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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - PPU2-08 Pink Ginger it is the complementary color Behr - QE-47 Petro Blue. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - PPU2-08 Pink Ginger. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - PPU2-08 Pink Ginger: Behr - MQ1-30 Peachy Confection, Behr - M190-3 Pink Abalone, Behr - P180-2 Sherbet Fruit, Behr - PPH-25 (HISP) Toronja and Behr - BWC-14 Silk Lining

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - PPU2-08 Pink Ginger. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - PPU2-08 Pink Ginger: Behr - PPU2-08 Pink Ginger, Behr - S190-4 Spiced Brandy, Behr - PMD-32 Crushed Clay, Behr - S220-6 Baked Sienna and Behr - S170-6 Red Curry

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 27 / 19

HEX #CFA798

RGB 207 167 152

HSL 16.36, 0.36%, 0.7%

LAB 71.67, 12.44, 13.3

Behr
PPU2-08 Pink Ginger

Complementary color

CMYK 52 / 8 / 0 / 62

HEX #2F5961

RGB 47 89 97

HSL 189.6, 0.35%, 0.28%

LAB 35.23, -12.2, -9.16

Behr
QE-47 Petro Blue

CMYK 0 / 21 / 30 / 9

HEX #E9B8A4

RGB 233 184 164 1

HSL 17.39, 0.61%, 0.78%

LAB 78.63, 14.87, 16.9

Behr
M190-3 Pink Abalone

CMYK 0 / 19 / 25 / 3

HEX #F8C8BB

RGB 248 200 187 1

HSL 12.79, 0.81%, 0.85%

LAB 84.41, 15.13, 12.94

Behr
P180-2 Sherbet Fruit

CMYK 0 / 5 / 11 / 1

HEX #FCEFE0

RGB 252 239 224 1

HSL 32.14, 0.82%, 0.93%

LAB 95.08, 1.91, 8.81

Behr
BWC-14 Silk Lining

CMYK 0 / 19 / 27 / 19

HEX #CFA798

RGB 207 167 152 1

HSL 16.36, 0.36%, 0.7%

LAB 71.67, 12.44, 13.3

Behr
PPU2-08 Pink Ginger

CMYK 0 / 20 / 30 / 27

HEX #BB9683

RGB 187 150 131 1

HSL 20.36, 0.29%, 0.62%

LAB 64.98, 11.04, 15.27

Behr
S190-4 Spiced Brandy

CMYK 0 / 27 / 35 / 32

HEX #AE7F71

RGB 174 127 113 1

HSL 13.77, 0.27%, 0.56%

LAB 57.43, 16.27, 14.76

Behr
PMD-32 Crushed Clay

CMYK 0 / 23 / 39 / 39

HEX #9B775E

RGB 155 119 94 1

HSL 24.59, 0.24%, 0.49%

LAB 52.92, 10.56, 19.17

Behr
S220-6 Baked Sienna

CMYK 0 / 32 / 41 / 45

HEX #8B5E52

RGB 139 94 82 1

HSL 12.63, 0.26%, 0.43%

LAB 44.38, 16.81, 14.32

Behr
S170-6 Red Curry

CMYK 0 / 19 / 27 / 19

HEX #CFA798

RGB 207 167 152 1

HSL 16.36, 0.36%, 0.7%

LAB 71.67, 12.44, 13.3

Behr
PPU2-08 Pink Ginger

CMYK 0 / 13 / 25 / 21

HEX #C9AF96

RGB 201 175 150 1

HSL 29.41, 0.32%, 0.69%

LAB 73.08, 5.53, 16.28

Behr
280E-3 Toasted Wheat

CMYK 0 / 9 / 27 / 20

HEX #CDBA96

RGB 205 186 150 1

HSL 39.27, 0.35%, 0.7%

LAB 76.25, 1.2, 20.73

Behr
MQ2-22 Hayloft

CMYK 0 / 5 / 27 / 19

HEX #CEC397

RGB 206 195 151 1

HSL 48, 0.36%, 0.7%

