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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Baumit Silikat - Baumit 13M it is the complementary color Baumit Silikat - Baumit 51A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Baumit Silikat - Baumit 13M. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Baumit Silikat - Baumit 13M: Baumit Silikat - Baumit 23M, Baumit Silikat - Baumit 31G, Baumit Silikat - Baumit 15M, Baumit Silikat - Baumit 23G and Baumit Silikat - Baumit 25G

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Baumit Silikat - Baumit 13M. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Baumit Silikat - Baumit 13M: Baumit Silikat - Baumit 13M, Baumit Silikat - Baumit 11M, Baumit Silikat - Baumit 11B, Baumit Silikat - Baumit 11C and Baumit Silikat - Baumit 21U

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 55 / 14

HEX #DBAF63

RGB 219 175 99

HSL 38, 0.63%, 0.62%

LAB 73.95, 7.11, 44.63

Baumit Silikat
Baumit 13M

Complementary color

CMYK 28 / 13 / 0 / 43

HEX #697E91

RGB 105 126 145

HSL 208.5, 0.16%, 0.49%

LAB 51.8, -3.02, -12.77

Baumit Silikat
Baumit 51A

CMYK 0 / 23 / 56 / 12

HEX #E1AD64

RGB 225 173 100 1

HSL 35.04, 0.68%, 0.64%

LAB 74.07, 10.75, 44.43

Baumit Silikat
Baumit 23M

CMYK 0 / 16 / 54 / 11

HEX #E2BD67

RGB 226 189 103 1

HSL 41.95, 0.68%, 0.65%

LAB 78.19, 2.95, 47.91

Baumit Silikat
Baumit 31G

CMYK 0 / 2 / 38 / 11

HEX #E4E08D

RGB 228 224 141 1

HSL 57.24, 0.62%, 0.72%

LAB 87.84, -10.57, 41.12

Baumit Silikat
Baumit 23G

CMYK 0 / 0 / 24 / 10

HEX #E5E6AE

RGB 229 230 174 1

HSL 61.07, 0.53%, 0.79%

LAB 90, -9.17, 27.26

Baumit Silikat
Baumit 25G

CMYK 0 / 25 / 65 / 20

HEX #CC9848

RGB 204 152 72 1

HSL 36.36, 0.56%, 0.54%

LAB 66.34, 11.16, 48.62

Baumit Silikat
Baumit 11M

CMYK 0 / 35 / 59 / 27

HEX #BB794D

RGB 187 121 77 1

HSL 24, 0.45%, 0.52%

LAB 56.86, 21.29, 34.51

Baumit Silikat
Baumit 11C

CMYK 0 / 30 / 46 / 40

HEX #996B52

RGB 153 107 82 1

HSL 21.13, 0.3%, 0.46%

LAB 49.37, 15.22, 21.32

Baumit Silikat
Baumit 21U

CMYK 0 / 16 / 54 / 11

HEX #E2BD67

RGB 226 189 103 1

HSL 41.95, 0.68%, 0.65%

LAB 78.19, 2.95, 47.91

Baumit Silikat
Baumit 31G

CMYK 0 / 3 / 46 / 12

HEX #E0DA78

RGB 224 218 120 1

HSL 56.54, 0.63%, 0.67%

LAB 85.68, -11.26, 48.66

Baumit Silikat
Baumit 21G

CMYK 0 / 0 / 42 / 18

HEX #D2D27A

RGB 210 210 122 1

HSL 60, 0.49%, 0.65%

LAB 82.49, -12.61, 43.5

Baumit Silikat
Baumit 11G

CMYK 6 / 0 / 40 / 24

HEX #B6C274

RGB 182 194 116 1

HSL 69.23, 0.39%, 0.61%

LAB 75.94, -16.26, 37.82

Baumit Silikat
Baumit 21L

CMYK 0 / 2 / 1 / 62

HEX #626061

RGB 98 96 97 1

HSL 330, 0.01%, 0.38%

LAB 40.94, 1, -0.29

Baumit Silikat
Baumit 21S

CMYK 0 / 2 / 1 / 62

HEX #626061

RGB 98 96 97 1

HSL 330, 0.01%, 0.38%

LAB 40.94, 1, -0.29

Baumit Silikat
Baumit 21S

CMYK 0 / 19 / 31 / 54

HEX #765F52

RGB 118 95 82 1

HSL 21.67, 0.18%, 0.39%

LAB 42.22, 7.22, 10.96

Baumit Silikat
Baumit 41U

CMYK 28 / 0 / 33 / 27

HEX #85B97C

RGB 133 185 124 1

HSL 111.15, 0.3%, 0.61%

LAB 70.27, -28.96, 25.64

Baumit Silikat
Baumit 11L

CMYK 52 / 26 / 0 / 17

HEX #669DD3

RGB 102 157 211 1

HSL 209.72, 0.55%, 0.61%

LAB 63.05, -2.97, -33.14

Baumit Silikat
Baumit 31A

CMYK 42 / 0 / 13 / 25

HEX #6EBFA7

RGB 110 191 167 1

HSL 162.22, 0.39%, 0.59%

LAB 71.8, -30.49, 4.38

Baumit Silikat
Baumit 13J

CMYK 19 / 8 / 0 / 16

HEX #AEC5D6

RGB 174 197 214 1

HSL 205.5, 0.33%, 0.76%

LAB 78.34, -4.19, -11.1

Baumit Silikat
Baumit 45A

CMYK 28 / 0 / 33 / 27

HEX #85B97C

RGB 133 185 124 1

HSL 111.15, 0.3%, 0.61%

LAB 70.27, -28.96, 25.64

Baumit Silikat
Baumit 11L

CMYK 52 / 26 / 0 / 17

HEX #669DD3

RGB 102 157 211 1

HSL 209.72, 0.55%, 0.61%

LAB 63.05, -2.97, -33.14

Baumit Silikat
Baumit 31A

CMYK 0 / 4 / 0 / 26

HEX #BDB6BD

RGB 189 182 189 1

HSL 300, 0.05%, 0.73%

LAB 74.79, 3.76, -2.67

Baumit Silikat
Baumit 15F

CMYK 39 / 0 / 30 / 33

HEX #68AA77

RGB 104 170 119 1

HSL 133.64, 0.28%, 0.54%

LAB 64.18, -32.17, 19.84

Baumit Silikat
Baumit 31J

CMYK 52 / 26 / 0 / 17

HEX #669DD3

RGB 102 157 211 1

HSL 209.72, 0.55%, 0.61%

LAB 63.05, -2.97, -33.14

Baumit Silikat
Baumit 31A

CMYK 0 / 9 / 10 / 14

HEX #DCC8C7

RGB 220 200 199 1

HSL 2.86, 0.23%, 0.82%

LAB 82.19, 6.83, 3.03

Baumit Silikat
Baumit 17V

Description

Color code: Baumit Silikat - Baumit 13M | qconv.com Color code: Baumit Silikat - Baumit 13M | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 175 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 175 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 55 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 55% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to RGB

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PANTONE® to RGBA

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PANTONE® to CMYK

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

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PANTONE® to NCS®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

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NCS® to RGB

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NCS® to CMYK

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NCS® to HEX

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convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

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