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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - 150B-5 Cheery it is the complementary color Behr - T15-3 Essential Teal. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - 150B-5 Cheery. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - 150B-5 Cheery: Behr - 150B-5 Cheery, Behr - 150B-4 Pink Eraser, Behr - PPH-28 (HISP) Salm0N Fresco, Behr - 140A-3 Carnation Bloom and Behr - 150A-2 Rose Sorbet

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - 150B-5 Cheery. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - 150B-5 Cheery: Behr - 150B-5 Cheery, Behr - P160-4 Juicy Details, Behr - M160-6 Matador´S Cape, Behr - 200D-6 Mexican Chile and Behr - UL110-6 Indiscreet

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 43 / 6

HEX #F08A88

RGB 240 138 136

HSL 1.15, 0.78%, 0.74%

LAB 68.37, 38.51, 18.12

Behr
150B-5 Cheery

Complementary color

CMYK 100 / 3 / 0 / 53

HEX #007377

RGB 0 115 119

HSL 182.02, 1%, 0.23%

LAB 43.64, -25.37, -10.05

Behr
T15-3 Essential Teal

CMYK 0 / 43 / 43 / 6

HEX #F08A88

RGB 240 138 136 1

HSL 1.15, 0.78%, 0.74%

LAB 68.37, 38.51, 18.12

Behr
150B-5 Cheery

CMYK 0 / 34 / 37 / 5

HEX #F3A09A

RGB 243 160 154 1

HSL 4.04, 0.79%, 0.78%

LAB 73.89, 30.13, 15.87

Behr
150B-4 Pink Eraser

CMYK 0 / 23 / 24 / 2

HEX #F9C0BE

RGB 249 192 190 1

HSL 2.03, 0.83%, 0.86%

LAB 82.68, 20.12, 8.89

Behr
140A-3 Carnation Bloom

CMYK 0 / 16 / 18 / 2

HEX #FBD3CD

RGB 251 211 205 1

HSL 7.83, 0.85%, 0.89%

LAB 87.73, 13.06, 8.18

Behr
150A-2 Rose Sorbet

CMYK 0 / 43 / 43 / 6

HEX #F08A88

RGB 240 138 136 1

HSL 1.15, 0.78%, 0.74%

LAB 68.37, 38.51, 18.12

Behr
150B-5 Cheery

CMYK 0 / 45 / 43 / 15

HEX #D9787C

RGB 217 120 124 1

HSL 357.53, 0.56%, 0.66%

LAB 61.34, 38.08, 14.7

Behr
P160-4 Juicy Details

CMYK 0 / 47 / 51 / 19

HEX #CF6E66

RGB 207 110 102 1

HSL 4.57, 0.52%, 0.61%

LAB 57.44, 37.36, 21.76

Behr
M160-6 Matador´S Cape

CMYK 0 / 50 / 59 / 26

HEX #BD5F4E

RGB 189 95 78 1

HSL 9.19, 0.46%, 0.52%

LAB 51.33, 36.24, 27.11

Behr
200D-6 Mexican Chile

CMYK 0 / 66 / 66 / 33

HEX #AC3B3B

RGB 172 59 59 1

HSL 0, 0.49%, 0.45%

LAB 41.55, 46.14, 25.41

Behr
UL110-6 Indiscreet

CMYK 0 / 43 / 43 / 6

HEX #F08A88

RGB 240 138 136 1

HSL 1.15, 0.78%, 0.74%

LAB 68.37, 38.51, 18.12

Behr
150B-5 Cheery

CMYK 0 / 35 / 42 / 5

HEX #F39D8D

RGB 243 157 141 1

HSL 9.41, 0.81%, 0.75%

LAB 72.95, 30.26, 21.7

Behr
180B-4 Fruit Shake

CMYK 0 / 24 / 41 / 8

HEX #EAB38A

RGB 234 179 138 1

HSL 25.63, 0.7%, 0.73%

LAB 77.02, 14.79, 28.64

Behr
M220-4 Trick Or Treat

CMYK 0 / 18 / 43 / 6

HEX #F0C588

RGB 240 197 136 1

HSL 35.19, 0.78%, 0.74%

LAB 81.97, 7.47, 36.3

Behr
