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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - S-G-320 Atomic Tangerine it is the complementary color Behr - PPH-58 (HISP) Azul Caribe. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - S-G-320 Atomic Tangerine. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - S-G-320 Atomic Tangerine: Behr - S-G-320 Atomic Tangerine, Behr - S-G-340 Sun Ray, Behr - 320B-7 Macaw, Behr - S-G-360 Bright Star and Behr - 370B-6 Vibrant

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - S-G-320 Atomic Tangerine. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - S-G-320 Atomic Tangerine: Behr - S-G-320 Atomic Tangerine, Behr - 290B-7 Yam, Behr - 250B-7 Crushed Orange, Behr - S-H-250 Pumpkin Patch and Behr - S-G-200 Glowing Firelight

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

Complementary color

CMYK 100 / 30 / 0 / 23

HEX #0089C4

RGB 0 137 196

HSL 198.06, 1%, 0.38%

LAB 53.9, -9.39, -39.2

Behr
PPH-58 (HISP) Azul Caribe

CMYK 0 / 30 / 90 / 0

HEX #FFB219

RGB 255 178 25 1

HSL 39.91, 1%, 0.55%

LAB 77.98, 17.41, 77.7

Behr
S-G-340 Sun Ray

CMYK 0 / 26 / 86 / 0

HEX #FFBD24

RGB 255 189 36 1

HSL 41.92, 1%, 0.57%

LAB 80.62, 11.88, 77.34

Behr
320B-7 Macaw

CMYK 0 / 20 / 76 / 0

HEX #FFCC3C

RGB 255 204 60 1

HSL 44.31, 1%, 0.62%

LAB 84.37, 4.83, 73.51

Behr
S-G-360 Bright Star

CMYK 0 / 17 / 70 / 0

HEX #FFD44D

RGB 255 212 77 1

HSL 45.51, 1%, 0.65%

LAB 86.45, 1.46, 69.29

Behr
370B-6 Vibrant

CMYK 0 / 38 / 89 / 6

HEX #F0941B

RGB 240 148 27 1

HSL 34.08, 0.88%, 0.52%

LAB 69.32, 26.87, 69.93

Behr
290B-7 Yam

CMYK 0 / 48 / 79 / 11

HEX #E37730

RGB 227 119 48 1

HSL 23.8, 0.76%, 0.54%

LAB 61.43, 37.2, 55.37

Behr
250B-7 Crushed Orange

CMYK 0 / 49 / 70 / 20

HEX #CB673C

RGB 203 103 60 1

HSL 18.04, 0.58%, 0.52%

LAB 54.79, 36.43, 41.68

Behr
S-H-250 Pumpkin Patch

CMYK 0 / 56 / 68 / 26

HEX #BD543C

RGB 189 84 60 1

HSL 11.16, 0.52%, 0.49%

LAB 48.87, 40.64, 34.34

Behr
S-G-200 Glowing Firelight

CMYK 0 / 0 / 77 / 20

HEX #CCCB2F

RGB 204 203 47 1

HSL 59.62, 0.63%, 0.49%

LAB 79.47, -16.78, 71.5

Behr
S-G-400 Lime Pop

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 39 / 61 / 40

HEX #995D3B

RGB 153 93 59 1

HSL 21.7, 0.44%, 0.42%

LAB 45.52, 21.11, 29.64

Behr
240D-7 Chestnut Stallion

CMYK 0 / 42 / 78 / 15

HEX #D87D30

RGB 216 125 48 1

HSL 27.5, 0.68%, 0.52%

LAB 61.2, 29.62, 54.63

Behr
270B-7 Bonfire

CMYK 62 / 0 / 49 / 40

HEX #3A984D

RGB 58 152 77 1

HSL 132.13, 0.45%, 0.41%

LAB 55.98, -44.25, 31.3

Behr
450B-6 Formal Garden

CMYK 67 / 33 / 0 / 35

HEX #366FA6

RGB 54 111 166 1

HSL 209.46, 0.51%, 0.43%

LAB 45.51, -0.5, -35.03

Behr
P520-6 Mega Blue

CMYK 94 / 0 / 6 / 31

HEX #0AAFA4

RGB 10 175 164 1

HSL 176, 0.89%, 0.36%

LAB 64.49, -39.21, -4.95

Behr
490B-5 Cozumel

CMYK 29 / 31 / 0 / 23

HEX #8C87C5

RGB 140 135 197 1

HSL 244.84, 0.35%, 0.65%

LAB 58.91, 15.85, -31.52

Behr
MQ4-29 Brocade

CMYK 62 / 0 / 49 / 40

HEX #3A984D

RGB 58 152 77 1

HSL 132.13, 0.45%, 0.41%

LAB 55.98, -44.25, 31.3

Behr
450B-6 Formal Garden

CMYK 0 / 42 / 20 / 20

HEX #CC76A3

RGB 204 118 163 1

HSL 328.6, 0.46%, 0.63%

LAB 60.28, 39.51, -9.46

Behr
P120-4 Heart Breaker

CMYK 96 / 0 / 34 / 43

HEX #069261

RGB 6 146 97 1

HSL 159, 0.92%, 0.3%

LAB 53.45, -45, 16.93

Behr
470B-6 Emerald Lake

CMYK 0 / 25 / 9 / 11

HEX #E3ABCE

RGB 227 171 206 1

HSL 322.5, 0.5%, 0.78%

LAB 76.02, 25.97, -9.76

Behr
680A-3 Pink Bliss

Description

Color code: Behr - S-G-320 Atomic Tangerine | qconv.com Color code: Behr - S-G-320 Atomic Tangerine | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 155 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 155 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 98 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 98% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

73% - RS-1 Clean
Link: http://webbrainchild.com

17% - b-schein.info - Yach...
Link: http://b-schein.info

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to NCS®

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NCS® to RGB

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