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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - ECC-62-3 Volcanic it is the complementary color Behr - T15-11 Sonic Blue. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - ECC-62-3 Volcanic. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - ECC-62-3 Volcanic: Behr - M190-7 Colorful Leaves, Behr - M190-6 Before Winter, Behr - 180D-5 Sahara Sun, Behr - M170-5 Indian Sunset and Behr - 170B-4 Cool Melon

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - ECC-62-3 Volcanic. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - ECC-62-3 Volcanic: Behr - ECC-62-3 Volcanic, Behr - PPU2-17 Morocco Red, Behr - PPH-73 (HISP) Rojo Candela, Behr - UL110-1 Tuscan Russet and Behr - BXC-69 Cimarron

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 56 / 35

HEX #A55749

RGB 165 87 73

HSL 9.13, 0.39%, 0.47%

LAB 46.04, 30.62, 22.52

Behr
ECC-62-3 Volcanic

Complementary color

CMYK 51 / 9 / 0 / 27

HEX #5BA8B9

RGB 91 168 185

HSL 190.85, 0.4%, 0.54%

LAB 64.75, -19.07, -16.08

Behr
T15-11 Sonic Blue

CMYK 0 / 46 / 61 / 33

HEX #AA5C43

RGB 170 92 67 1

HSL 14.56, 0.43%, 0.46%

LAB 47.76, 29.44, 28.36

Behr
M190-7 Colorful Leaves

CMYK 0 / 41 / 54 / 26

HEX #BD6F56

RGB 189 111 86 1

HSL 14.56, 0.44%, 0.54%

LAB 54.93, 28.35, 27.14

Behr
M190-6 Before Winter

CMYK 0 / 41 / 46 / 22

HEX #C7756B

RGB 199 117 107 1

HSL 6.52, 0.45%, 0.6%

LAB 57.97, 31.06, 19.42

Behr
180D-5 Sahara Sun

CMYK 0 / 36 / 42 / 15

HEX #D98A7D

RGB 217 138 125 1

HSL 8.48, 0.55%, 0.67%

LAB 65.29, 28.66, 19.57

Behr
M170-5 Indian Sunset

CMYK 0 / 35 / 41 / 5

HEX #F39E90

RGB 243 158 144 1

HSL 8.48, 0.8%, 0.76%

LAB 73.23, 30.05, 20.45

Behr
170B-4 Cool Melon

CMYK 0 / 47 / 56 / 35

HEX #A55749

RGB 165 87 73 1

HSL 9.13, 0.39%, 0.47%

LAB 46.04, 30.62, 22.52

Behr
ECC-62-3 Volcanic

CMYK 0 / 54 / 61 / 41

HEX #96453B

RGB 150 69 59 1

HSL 6.59, 0.44%, 0.41%

LAB 39.67, 33.17, 22.26

Behr
PPU2-17 Morocco Red

CMYK 0 / 54 / 53 / 49

HEX #833C3D

RGB 131 60 61 1

HSL 359.15, 0.37%, 0.37%

LAB 34.79, 30.64, 14.03

Behr
PPH-73 (HISP) Rojo Candela

CMYK 0 / 46 / 48 / 55

HEX #723D3B

RGB 114 61 59 1

HSL 2.18, 0.32%, 0.34%

LAB 32.33, 22.9, 11.52

Behr
UL110-1 Tuscan Russet

CMYK 0 / 43 / 48 / 58

HEX #6B3D38

RGB 107 61 56 1

HSL 5.88, 0.31%, 0.32%

LAB 31.23, 19.55, 11.78

Behr
BXC-69 Cimarron

CMYK 0 / 47 / 56 / 35

HEX #A55749

RGB 165 87 73 1

HSL 9.13, 0.39%, 0.47%

LAB 46.04, 30.62, 22.52

Behr
ECC-62-3 Volcanic

CMYK 0 / 35 / 54 / 38

HEX #9E6649

RGB 158 102 73 1

HSL 20.47, 0.37%, 0.45%

LAB 48.58, 19.32, 25.61

Behr
UL120-4 Antique Copper

CMYK 0 / 19 / 51 / 36

HEX #A28450

RGB 162 132 80 1

HSL 38.05, 0.34%, 0.47%

LAB 56.84, 4.66, 32.24

