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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - P510-6 Brilliant Blue it is the complementary color Behr - P210-7 Japanese Koi. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - P510-6 Brilliant Blue. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - P510-6 Brilliant Blue: Behr - P510-6 Brilliant Blue, Behr - P510-5 Perfect Sky, Behr - P500-5 Peaceful River, Behr - 540B-5 Riviera Blue and Behr - 530B-4 Bliss Blue

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - P510-6 Brilliant Blue. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - P510-6 Brilliant Blue: Behr - P510-6 Brilliant Blue, Behr - 560B-7 Cerulean, Behr - MQ4-58 Mondrian Blue, Behr - MQ5-62 Blue Edge and Behr - S-H-520 Peacock Tail

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 33 / 0 / 26

HEX #267EBC

RGB 38 126 188

HSL 204.8, 0.66%, 0.44%

LAB 50.65, -3.7, -39.73

Behr
P510-6 Brilliant Blue

Complementary color

CMYK 0 / 45 / 70 / 14

HEX #DB7842

RGB 219 120 66

HSL 21.18, 0.68%, 0.56%

LAB 60.68, 34.27, 45.79

Behr
P210-7 Japanese Koi

CMYK 80 / 33 / 0 / 26

HEX #267EBC

RGB 38 126 188 1

HSL 204.8, 0.66%, 0.44%

LAB 50.65, -3.7, -39.73

Behr
P510-6 Brilliant Blue

CMYK 67 / 28 / 0 / 19

HEX #4596CF

RGB 69 150 207 1

HSL 204.78, 0.59%, 0.54%

LAB 59.51, -6.73, -36.52

Behr
P510-5 Perfect Sky

CMYK 66 / 24 / 0 / 18

HEX #47A0D2

RGB 71 160 210 1

HSL 201.58, 0.61%, 0.55%

LAB 62.62, -11, -33.34

Behr
P500-5 Peaceful River

CMYK 53 / 17 / 0 / 15

HEX #65B4D8

RGB 101 180 216 1

HSL 198.78, 0.6%, 0.62%

LAB 69.73, -14.3, -25.59

Behr
540B-5 Riviera Blue

CMYK 46 / 12 / 0 / 12

HEX #7AC7E1

RGB 122 199 225 1

HSL 195.15, 0.63%, 0.68%

LAB 76.33, -17, -20.34

Behr
530B-4 Bliss Blue

CMYK 80 / 33 / 0 / 26

HEX #267EBC

RGB 38 126 188 1

HSL 204.8, 0.66%, 0.44%

LAB 50.65, -3.7, -39.73

Behr
P510-6 Brilliant Blue

CMYK 84 / 33 / 0 / 35

HEX #1A70A7

RGB 26 112 167 1

HSL 203.4, 0.73%, 0.38%

LAB 45.08, -4.37, -36.34

Behr
560B-7 Cerulean

CMYK 91 / 32 / 0 / 40

HEX #0D6798

RGB 13 103 152 1

HSL 201.15, 0.84%, 0.32%

LAB 41.3, -5.68, -33.44

Behr
MQ4-58 Mondrian Blue

CMYK 98 / 24 / 0 / 52

HEX #035E7B

RGB 3 94 123 1

HSL 194.5, 0.95%, 0.25%

LAB 36.85, -12.23, -22.88

Behr
MQ5-62 Blue Edge

CMYK 99 / 9 / 0 / 57

HEX #01636D

RGB 1 99 109 1

HSL 185.56, 0.98%, 0.22%

LAB 37.9, -20.44, -12.65

Behr
S-H-520 Peacock Tail

CMYK 80 / 33 / 0 / 26

HEX #267EBC

RGB 38 126 188 1

HSL 204.8, 0.66%, 0.44%

LAB 50.65, -3.7, -39.73

Behr
P510-6 Brilliant Blue

CMYK 75 / 37 / 0 / 33

HEX #2B6BAA

RGB 43 107 170 1

HSL 209.76, 0.6%, 0.42%

LAB 44.13, 1.74, -39.57

Behr
MQ4-24 Electric Blue

CMYK 75 / 39 / 0 / 40

HEX #265C98

RGB 38 92 152 1

HSL 211.58, 0.6%, 0.37%

LAB 38.43, 3.7, -37.94

Behr
P510-7 Beacon Blue

CMYK 75 / 39 / 0 / 40

HEX #265C98

RGB 38 92 152 1

HSL 211.58, 0.6%, 0.37%

LAB 38.43, 3.7, -37.94

Behr
P510-7 Beacon Blue

CMYK 75 / 37 / 0 / 33

HEX #2B6BAA

RGB 43 107 170 1

HSL 209.76, 0.6%, 0.42%

