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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Valspar - V078-5 - Mauving Up it is the complementary color Valspar - 5002-4A - Secluded Garden. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Valspar - V078-5 - Mauving Up. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Valspar - V078-5 - Mauving Up: Valspar - 1005-9B - Berry Brandy, Valspar - 1005-7B - Garnet Dust, Valspar - 1007-7C - Plum Ribbon, Valspar - 1006-8A - Cameo Pink and Valspar - 1007-8A - Rosy Hue

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Valspar - V078-5 - Mauving Up. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Valspar - V078-5 - Mauving Up: Valspar - V078-5 - Mauving Up, Valspar - 1010-6 - Stoic, Valspar - CI120 - Dark Truffle, Valspar - M131 - Ragtop and Valspar - CI57 - Cracked Pepper

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 21 / 49

HEX #836468

RGB 131 100 104

HSL 352.26, 0.13%, 0.45%

LAB 45.55, 13.14, 2.56

Valspar
V078-5 - Mauving Up

Complementary color

CMYK 17 / 0 / 1 / 39

HEX #809B99

RGB 128 155 153

HSL 175.56, 0.12%, 0.55%

LAB 61.94, -9.83, -2.1

Valspar
5002-4A - Secluded Garden

CMYK 0 / 23 / 22 / 41

HEX #977576

RGB 151 117 118 1

HSL 358.24, 0.14%, 0.53%

LAB 52.52, 13.47, 4.57

Valspar
1005-7B - Garnet Dust

CMYK 0 / 19 / 18 / 25

HEX #BF9B9C

RGB 191 155 156 1

HSL 358.33, 0.22%, 0.68%

LAB 67.22, 13.51, 4.53

Valspar
1006-8A - Cameo Pink

CMYK 0 / 17 / 16 / 19

HEX #CEACAD

RGB 206 172 173 1

HSL 358.24, 0.26%, 0.74%

LAB 73.31, 12.5, 4.11

Valspar
1007-8A - Rosy Hue

CMYK 0 / 24 / 21 / 49

HEX #836468

RGB 131 100 104 1

HSL 352.26, 0.13%, 0.45%

LAB 45.55, 13.14, 2.56

Valspar
V078-5 - Mauving Up

CMYK 0 / 32 / 25 / 55

HEX #724E56

RGB 114 78 86 1

HSL 346.67, 0.19%, 0.38%

LAB 37.29, 16.45, 1.42

Valspar
1010-6 - Stoic

CMYK 0 / 28 / 32 / 62

HEX #604541

RGB 96 69 65 1

HSL 7.74, 0.19%, 0.32%

LAB 32.09, 10.98, 6.98

Valspar
CI120 - Dark Truffle

CMYK 0 / 31 / 37 / 68

HEX #513833

RGB 81 56 51 1

HSL 10, 0.23%, 0.26%

LAB 26.21, 10.35, 7.54

Valspar
M131 - Ragtop

CMYK 7 / 5 / 0 / 84

HEX #27282A

RGB 39 40 42 1

HSL 220, 0.04%, 0.16%

LAB 16.09, 0.05, -1.47

Valspar
CI57 - Cracked Pepper

CMYK 0 / 24 / 21 / 49

HEX #836468

RGB 131 100 104 1

HSL 352.26, 0.13%, 0.45%

LAB 45.55, 13.14, 2.56

Valspar
V078-5 - Mauving Up

CMYK 0 / 24 / 21 / 49

HEX #836468

RGB 131 100 104 1

HSL 352.26, 0.13%, 0.45%

LAB 45.55, 13.14, 2.56

Valspar
V078-5 - Mauving Up

CMYK 7 / 5 / 0 / 84

HEX #27282A

RGB 39 40 42 1

HSL 220, 0.04%, 0.16%

LAB 16.09, 0.05, -1.47

Valspar
CI57 - Cracked Pepper

CMYK 0 / 24 / 21 / 49

HEX #836468

RGB 131 100 104 1

HSL 352.26, 0.13%, 0.45%

LAB 45.55, 13.14, 2.56

Valspar
V078-5 - Mauving Up

CMYK 0 / 2 / 25 / 50

HEX #807E60

RGB 128 126 96 1

HSL 56.25, 0.14%, 0.44%

LAB 52.24, -4.49, 16.65

Valspar
6004-4C - Gaucho

CMYK 22 / 6 / 0 / 50

HEX #63777F

RGB 99 119 127 1

HSL 197.14, 0.12%, 0.44%

LAB 48.73, -5.42, -6.83

Valspar
T692 - Risk-Reward

CMYK 0 / 24 / 21 / 49

HEX #836468

RGB 131 100 104 1

HSL 352.26, 0.13%, 0.45%

LAB 45.55, 13.14, 2.56

Valspar
V078-5 - Mauving Up

CMYK 30 / 27 / 0 / 48

HEX #5D6084

RGB 93 96 132 1

HSL 235.38, 0.17%, 0.44%

LAB 41.78, 7.64, -20.41

Valspar
4002-8C - Karmic Grape

CMYK 0 / 24 / 21 / 49

HEX #836468

RGB 131 100 104 1

HSL 352.26, 0.13%, 0.45%

LAB 45.55, 13.14, 2.56

Valspar
V078-5 - Mauving Up

CMYK 0 / 2 / 25 / 50

HEX #807E60

RGB 128 126 96 1

HSL 56.25, 0.14%, 0.44%

LAB 52.24, -4.49, 16.65

Valspar
6004-4C - Gaucho

CMYK 24 / 0 / 2 / 49

HEX #62817E

RGB 98 129 126 1

HSL 174.19, 0.14%, 0.45%

LAB 51.61, -11.66, -1.99

Valspar
5003-6B - Liquid Jade

CMYK 17 / 24 / 0 / 52

HEX #655D7A

RGB 101 93 122 1

HSL 256.55, 0.13%, 0.42%

LAB 41.22, 9.62, -15.14

Valspar
4001-8C - Success

CMYK 0 / 24 / 21 / 49

HEX #836468

RGB 131 100 104 1

HSL 352.26, 0.13%, 0.45%

LAB 45.55, 13.14, 2.56

Valspar
V078-5 - Mauving Up

CMYK 24 / 0 / 2 / 49

HEX #62817E

RGB 98 129 126 1

HSL 174.19, 0.14%, 0.45%

LAB 51.61, -11.66, -1.99

Valspar
5003-6B - Liquid Jade

CMYK 15 / 26 / 0 / 49

HEX #6F6183

RGB 111 97 131 1

HSL 264.71, 0.15%, 0.45%

LAB 43.61, 12.84, -16.87

Valspar
1001-5A - Purple Valley

Description

Color code: Valspar - V078-5 - Mauving Up | qconv.com Color code: Valspar - V078-5 - Mauving Up | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 100 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 100 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 21 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 21% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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