Behr
330F-6 Bristle Grass

CMYK 0 / 6 / 54 / 40

HEX #9A9147

RGB 154 145 71 1

HSL 53.49, 0.37%, 0.44%

LAB 59.5, -6.85, 39.98

Behr
HDC-FL13-8 Tangy Dill

CMYK 0 / 47 / 56 / 35

HEX #A55749

RGB 165 87 73 1

HSL 9.13, 0.39%, 0.47%

LAB 46.04, 30.62, 22.52

Behr
ECC-62-3 Volcanic

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 46 / 48 / 55

HEX #723D3B

RGB 114 61 59 1

HSL 2.18, 0.32%, 0.34%

LAB 32.33, 22.9, 11.52

Behr
UL110-1 Tuscan Russet

CMYK 0 / 47 / 56 / 35

HEX #A55749

RGB 165 87 73 1

HSL 9.13, 0.39%, 0.47%

LAB 46.04, 30.62, 22.52

Behr
ECC-62-3 Volcanic

CMYK 21 / 0 / 55 / 38

HEX #7C9D47

RGB 124 157 71 1

HSL 83.02, 0.38%, 0.45%

LAB 60.65, -25.72, 40.75

Behr
420B-7 Pepper Grass

CMYK 59 / 38 / 0 / 35

HEX #4467A7

RGB 68 103 167 1

HSL 218.79, 0.42%, 0.46%

LAB 43.83, 7.49, -38.22

Behr
P530-6 Indigo Batik

CMYK 0 / 47 / 56 / 35

HEX #A55749

RGB 165 87 73 1

HSL 9.13, 0.39%, 0.47%

LAB 46.04, 30.62, 22.52

Behr
ECC-62-3 Volcanic

CMYK 53 / 0 / 42 / 38

HEX #4A9D5B

RGB 74 157 91 1

HSL 132.29, 0.36%, 0.45%

LAB 58.34, -40.02, 27.01

Behr
P400-6 Clover Patch

CMYK 46 / 37 / 0 / 37

HEX #5665A0

RGB 86 101 160 1

HSL 227.84, 0.3%, 0.48%

LAB 43.98, 10.69, -33.78

Behr
T13-9 Electrify

CMYK 0 / 47 / 56 / 35

HEX #A55749

RGB 165 87 73 1

HSL 9.13, 0.39%, 0.47%

LAB 46.04, 30.62, 22.52

Behr
ECC-62-3 Volcanic

CMYK 21 / 0 / 55 / 38

HEX #7C9D47

RGB 124 157 71 1

HSL 83.02, 0.38%, 0.45%

LAB 60.65, -25.72, 40.75

Behr
420B-7 Pepper Grass

CMYK 55 / 2 / 0 / 36

HEX #4A9FA3

RGB 74 159 163 1

HSL 182.7, 0.38%, 0.46%

LAB 60.69, -24.34, -9.91

Behr
M460-5 Aqua Fresco

CMYK 28 / 38 / 0 / 41

HEX #6C5D97

RGB 108 93 151 1

HSL 255.52, 0.24%, 0.48%

LAB 43.14, 19.34, -29.62

Behr
P560-6 Just A Fairytale

CMYK 0 / 47 / 56 / 35

HEX #A55749

RGB 165 87 73 1

HSL 9.13, 0.39%, 0.47%

LAB 46.04, 30.62, 22.52

Behr
ECC-62-3 Volcanic

CMYK 38 / 0 / 58 / 35

HEX #66A545

RGB 102 165 69 1

HSL 99.38, 0.41%, 0.46%

LAB 61.8, -37.89, 42.71

Behr
430B-6 Caterpillar

CMYK 55 / 2 / 0 / 36

HEX #4A9FA3

RGB 74 159 163 1

HSL 182.7, 0.38%, 0.46%

LAB 60.69, -24.34, -9.91

Behr
M460-5 Aqua Fresco

CMYK 21 / 30 / 0 / 34

HEX #8677A9

RGB 134 119 169 1

HSL 258, 0.23%, 0.56%

LAB 53.09, 16.43, -24.56

Behr
640B-6 Grape Parfait

Description

Color code: Behr - ECC-62-3 Volcanic | qconv.com Color code: Behr - ECC-62-3 Volcanic | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 165 red, 87 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
165 87 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 56 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 56% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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