LAB 44.13, 1.74, -39.57

Behr
MQ4-24 Electric Blue

CMYK 80 / 33 / 0 / 26

HEX #267EBC

RGB 38 126 188 1

HSL 204.8, 0.66%, 0.44%

LAB 50.65, -3.7, -39.73

Behr
P510-6 Brilliant Blue

CMYK 80 / 23 / 0 / 15

HEX #2BA8DA

RGB 43 168 218 1

HSL 197.14, 0.7%, 0.51%

LAB 64.63, -16.22, -34.71

Behr
MQ4-56 El Capitan

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 37 / 23 / 0 / 66

HEX #374357

RGB 55 67 87 1

HSL 217.5, 0.23%, 0.28%

LAB 28.15, 0.74, -13.51

Behr
HDC-FL13-7 Soulful

CMYK 75 / 35 / 0 / 44

HEX #235C8E

RGB 35 92 142 1

HSL 208.04, 0.6%, 0.35%

LAB 37.78, -0.56, -32.96

Behr
S-G-570 Sapphire Lace

CMYK 80 / 33 / 0 / 26

HEX #267EBC

RGB 38 126 188 1

HSL 204.8, 0.66%, 0.44%

LAB 50.65, -3.7, -39.73

Behr
P510-6 Brilliant Blue

CMYK 23 / 35 / 0 / 38

HEX #79669D

RGB 121 102 157 1

HSL 260.73, 0.22%, 0.51%

LAB 46.98, 19.47, -27.11

Behr
PPU16-03 Purple Paradise

CMYK 0 / 13 / 80 / 23

HEX #C4AA27

RGB 196 170 39 1

HSL 50.06, 0.67%, 0.46%

LAB 69.92, -3.59, 65.12

Behr
HDC-MD-03 Citronette

CMYK 80 / 33 / 0 / 26

HEX #267EBC

RGB 38 126 188 1

HSL 204.8, 0.66%, 0.44%

LAB 50.65, -3.7, -39.73

Behr
P510-6 Brilliant Blue

CMYK 0 / 53 / 35 / 26

HEX #BC587B

RGB 188 88 123 1

HSL 339, 0.43%, 0.54%

LAB 50.81, 43.96, -0.3

Behr
S-G-100 Tutti Frutti

CMYK 24 / 0 / 67 / 27

HEX #8EBA3D

RGB 142 186 61 1

HSL 81.12, 0.51%, 0.48%

LAB 70.32, -33.32, 56.22

Behr
S-G-420 Limeade

CMYK 80 / 33 / 0 / 26

HEX #267EBC

RGB 38 126 188 1

HSL 204.8, 0.66%, 0.44%

LAB 50.65, -3.7, -39.73

Behr
P510-6 Brilliant Blue

CMYK 23 / 35 / 0 / 38

HEX #79669D

RGB 121 102 157 1

HSL 260.73, 0.22%, 0.51%

LAB 46.98, 19.47, -27.11

Behr
PPU16-03 Purple Paradise

CMYK 0 / 45 / 70 / 29

HEX #B56437

RGB 181 100 55 1

HSL 21.43, 0.53%, 0.46%

LAB 50.94, 28.83, 39.12

Behr
250D-7 Caramelized Orange

CMYK 38 / 0 / 58 / 35

HEX #66A545

RGB 102 165 69 1

HSL 99.38, 0.41%, 0.46%

LAB 61.8, -37.89, 42.71

Behr
430B-6 Caterpillar

CMYK 80 / 33 / 0 / 26

HEX #267EBC

RGB 38 126 188 1

HSL 204.8, 0.66%, 0.44%

LAB 50.65, -3.7, -39.73

Behr
P510-6 Brilliant Blue

CMYK 5 / 28 / 0 / 31

HEX #A97FB1

RGB 169 127 177 1

HSL 290.4, 0.24%, 0.6%

LAB 58.78, 25.11, -20.14

Behr
P100-5 I Heart Potion

CMYK 0 / 45 / 70 / 29

HEX #B56437

RGB 181 100 55 1

HSL 21.43, 0.53%, 0.46%

LAB 50.94, 28.83, 39.12

Behr
250D-7 Caramelized Orange

CMYK 62 / 0 / 49 / 40

HEX #3A984D

RGB 58 152 77 1

HSL 132.13, 0.45%, 0.41%

LAB 55.98, -44.25, 31.3

Behr
450B-6 Formal Garden

Description

Color code: Behr - P510-6 Brilliant Blue | qconv.com Color code: Behr - P510-6 Brilliant Blue | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 126 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 126 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 33 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 33% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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Sherwin Williams® to RGB

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