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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - HDC-WR14-7 Hidden Sapphire it is the complementary color Behr - HDC-NT-16 Natural Chamois. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - HDC-WR14-7 Hidden Sapphire. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - HDC-WR14-7 Hidden Sapphire: Behr - QE-55 Harbour, Behr - 610D-6 Enduring, Behr - S510-5 Skinny Jeans, Behr - 590F-5 Magic Spell and Behr - PMD-72 Periwinkle Dusk

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - HDC-WR14-7 Hidden Sapphire. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - HDC-WR14-7 Hidden Sapphire: Behr - HDC-WR14-7 Hidden Sapphire, Behr - MQ5-54 Compass Blue, Behr - 740F-7 Night Shade, Behr - MQ5-05 Limousine Leather and Behr - MQ5-05 Limousine Leather

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 23 / 0 / 56

HEX #445771

RGB 68 87 113

HSL 214.67, 0.25%, 0.35%

LAB 36.44, -0.06, -17.16

Behr
HDC-WR14-7 Hidden Sapphire

Complementary color

CMYK 0 / 10 / 26 / 27

HEX #BBA88B

RGB 187 168 139

HSL 36.25, 0.26%, 0.64%

LAB 69.78, 2.31, 17.51

Behr
HDC-NT-16 Natural Chamois

CMYK 29 / 15 / 0 / 60

HEX #495867

RGB 73 88 103 1

HSL 210, 0.17%, 0.35%

LAB 36.7, -1.93, -10.53

Behr
QE-55 Harbour

CMYK 33 / 22 / 0 / 49

HEX #586683

RGB 88 102 131 1

HSL 220.47, 0.2%, 0.43%

LAB 43.09, 2.09, -17.83

Behr
610D-6 Enduring

CMYK 28 / 13 / 0 / 44

HEX #667B8E

RGB 102 123 142 1

HSL 208.5, 0.16%, 0.48%

LAB 50.62, -3.01, -12.81

Behr
S510-5 Skinny Jeans

CMYK 28 / 15 / 0 / 35

HEX #778CA5

RGB 119 140 165 1

HSL 212.61, 0.2%, 0.56%

LAB 57.46, -1.58, -15.68

Behr
590F-5 Magic Spell

CMYK 21 / 12 / 0 / 30

HEX #8D9DB3

RGB 141 157 179 1

HSL 214.74, 0.2%, 0.63%

LAB 64.19, -0.8, -13.3

Behr
PMD-72 Periwinkle Dusk

CMYK 40 / 23 / 0 / 56

HEX #445771

RGB 68 87 113 1

HSL 214.67, 0.25%, 0.35%

LAB 36.44, -0.06, -17.16

Behr
HDC-WR14-7 Hidden Sapphire

CMYK 42 / 22 / 0 / 64

HEX #35475B

RGB 53 71 91 1

HSL 211.58, 0.26%, 0.28%

LAB 29.46, -1.27, -14.1

Behr
MQ5-54 Compass Blue

CMYK 20 / 7 / 0 / 71

HEX #3C464B

RGB 60 70 75 1

HSL 200, 0.11%, 0.26%

LAB 29.03, -2.78, -4.37

Behr
740F-7 Night Shade

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 40 / 23 / 0 / 56

HEX #445771

RGB 68 87 113 1

HSL 214.67, 0.25%, 0.35%

LAB 36.44, -0.06, -17.16

Behr
HDC-WR14-7 Hidden Sapphire

CMYK 46 / 38 / 0 / 56

HEX #3C4670

RGB 60 70 112 1

HSL 228.46, 0.3%, 0.34%

LAB 30.67, 8.22, -25.56

Behr
T18-18 Constellation Blue

CMYK 46 / 38 / 0 / 56

HEX #3C4670

RGB 60 70 112 1

HSL 228.46, 0.3%, 0.34%

LAB 30.67, 8.22, -25.56

Behr
T18-18 Constellation Blue

CMYK 28 / 33 / 0 / 56

HEX #504A6F

RGB 80 74 111 1

HSL 249.73, 0.2%, 0.36%

LAB 33.46, 11.52, -20.44

Behr
T11-12 Harajuku Girl

CMYK 40 / 23 / 0 / 56

HEX #445771

RGB 68 87 113 1

HSL 214.67, 0.25%, 0.35%

LAB 36.44, -0.06, -17.16

Behr
HDC-WR14-7 Hidden Sapphire

CMYK 39 / 22 / 0 / 37

HEX #637DA1

RGB 99 125 161 1

HSL 214.84, 0.25%, 0.51%

LAB 51.72, 0.02, -22.26

Behr
600D-6 Blueberry Patch

CMYK 40 / 24 / 0 / 16

HEX #82A3D7

RGB 130 163 215 1

HSL 216.71, 0.52%, 0.68%

LAB 66.4, 1.72, -30.04

Behr
P530-4 Periwinkle

