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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - 690B-4 Pink Begonia it is the complementary color Behr - 470B-7 Climbing Ivy. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - 690B-4 Pink Begonia. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - 690B-4 Pink Begonia: Behr - 690B-4 Pink Begonia, Behr - P120-2 Gumball, Behr - P120-1 Starlet Pink, Behr - 690A-2 Hopeful and Behr - 690A-1 Zephyr

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - 690B-4 Pink Begonia. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - 690B-4 Pink Begonia: Behr - 690B-4 Pink Begonia, Behr - M120-5 Rosy, Behr - 690B-5 Valentine Heart, Behr - 690B-6 Wild Mulberry and Behr - HDC-AC-28A Carnation Festival

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

Complementary color

CMYK 73 / 0 / 33 / 56

HEX #1E714C

RGB 30 113 76

HSL 153.25, 0.58%, 0.28%

LAB 42.17, -33.95, 13.61

Behr
470B-7 Climbing Ivy

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189 1

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

CMYK 0 / 23 / 10 / 9

HEX #E7B2D0

RGB 231 178 208 1

HSL 326.04, 0.52%, 0.8%

LAB 78.1, 23.93, -7.7

Behr
P120-2 Gumball

CMYK 0 / 18 / 8 / 7

HEX #EDC2DB

RGB 237 194 219 1

HSL 325.12, 0.54%, 0.85%

LAB 82.75, 19.33, -6.67

Behr
P120-1 Starlet Pink

CMYK 0 / 12 / 7 / 5

HEX #F2D4E2

RGB 242 212 226 1

HSL 332, 0.54%, 0.89%

LAB 87.71, 12.74, -3.05

Behr
690A-2 Hopeful

CMYK 0 / 7 / 5 / 4

HEX #F5E4E9

RGB 245 228 233 1

HSL 342.35, 0.46%, 0.93%

LAB 92.03, 6.63, -0.35

Behr
690A-1 Zephyr

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189 1

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

CMYK 0 / 28 / 12 / 25

HEX #BE89A8

RGB 190 137 168 1

HSL 324.91, 0.29%, 0.64%

LAB 63.07, 25.1, -8.33

Behr
M120-5 Rosy

CMYK 0 / 35 / 15 / 27

HEX #BA789E

RGB 186 120 158 1

HSL 325.45, 0.32%, 0.6%

LAB 58.36, 31.4, -9.69

Behr
690B-5 Valentine Heart

CMYK 0 / 41 / 20 / 34

HEX #A96388

RGB 169 99 136 1

HSL 328.29, 0.29%, 0.53%

LAB 50.85, 33.37, -8.28

Behr
690B-6 Wild Mulberry

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189 1

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189 1

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

CMYK 0 / 28 / 24 / 14

HEX #DB9DA7

RGB 219 157 167 1

HSL 350.32, 0.46%, 0.74%

LAB 70.85, 24.51, 4.01

Behr
110C-3 Glamour

CMYK 0 / 30 / 31 / 11

HEX #E39E9C

RGB 227 158 156 1

HSL 1.69, 0.56%, 0.75%

LAB 71.68, 25.44, 11.41

Behr
150D-4 Pale Berry

CMYK 0 / 23 / 29 / 15

HEX #D9A89A

RGB 217 168 154 1

HSL 13.33, 0.45%, 0.73%

LAB 72.95, 16, 14.15

Behr
PMD-70 Cottage Rose

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189 1

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 6 / 9 / 74

HEX #433F3D

RGB 67 63 61 1

HSL 20, 0.05%, 0.25%

LAB 26.98, 1.28, 1.83

Behr
MQ1-35 Off Broadway

CMYK 0 / 30 / 12 / 55

HEX #745166

RGB 116 81 102 1

HSL 324, 0.18%, 0.39%

LAB 38.82, 18.25, -6.29

Behr
690D-7 Radicchio

CMYK 0 / 30 / 22 / 30

HEX #B37E8C

RGB 179 126 140 1

HSL 344.15, 0.26%, 0.6%

LAB 58.41, 22.63, 0.69

Behr
100D-4 Degas Pink

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189 1

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

CMYK 0 / 9 / 29 / 14

HEX #DCC89D

RGB 220 200 157 1

HSL 40.95, 0.47%, 0.74%

LAB 81.27, 0.54, 24.09

Behr
360E-3 Winter Garden

CMYK 31 / 3 / 0 / 11

HEX #9DDCE2

RGB 157 220 226 1

HSL 185.22, 0.54%, 0.75%

LAB 83.89, -18.41, -9.35

Behr
P470-2 Serene Thought

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189 1

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

CMYK 10 / 0 / 31 / 13

HEX #C8DF9A

RGB 200 223 154 1

HSL 80, 0.52%, 0.74%

LAB 85.7, -19.09, 31.36

Behr
420A-3 Key Lime

CMYK 30 / 12 / 0 / 14

HEX #9AC1DC

RGB 154 193 220 1

HSL 204.55, 0.49%, 0.73%

LAB 76.18, -6.71, -17.71

Behr
M520-3 Charismatic Sky

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189 1

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

CMYK 0 / 9 / 29 / 14

HEX #DCC89D

RGB 220 200 157 1

HSL 40.95, 0.47%, 0.74%

LAB 81.27, 0.54, 24.09

Behr
360E-3 Winter Garden

CMYK 27 / 21 / 0 / 14

HEX #9FACDB

RGB 159 172 219 1

HSL 227, 0.45%, 0.74%

LAB 70.86, 5.93, -25.21

Behr
P540-4 Lavender Sky

CMYK 0 / 29 / 14 / 13

HEX #DD9CBD

RGB 221 156 189 1

HSL 329.54, 0.49%, 0.74%

LAB 71.43, 29.14, -7.29

Behr
690B-4 Pink Begonia

CMYK 0 / 6 / 34 / 8

HEX #EBDC9C

RGB 235 220 156 1

HSL 48.61, 0.66%, 0.77%

LAB 87.61, -4.14, 33.35

Behr
P330-3 Pear Cider

CMYK 27 / 21 / 0 / 14

HEX #9FACDB

RGB 159 172 219 1

HSL 227, 0.45%, 0.74%

LAB 70.86, 5.93, -25.21

Behr
P540-4 Lavender Sky

Description

Color code: Behr - 690B-4 Pink Begonia | qconv.com Color code: Behr - 690B-4 Pink Begonia | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 156 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 156 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 14 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 14% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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