PMD-30 Pollen Grains

CMYK 0 / 14 / 43 / 5

HEX #F1CF8A

RGB 241 207 138 1

HSL 40.19, 0.79%, 0.74%

LAB 84.57, 2.88, 38.65

Behr
360D-4 Warm Glow

CMYK 0 / 43 / 43 / 6

HEX #F08A88

RGB 240 138 136 1

HSL 1.15, 0.78%, 0.74%

LAB 68.37, 38.51, 18.12

Behr
150B-5 Cheery

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 43 / 47 / 45

HEX #8D504B

RGB 141 80 75 1

HSL 4.55, 0.31%, 0.42%

LAB 41.07, 24.95, 14.08

Behr
S140-6 Moroccan Ruby

CMYK 0 / 42 / 42 / 25

HEX #C06F70

RGB 192 111 112 1

HSL 359.26, 0.39%, 0.59%

LAB 55.83, 32.12, 13.45

Behr
HDC-SP14-8 Art House Pink

CMYK 0 / 43 / 43 / 6

HEX #F08A88

RGB 240 138 136 1

HSL 1.15, 0.78%, 0.74%

LAB 68.37, 38.51, 18.12

Behr
150B-5 Cheery

CMYK 2 / 0 / 36 / 10

HEX #E0E592

RGB 224 229 146 1

HSL 63.61, 0.61%, 0.74%

LAB 88.9, -14.05, 39.93

Behr
410A-3 Honeydew

CMYK 40 / 17 / 0 / 10

HEX #89C0E6

RGB 137 192 230 1

HSL 204.52, 0.65%, 0.72%

LAB 75.28, -8.3, -24.56

Behr
P510-3 Rhodes

CMYK 0 / 43 / 43 / 6

HEX #F08A88

RGB 240 138 136 1

HSL 1.15, 0.78%, 0.74%

LAB 68.37, 38.51, 18.12

Behr
150B-5 Cheery

CMYK 33 / 0 / 26 / 21

HEX #86C994

RGB 134 201 148 1

HSL 132.54, 0.38%, 0.66%

LAB 75.44, -32.16, 19.91

Behr
P400-4 Good Luck

CMYK 29 / 31 / 0 / 23

HEX #8C87C5

RGB 140 135 197 1

HSL 244.84, 0.35%, 0.65%

LAB 58.91, 15.85, -31.52

Behr
MQ4-29 Brocade

CMYK 0 / 43 / 43 / 6

HEX #F08A88

RGB 240 138 136 1

HSL 1.15, 0.78%, 0.74%

LAB 68.37, 38.51, 18.12

Behr
150B-5 Cheery

CMYK 2 / 0 / 36 / 10

HEX #E0E592

RGB 224 229 146 1

HSL 63.61, 0.61%, 0.74%

LAB 88.9, -14.05, 39.93

Behr
410A-3 Honeydew

CMYK 34 / 8 / 0 / 9

HEX #9AD6E8

RGB 154 214 232 1

HSL 193.85, 0.63%, 0.76%

LAB 82.27, -14.78, -14.98

Behr
P490-2 Blue Sarong

CMYK 15 / 27 / 0 / 25

HEX #A38BBF

RGB 163 139 191 1

HSL 267.69, 0.29%, 0.65%

LAB 61.67, 19.27, -23.72

Behr
P570-4 Classic Bouquet

CMYK 0 / 43 / 43 / 6

HEX #F08A88

RGB 240 138 136 1

HSL 1.15, 0.78%, 0.74%

LAB 68.37, 38.51, 18.12

Behr
150B-5 Cheery

CMYK 19 / 0 / 36 / 13

HEX #B2DD8E

RGB 178 221 142 1

HSL 92.66, 0.54%, 0.71%

LAB 83.51, -27.74, 34.32

Behr
MQ4-46 Early Spring

CMYK 34 / 8 / 0 / 9

HEX #9AD6E8

RGB 154 214 232 1

HSL 193.85, 0.63%, 0.76%

LAB 82.27, -14.78, -14.98

Behr
P490-2 Blue Sarong

CMYK 0 / 29 / 6 / 23

HEX #C58BBA

RGB 197 139 186 1

HSL 311.38, 0.33%, 0.66%

LAB 64.87, 29.6, -15.72

Behr
P110-4 Rock Star Pink

Description

Color code: Behr - 150B-5 Cheery | qconv.com Color code: Behr - 150B-5 Cheery | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 138 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 138 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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