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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone TintaSol - TintaSol L-13 · 4% it is the complementary color TintaSol - TintaSol LW-21 · 8%. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color TintaSol - TintaSol L-13 · 4%. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone TintaSol - TintaSol L-13 · 4%: TintaSol - TintaSol L-12 · 4%, TintaSol - TintaSol LW-18 · 8%, TintaSol - TintaSol L-12 · 2%, TintaSol - TintaSol L-12 · 1% and TintaSol - TintaSol LW-17 · 1%

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color TintaSol - TintaSol L-13 · 4%. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone TintaSol - TintaSol L-13 · 4%: TintaSol - TintaSol L-13 · 4%, TintaSol - TintaSol L-13 · 8%, TintaSol - TintaSol L-15 · 4%, TintaSol - TintaSol L-15 · 8% and TintaSol - TintaSol LW-51 · 4%

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 59 / 3

HEX #F7DD66

RGB 247 221 102

HSL 49.24, 0.9%, 0.68%

LAB 88.18, -4.94, 60.44

TintaSol
TintaSol L-13 · 4%

Complementary color

CMYK 100 / 28 / 0 / 26

HEX #0088BC

RGB 0 136 188

HSL 196.6, 1%, 0.37%

LAB 53.21, -11.82, -35.72

TintaSol
TintaSol LW-21 · 8%

CMYK 0 / 5 / 57 / 2

HEX #F9EC6A

RGB 249 236 106 1

HSL 54.55, 0.92%, 0.7%

LAB 92.21, -11.33, 63.24

TintaSol
TintaSol LW-18 · 8%

CMYK 0 / 8 / 39 / 0

HEX #FEE99A

RGB 254 233 154 1

HSL 47.4, 0.98%, 0.8%

LAB 92.43, -3.62, 40.97

TintaSol
TintaSol L-12 · 1%

CMYK 0 / 4 / 29 / 2

HEX #FAF0B2

RGB 250 240 178 1

HSL 51.67, 0.88%, 0.84%

LAB 94.25, -5.87, 31.25

TintaSol
TintaSol LW-17 · 1%

CMYK 0 / 11 / 59 / 3

HEX #F7DD66

RGB 247 221 102 1

HSL 49.24, 0.9%, 0.68%

LAB 88.18, -4.94, 60.44

TintaSol
TintaSol L-13 · 4%

CMYK 0 / 11 / 69 / 5

HEX #F3D84C

RGB 243 216 76 1

HSL 50.3, 0.87%, 0.63%

LAB 86.35, -5.62, 69.23

TintaSol
TintaSol L-13 · 8%

CMYK 0 / 11 / 59 / 3

HEX #F7DD66

RGB 247 221 102 1

HSL 49.24, 0.9%, 0.68%

LAB 88.18, -4.94, 60.44

TintaSol
TintaSol L-13 · 4%

CMYK 0 / 5 / 57 / 2

HEX #F9EC6A

RGB 249 236 106 1

HSL 54.55, 0.92%, 0.7%

LAB 92.21, -11.33, 63.24

TintaSol
TintaSol LW-18 · 8%

CMYK 0 / 5 / 57 / 2

HEX #F9EC6A

RGB 249 236 106 1

HSL 54.55, 0.92%, 0.7%

LAB 92.21, -11.33, 63.24

TintaSol
TintaSol LW-18 · 8%

CMYK 0 / 5 / 57 / 2

HEX #F9EC6A

RGB 249 236 106 1

HSL 54.55, 0.92%, 0.7%

LAB 92.21, -11.33, 63.24

TintaSol
TintaSol LW-18 · 8%

CMYK 0 / 5 / 57 / 2

HEX #F9EC6A

RGB 249 236 106 1

HSL 54.55, 0.92%, 0.7%

LAB 92.21, -11.33, 63.24

TintaSol
TintaSol LW-18 · 8%

CMYK 0 / 11 / 59 / 3

HEX #F7DD66

RGB 247 221 102 1

HSL 49.24, 0.9%, 0.68%

LAB 88.18, -4.94, 60.44

TintaSol
TintaSol L-13 · 4%

CMYK 4 / 3 / 0 / 62

HEX #5E5F62

RGB 94 95 98 1

HSL 225, 0.02%, 0.38%

LAB 40.32, 0.25, -1.85

TintaSol
TintaSol LW-71 · 8%

CMYK 4 / 3 / 0 / 62

HEX #5E5F62

RGB 94 95 98 1

HSL 225, 0.02%, 0.38%

LAB 40.32, 0.25, -1.85

TintaSol
TintaSol LW-71 · 8%

CMYK 0 / 11 / 59 / 3

HEX #F7DD66

RGB 247 221 102 1

HSL 49.24, 0.9%, 0.68%

LAB 88.18, -4.94, 60.44

TintaSol
TintaSol L-13 · 4%

CMYK 20 / 29 / 0 / 20

HEX #A390CB

RGB 163 144 203 1

HSL 259.32, 0.36%, 0.68%

LAB 63.38, 19.13, -27.83

TintaSol
TintaSol LW-81 · 2%

CMYK 0 / 11 / 59 / 3

HEX #F7DD66

RGB 247 221 102 1

HSL 49.24, 0.9%, 0.68%

LAB 88.18, -4.94, 60.44

TintaSol
TintaSol L-13 · 4%

CMYK 53 / 14 / 0 / 12

HEX #6AC1E1

RGB 106 193 225 1

HSL 196.13, 0.66%, 0.65%

LAB 73.96, -17.47, -24.01

TintaSol
TintaSol LW-21 · 1%

CMYK 0 / 46 / 27 / 11

HEX #E27BA4

RGB 226 123 164 1

HSL 336.12, 0.64%, 0.68%

LAB 64.17, 44.55, -3.95

TintaSol
TintaSol LW-33 · 4%

CMYK 0 / 11 / 59 / 3

HEX #F7DD66

RGB 247 221 102 1

HSL 49.24, 0.9%, 0.68%

LAB 88.18, -4.94, 60.44

TintaSol
TintaSol L-13 · 4%

CMYK 53 / 14 / 0 / 12

HEX #6AC1E1

RGB 106 193 225 1

HSL 196.13, 0.66%, 0.65%

LAB 73.96, -17.47, -24.01

TintaSol
TintaSol LW-21 · 1%

CMYK 0 / 38 / 22 / 7

HEX #EC92B8

RGB 236 146 184 1

HSL 334.67, 0.7%, 0.75%

LAB 70.77, 38.89, -5.32

TintaSol
TintaSol LW-33 · 2%

CMYK 0 / 11 / 59 / 3

HEX #F7DD66

RGB 247 221 102 1

HSL 49.24, 0.9%, 0.68%

LAB 88.18, -4.94, 60.44

TintaSol
TintaSol L-13 · 4%

CMYK 53 / 14 / 0 / 12

HEX #6AC1E1

RGB 106 193 225 1

HSL 196.13, 0.66%, 0.65%

LAB 73.96, -17.47, -24.01

TintaSol
TintaSol LW-21 · 1%

CMYK 0 / 38 / 22 / 7

HEX #EC92B8

RGB 236 146 184 1

HSL 334.67, 0.7%, 0.75%

LAB 70.77, 38.89, -5.32

TintaSol
TintaSol LW-33 · 2%

Description

Color code: TintaSol - TintaSol L-13 · 4% | qconv.com Color code: TintaSol - TintaSol L-13 · 4% | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 221 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 221 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 59 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 59% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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