LAB 78.69, -3.02, 23.55

Behr
390F-4 Outback

CMYK 0 / 0 / 28 / 19

HEX #CECD95

RGB 206 205 149 1

HSL 58.95, 0.37%, 0.7%

LAB 81.27, -8.46, 28.09

Behr
400D-4 Corn Husk Green

CMYK 0 / 19 / 27 / 19

HEX #CFA798

RGB 207 167 152 1

HSL 16.36, 0.36%, 0.7%

LAB 71.67, 12.44, 13.3

Behr
PPU2-08 Pink Ginger

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 19 / 27 / 19

HEX #CFA798

RGB 207 167 152 1

HSL 16.36, 0.36%, 0.7%

LAB 71.67, 12.44, 13.3

Behr
PPU2-08 Pink Ginger

CMYK 12 / 0 / 26 / 21

HEX #B1CA95

RGB 177 202 149 1

HSL 88.3, 0.33%, 0.69%

LAB 78.32, -17.79, 23.74

Behr
430D-4 Garden Spot

CMYK 29 / 21 / 0 / 20

HEX #91A1CD

RGB 145 161 205 1

HSL 224, 0.38%, 0.69%

LAB 66.46, 4.47, -24.33

Behr
600B-4 Pageant Song

CMYK 0 / 19 / 27 / 19

HEX #CFA798

RGB 207 167 152 1

HSL 16.36, 0.36%, 0.7%

LAB 71.67, 12.44, 13.3

Behr
PPU2-08 Pink Ginger

CMYK 29 / 0 / 28 / 17

HEX #97D499

RGB 151 212 153 1

HSL 121.97, 0.41%, 0.71%

LAB 79.59, -31.04, 23.12

Behr
P390-4 Young Green

CMYK 16 / 22 / 0 / 23

HEX #A598C4

RGB 165 152 196 1

HSL 257.73, 0.27%, 0.68%

LAB 65.31, 13.64, -20.94

Behr
640B-5 Bloomsberry

CMYK 0 / 19 / 27 / 19

HEX #CFA798

RGB 207 167 152 1

HSL 16.36, 0.36%, 0.7%

LAB 71.67, 12.44, 13.3

Behr
PPU2-08 Pink Ginger

CMYK 12 / 0 / 26 / 21

HEX #B1CA95

RGB 177 202 149 1

HSL 88.3, 0.33%, 0.69%

LAB 78.32, -17.79, 23.74

Behr
430D-4 Garden Spot

CMYK 29 / 9 / 0 / 19

HEX #93BDCF

RGB 147 189 207 1

HSL 198, 0.38%, 0.69%

LAB 74.26, -9.73, -13.59

Behr
S490-3 Reef Blue

CMYK 17 / 23 / 0 / 18

HEX #ADA1D1

RGB 173 161 209 1

HSL 255, 0.34%, 0.73%

LAB 68.73, 14.04, -22.87

Behr
P560-4 Magic Wand

CMYK 0 / 19 / 27 / 19

HEX #CFA798

RGB 207 167 152 1

HSL 16.36, 0.36%, 0.7%

LAB 71.67, 12.44, 13.3

Behr
PPU2-08 Pink Ginger

CMYK 19 / 0 / 24 / 22

HEX #A3C899

RGB 163 200 153 1

HSL 107.23, 0.3%, 0.69%

LAB 76.92, -21.16, 19.55

Behr
M390-4 Gingko

CMYK 29 / 9 / 0 / 19

HEX #93BDCF

RGB 147 189 207 1

HSL 198, 0.38%, 0.69%

LAB 74.26, -9.73, -13.59

Behr
S490-3 Reef Blue

CMYK 3 / 21 / 0 / 20

HEX #C4A1CB

RGB 196 161 203 1

HSL 290, 0.29%, 0.71%

LAB 70.55, 20.32, -16.61

Behr
P100-4 Lover´S Knot

Description

Color code: Behr - PPU2-08 Pink Ginger | qconv.com Color code: Behr - PPU2-08 Pink Ginger | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 167 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 167 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 27 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 27% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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