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 40 / 23 / 0 / 56

HEX #445771

RGB 68 87 113 1

HSL 214.67, 0.25%, 0.35%

LAB 36.44, -0.06, -17.16

Behr
HDC-WR14-7 Hidden Sapphire

CMYK 11 / 33 / 0 / 56

HEX #644B70

RGB 100 75 112 1

HSL 280.54, 0.2%, 0.37%

LAB 35.81, 18.07, -17.26

Behr
S-G-670 Deep Violet

CMYK 6 / 0 / 39 / 57

HEX #676D43

RGB 103 109 67 1

HSL 68.57, 0.24%, 0.35%

LAB 44.56, -9.66, 22.72

Behr
MQ6-62 Coconut Grove

CMYK 40 / 23 / 0 / 56

HEX #445771

RGB 68 87 113 1

HSL 214.67, 0.25%, 0.35%

LAB 36.44, -0.06, -17.16

Behr
HDC-WR14-7 Hidden Sapphire

CMYK 0 / 33 / 17 / 60

HEX #674555

RGB 103 69 85 1

HSL 331.76, 0.2%, 0.34%

LAB 33.55, 17.31, -3.6

Behr
ICC-111 Plum Harvest

CMYK 19 / 0 / 40 / 58

HEX #566A40

RGB 86 106 64 1

HSL 88.57, 0.25%, 0.33%

LAB 42.24, -15.65, 21.18

Behr
410D-7 Mountain Forest

CMYK 40 / 23 / 0 / 56

HEX #445771

RGB 68 87 113 1

HSL 214.67, 0.25%, 0.35%

LAB 36.44, -0.06, -17.16

Behr
HDC-WR14-7 Hidden Sapphire

CMYK 11 / 33 / 0 / 56

HEX #644B70

RGB 100 75 112 1

HSL 280.54, 0.2%, 0.37%

LAB 35.81, 18.07, -17.26

Behr
S-G-670 Deep Violet

CMYK 0 / 14 / 42 / 56

HEX #706041

RGB 112 96 65 1

HSL 39.57, 0.27%, 0.35%

LAB 41.52, 1.64, 20.09

Behr
360F-7 Olive Shadow

CMYK 32 / 0 / 39 / 57

HEX #4A6D42

RGB 74 109 66 1

HSL 108.84, 0.25%, 0.34%

LAB 42.44, -21.69, 20.13

Behr
S-H-440 Pine Scent

CMYK 40 / 23 / 0 / 56

HEX #445771

RGB 68 87 113 1

HSL 214.67, 0.25%, 0.35%

LAB 36.44, -0.06, -17.16

Behr
HDC-WR14-7 Hidden Sapphire

CMYK 0 / 36 / 8 / 56

HEX #704867

RGB 112 72 103 1

HSL 313.5, 0.22%, 0.36%

LAB 36.1, 22.37, -11.07

Behr
S-G-680 Raspberry Mousse

CMYK 0 / 14 / 42 / 56

HEX #706041

RGB 112 96 65 1

HSL 39.57, 0.27%, 0.35%

LAB 41.52, 1.64, 20.09

Behr
360F-7 Olive Shadow

CMYK 46 / 0 / 35 / 56

HEX #3D7049

RGB 61 112 73 1

HSL 134.12, 0.29%, 0.34%

LAB 42.86, -26.46, 16.49

Behr
S-H-450 Parsley Sprig

Description

Color code: Behr - HDC-WR14-7 Hidden Sapphire | qconv.com Color code: Behr - HDC-WR14-7 Hidden Sapphire | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 87 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 87 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 23 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 23% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to RGB

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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nsc-logo

HKS® to RGB

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HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

nsc-logo

PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

convert from Pantone®-number (Pantone 0000) to RGBA red green blue transparency

PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGB

convert from Sherwin Williams®-number (SW 0000) to RGB red green blue

Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

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NCS® to RGB

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NCS® to RGBA

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NCS® to CMYK

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NCS® to HEX

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