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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Behr - 140C-3 Hibiscus Petal it is the complementary color Behr - S-H-490 Billiard Table. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Behr - 140C-3 Hibiscus Petal. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Behr - 140C-3 Hibiscus Petal: Behr - 140C-3 Hibiscus Petal, Behr - 160A-3 Pink Hydrangea, Behr - 150A-2 Rose Sorbet, Behr - 150A-1 Silk Sheets and Behr - 1850 Ultra Pure White

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Behr - 140C-3 Hibiscus Petal. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Behr - 140C-3 Hibiscus Petal: Behr - 140C-3 Hibiscus Petal, Behr - M150-4 Glow Pink, Behr - 130D-4 Rose Sachet, Behr - S140-5 Red Gerbera and Behr - PPU1-06 Rose Marquee

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

Complementary color

CMYK 80 / 0 / 7 / 62

HEX #14625B

RGB 20 98 91

HSL 174.62, 0.66%, 0.23%

LAB 37.19, -24.32, -2.6

Behr
S-H-490 Billiard Table

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172 1

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

CMYK 0 / 22 / 25 / 3

HEX #F8C1BB

RGB 248 193 187 1

HSL 5.9, 0.81%, 0.85%

LAB 82.75, 18.81, 10.58

Behr
160A-3 Pink Hydrangea

CMYK 0 / 16 / 18 / 2

HEX #FBD3CD

RGB 251 211 205 1

HSL 7.83, 0.85%, 0.89%

LAB 87.73, 13.06, 8.18

Behr
150A-2 Rose Sorbet

CMYK 0 / 9 / 11 / 2

HEX #F9E3DE

RGB 249 227 222 1

HSL 11.11, 0.69%, 0.92%

LAB 91.84, 6.7, 5.15

Behr
150A-1 Silk Sheets

CMYK 0 / 0 / 2 / 3

HEX #F8F8F3

RGB 248 248 243 1

HSL 60, 0.26%, 0.96%

LAB 97.46, -0.87, 2.39

Behr
1850 Ultra Pure White

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172 1

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

CMYK 0 / 30 / 27 / 15

HEX #D8979E

RGB 216 151 158 1

HSL 353.54, 0.45%, 0.72%

LAB 68.9, 25.37, 6.17

Behr
M150-4 Glow Pink

CMYK 0 / 35 / 31 / 19

HEX #CE858F

RGB 206 133 143 1

HSL 351.78, 0.43%, 0.66%

LAB 63.24, 29.34, 6.35

Behr
130D-4 Rose Sachet

CMYK 0 / 34 / 35 / 31

HEX #B07473

RGB 176 116 115 1

HSL 0.98, 0.28%, 0.57%

LAB 55.03, 23.51, 10.28

Behr
S140-5 Red Gerbera

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172 1

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

CMYK 0 / 26 / 28 / 8

HEX #EAAEA9

RGB 234 174 169 1

HSL 4.62, 0.61%, 0.79%

LAB 76.45, 21.23, 11.15

Behr
M160-3 Sweet Tart

CMYK 0 / 19 / 29 / 7

HEX #ECBFA8

RGB 236 191 168 1

HSL 20.29, 0.64%, 0.79%

LAB 80.7, 12.82, 17.69

Behr
BIC-03 Veronese Peach

CMYK 0 / 10 / 28 / 7

HEX #ECD5AA

RGB 236 213 170 1

HSL 39.09, 0.63%, 0.8%

LAB 86.17, 1.58, 24.19

Behr
ICC-51 Sweet Marzipan

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172 1

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

CMYK 2 / 0 / 2 / 76

HEX #3B3C3B

RGB 59 60 59 1

HSL 120, 0.01%, 0.23%

LAB 25.19, -0.65, 0.46

Behr
MQ5-05 Limousine Leather

CMYK 0 / 21 / 26 / 67

HEX #54423E

RGB 84 66 62 1

HSL 10.91, 0.15%, 0.29%

LAB 29.74, 7.06, 5.38

Behr
BNC-21 Double Espresso

CMYK 0 / 33 / 25 / 47

HEX #865A64

RGB 134 90 100 1

HSL 346.36, 0.2%, 0.44%

LAB 43.21, 19.62, 1.65

Behr
100D-6 Rose Garland

CMYK 0 / 29 / 32 / 27

HEX #BB8580

RGB 187 133 128 1

HSL 5.08, 0.3%, 0.62%

LAB 60.69, 20.06, 10.96

Behr
S150-4 Red Clover

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172 1

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

CMYK 1 / 0 / 24 / 7

HEX #EBEEB4

RGB 235 238 180 1

HSL 63.1, 0.63%, 0.82%

LAB 92.62, -10.15, 27.83

Behr
410A-2 Cabbage Green

CMYK 25 / 14 / 0 / 9

HEX #AFC7E8

RGB 175 199 232 1

HSL 214.74, 0.55%, 0.8%

LAB 79.49, -0.92, -19.03

Behr
P530-2 Promise Keeping

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172 1

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

CMYK 17 / 0 / 18 / 19

HEX #ACCFA9

RGB 172 207 169 1

HSL 115.26, 0.28%, 0.74%

LAB 79.76, -18.82, 15.1

Behr
450D-4 Garden Room

CMYK 20 / 17 / 0 / 17

HEX #AAB0D4

RGB 170 176 212 1

HSL 231.43, 0.33%, 0.75%

LAB 72.46, 5.45, -18.88

Behr
MQ4-30 Lavender Wash

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172 1

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

CMYK 1 / 0 / 24 / 7

HEX #EBEEB4

RGB 235 238 180 1

HSL 63.1, 0.63%, 0.82%

LAB 92.62, -10.15, 27.83

Behr
410A-2 Cabbage Green

CMYK 25 / 0 / 5 / 8

HEX #B0EBDF

RGB 176 235 223 1

HSL 167.8, 0.6%, 0.81%

LAB 88.91, -21.07, -0.25

Behr
MQ4-23 Aloha

CMYK 18 / 17 / 0 / 13

HEX #B6B8DE

RGB 182 184 222 1

HSL 237, 0.38%, 0.79%

LAB 75.76, 7.07, -19.24

Behr
P550-3 Lavender Cloud

CMYK 0 / 28 / 27 / 7

HEX #EDAAAC

RGB 237 170 172 1

HSL 358.21, 0.65%, 0.8%

LAB 75.9, 24.88, 8.78

Behr
140C-3 Hibiscus Petal

CMYK 12 / 0 / 22 / 9

HEX #CDE8B6

RGB 205 232 182 1

HSL 92.4, 0.52%, 0.81%

LAB 88.96, -17.65, 21.43

Behr
430A-3 Fairway Mist

CMYK 25 / 0 / 5 / 8

HEX #B0EBDF

RGB 176 235 223 1

HSL 167.8, 0.6%, 0.81%

LAB 88.91, -21.07, -0.25

Behr
MQ4-23 Aloha

CMYK 4 / 17 / 0 / 18

HEX #C7ACD0

RGB 199 172 208 1

HSL 285, 0.28%, 0.75%

LAB 73.68, 16.26, -14.62

Behr
660B-4 Pale Orchid

Description

Color code: Behr - 140C-3 Hibiscus Petal | qconv.com Color code: Behr - 140C-3 Hibiscus Petal | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 170 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 170 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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