 0.64%

LAB 78.8, -10.6, 35.09

 

CMYK 0 / 0 / 35 / 2

HEX #FAFAA2

RGB 250 250 162

HSL 60, 0.9%, 0.81%

LAB 96.54, -12.72, 42.25

 

CMYK 0 / 0 / 35 / 82

HEX #2E2E1E

RGB 46 46 30

HSL 60, 0.21%, 0.15%

LAB 18.49, -3.25, 10.35

 

CMYK 0 / 0 / 35 / 62

HEX #61613F

RGB 97 97 63

HSL 60, 0.21%, 0.31%

LAB 40.33, -5.95, 19.43

 

CMYK 0 / 0 / 35 / 42

HEX #949460

RGB 148 148 96

HSL 60, 0.21%, 0.48%

LAB 60.18, -8.36, 27.54

 

CMYK 0 / 0 / 35 / 22

HEX #C7C781

RGB 199 199 129

HSL 60, 0.38%, 0.64%

LAB 78.8, -10.6, 35.09

 

CMYK 35 / 0 / 28 / 22

HEX #80C68E

RGB 128 198 142

HSL 132, 0.38%, 0.64%

LAB 74.15, -33.7, 21.27

 

CMYK 14 / 35 / 0 / 22

HEX #AA80C6

RGB 170 128 198

HSL 276, 0.38%, 0.64%

LAB 59.94, 29.29, -30.27

 

CMYK 0 / 0 / 35 / 22

HEX #C7C781

RGB 199 199 129

HSL 60, 0.38%, 0.64%

LAB 78.8, -10.6, 35.09

 

CMYK 35 / 0 / 0 / 22

HEX #80C6C6

RGB 128 198 198

HSL 180, 0.38%, 0.64%

LAB 75.49, -21.87, -6.98

 

CMYK 0 / 35 / 0 / 22

HEX #C680C6

RGB 198 128 198

HSL 300, 0.38%, 0.64%

LAB 62.95, 38.13, -25.39

 

CMYK 0 / 0 / 35 / 22

HEX #C7C781

RGB 199 199 129

HSL 60, 0.38%, 0.64%

LAB 78.8, -10.6, 35.09

 

CMYK 35 / 0 / 28 / 22

HEX #80C68E

RGB 128 198 142

HSL 132, 0.38%, 0.64%

LAB 74.15, -33.7, 21.27

 

CMYK 35 / 35 / 0 / 22

HEX #8080C6

RGB 128 128 198

HSL 240, 0.38%, 0.64%

LAB 56.19, 16.75, -36.4

 

CMYK 0 / 35 / 7 / 22

HEX #C680B8

RGB 198 128 184

HSL 312, 0.38%, 0.64%

LAB 62.43, 35.58, -18.28

 

CMYK 0 / 0 / 35 / 22

HEX #C7C781

RGB 199 199 129

HSL 60, 0.38%, 0.64%

LAB 78.8, -10.6, 35.09

 

CMYK 35 / 0 / 18 / 22

HEX #80C6A3

RGB 128 198 163

HSL 150, 0.38%, 0.64%

LAB 74.59, -29.68, 10.64

 

CMYK 35 / 35 / 0 / 22

HEX #8080C6

RGB 128 128 198

HSL 240, 0.38%, 0.64%

LAB 56.19, 16.75, -36.4

 

CMYK 0 / 35 / 18 / 22

HEX #C680A3

RGB 198 128 163

HSL 330, 0.38%, 0.64%

LAB 61.73, 32.06, -7.38

 

Description

Color code: CMYK 0 / 0 / 35 / 22 | qconv.com Color code: CMYK 0 / 0 / 35 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 199 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 199 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 35 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 35% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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