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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - S-H-500 Realm it is the complementary color Behr - 140B-4 Island Coral. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - S-H-500 Realm. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - S-H-500 Realm: Behr - S-H-490 Billiard Table, Behr - M460-7 Antigua, Behr - 510D-7 Pacific Sea Teal, Behr - 510D-6 Aquatic Green and Behr - 500D-5 Teal Zeal

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - S-H-500 Realm. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - S-H-500 Realm: Behr - S-H-500 Realm, Behr - S-H-500 Realm, Behr - MQ5-05 Limousine Leather, Behr - MQ5-05 Limousine Leather and Behr - MQ5-05 Limousine Leather

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

Complementary color

CMYK 0 / 35 / 33 / 5

HEX #F29DA1

RGB 242 157 161

HSL 357.18, 0.77%, 0.78%

LAB 73.26, 32.18, 11.13

Behr
140B-4 Island Coral

CMYK 80 / 0 / 7 / 62

HEX #14625B

RGB 20 98 91 1

HSL 174.62, 0.66%, 0.23%

LAB 37.19, -24.32, -2.6

Behr
S-H-490 Billiard Table

CMYK 68 / 5 / 0 / 55

HEX #256D73

RGB 37 109 115 1

HSL 184.62, 0.51%, 0.3%

LAB 42.11, -19.84, -9.9

Behr
M460-7 Antigua

CMYK 53 / 2 / 0 / 49

HEX #3E8083

RGB 62 128 131 1

HSL 182.61, 0.36%, 0.38%

LAB 49.62, -20.03, -8.08

Behr
510D-7 Pacific Sea Teal

CMYK 53 / 1 / 0 / 40

HEX #49999A

RGB 73 153 154 1

HSL 180.74, 0.36%, 0.45%

LAB 58.54, -24.03, -8.02

Behr
510D-6 Aquatic Green

CMYK 43 / 0 / 2 / 34

HEX #61A9A5

RGB 97 169 165 1

HSL 176.67, 0.3%, 0.52%

LAB 64.67, -23.52, -5.01

Behr
500D-5 Teal Zeal

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 88 / 5 / 0 / 40

HEX #12939A

RGB 18 147 154 1

HSL 183.09, 0.79%, 0.34%

LAB 55.41, -28.79, -12.84

Behr
500B-6 Peacock Feather

CMYK 87 / 12 / 0 / 24

HEX #1AA9C1

RGB 26 169 193 1

HSL 188.62, 0.76%, 0.43%

LAB 63.71, -26.5, -22.27

Behr
P480-5 High Dive

CMYK 80 / 23 / 0 / 15

HEX #2BA8DA

RGB 43 168 218 1

HSL 197.14, 0.7%, 0.51%

LAB 64.63, -16.22, -34.71

Behr
MQ4-56 El Capitan

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 67 / 7 / 0 / 62

HEX #205A61

RGB 32 90 97 1

HSL 186.46, 0.5%, 0.25%

LAB 34.97, -16.17, -9.61

Behr
S-H-510 Moonlit Pool

CMYK 0 / 31 / 34 / 63

HEX #5F423F

RGB 95 66 63 1

HSL 5.63, 0.2%, 0.31%

LAB 31.09, 12.12, 6.83

Behr
BXC-21 Chicory Root

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 0 / 33 / 5 / 61

HEX #64435F

RGB 100 67 95 1

HSL 309.09, 0.2%, 0.33%

LAB 33.03, 19.31, -10.8

Behr
BIC-36 Grape Fizz

CMYK 1 / 0 / 33 / 62

HEX #616242

RGB 97 98 66 1

HSL 61.88, 0.2%, 0.32%

LAB 40.69, -6.11, 18.13

Behr
T11-16 Fjord

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 67 / 7 / 0 / 62

HEX #205A61

RGB 32 90 97 1

HSL 186.46, 0.5%, 0.25%

LAB 34.97, -16.17, -9.61

Behr
S-H-510 Moonlit Pool

CMYK 0 / 43 / 48 / 58

HEX #6B3D38

RGB 107 61 56 1

HSL 5.88, 0.31%, 0.32%

LAB 31.23, 19.55, 11.78

Behr
BXC-69 Cimarron

CMYK 25 / 0 / 33 / 61

HEX #4B6443

RGB 75 100 67 1

HSL 105.45, 0.2%, 0.33%

LAB 39.61, -16.33, 15.79

Behr
S400-7 Deep Viridian

CMYK 85 / 2 / 0 / 62

HEX #0E5E60

RGB 14 94 96 1

HSL 181.46, 0.75%, 0.22%

LAB 35.87, -21.3, -7.66

Behr
S-H-500 Realm

CMYK 43 / 29 / 0 / 60

HEX #3A4866

RGB 58 72 102 1

HSL 220.91, 0.28%, 0.31%

LAB 30.63, 3.08, -19.3

Behr
MQ5-14 Bon Nuit

CMYK 0 / 43 / 48 / 58

HEX #6B3D38

RGB 107 61 56 1

HSL 5.88, 0.31%, 0.32%

LAB 31.23, 19.55, 11.78

Behr
BXC-69 Cimarron

CMYK 39 / 0 / 23 / 63

HEX #3A5F49

RGB 58 95 73 1

HSL 144.32, 0.24%, 0.3%

LAB 37.05, -18.69, 8.48

Behr
PMD-25 Fresh Herbs

Description

Color code: Behr - S-H-500 Realm | qconv.com Color code: Behr - S-H-500 Realm | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 14 red, 94 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
14 94 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 2 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 2% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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