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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone standox Autolacke - SUZUKI ZC7 light bronze mist it is the complementary color standox Autolacke - CHRYSLER PCF, ECF opal grey OEM 2006. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color standox Autolacke - SUZUKI ZC7 light bronze mist. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - BMW 330, 443 saharabeige, standox Autolacke - HONDA YR520M beige, standox Autolacke - MITSUBISHI ET4 colina beige, standox Autolacke - HYUNDAI WF gray and standox Autolacke - SSANGYONG SPA690 snow white
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color standox Autolacke - SUZUKI ZC7 light bronze mist. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - MAZDA 12M moonlight gray, standox Autolacke - ASIA B4 soldier beige, standox Autolacke - BMW 621 messing and standox Autolacke - NISSAN JS0 olive green
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - NISSAN C41 greyish brown OEM 2006, standox Autolacke - MERCEDES 485 rosenholz and standox Autolacke - MERCEDES 485 rosenholz
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - MAZDA 34E sparkling gold OEM 2006, standox Autolacke - MAZDA 34E sparkling gold OEM 2006, standox Autolacke - NISSAN KR5 greenish gray and standox Autolacke - NISSAN KR5 greenish gray
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The standox Autolacke - SUZUKI ZC7 light bronze mist shade matches the following richer shades: standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - TOYOTA 4E9 beige, standox Autolacke - NISSAN EJ3 olive yellow, standox Autolacke - MERCEDES 030 designo-gelbgold and standox Autolacke - MAZDA 25C canary yellow
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - SSANGYONG BAH oasis blue OEM 2005, standox Autolacke - SEAT LS5M azul anna, standox Autolacke - KIA BP pale blue and standox Autolacke - KIA BP pale blue
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - MERCEDES 485 rosenholz, standox Autolacke - NISSAN C41 greyish brown OEM 2006, standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - MAZDA 34E sparkling gold OEM 2006 and standox Autolacke - MAZDA 34E sparkling gold OEM 2006
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - ISUZU 528F, 76L, U528F dark bronze mist, standox Autolacke - MAZDA 11B driftwood, standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - HONDA YR528M shoreline mist and standox Autolacke - ISUZU 714, N417-P9010 light silver
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - NISSAN KR5 greenish gray and standox Autolacke - SUZUKI 1JZ frosty purple
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - DAEWOO 35U mint green and standox Autolacke - OPEL-VAUXHALL 166, 22P flieder/lilac
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - NISSAN KR5 greenish gray, standox Autolacke - SSANGYONG BAH oasis blue OEM 2005 and standox Autolacke - SMART C02L brillantsilber
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the standox Autolacke - SUZUKI ZC7 light bronze mist shade: standox Autolacke - SUZUKI ZC7 light bronze mist, standox Autolacke - SUBARU 42M titanium grey OEM 2006, standox Autolacke - SSANGYONG BAH oasis blue OEM 2005 and standox Autolacke - TOYOTA 4N1 grayish brown
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
Complementary color
HSL 222.86, 0.06%, 0.45%
LAB 46.81, 0.66, -6.06
Lighter colors
HSL 28.8, 0.11%, 0.57%
LAB 60.59, 2.74, 8.12
HSL 34.29, 0.15%, 0.63%
LAB 67.21, 1.62, 9.89
HSL 37.14, 0.14%, 0.7%
LAB 73.99, 0.57, 7.62
HSL 41.05, 0.17%, 0.77%
LAB 81.11, -0.17, 7.22
HSL 45, 0.19%, 0.83%
LAB 86.35, -0.71, 6.39
Darker colors
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 37.89, 0.08%, 0.49%
LAB 53.48, 0.46, 7.47
HSL 36, 0.09%, 0.42%
LAB 46.02, 0.92, 7.84
HSL 44.35, 0.13%, 0.34%
LAB 39.17, -0.71, 10.67
HSL 48, 0.18%, 0.27%
LAB 32.69, -1.59, 12.64
Warmer colors
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 23.33, 0.08%, 0.56%
LAB 59, 2.84, 5.2
HSL 21, 0.09%, 0.55%
LAB 57.64, 3.64, 5.52
HSL 21, 0.09%, 0.55%
LAB 57.64, 3.64, 5.52
Colder colors
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 47.14, 0.06%, 0.56%
LAB 60.9, -0.92, 6.21
HSL 47.14, 0.06%, 0.56%
LAB 60.9, -0.92, 6.21
HSL 75, 0.05%, 0.55%
LAB 60, -3.37, 5.97
HSL 75, 0.05%, 0.55%
LAB 60, -3.37, 5.97
Richer colors
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 40.47, 0.19%, 0.56%
LAB 62.58, 0.46, 17.2
HSL 42, 0.36%, 0.56%
LAB 66.4, 1.06, 32.43
HSL 40.53, 0.5%, 0.55%
LAB 68.12, 4.57, 44.66
HSL 38.46, 0.72%, 0.57%
LAB 72.41, 10.88, 57.62
Paler colors
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 211.76, 0.08%, 0.56%
LAB 58.65, -1.01, -5.77
HSL 218.95, 0.26%, 0.56%
LAB 56.04, 1.88, -21.88
HSL 218.02, 0.46%, 0.57%
LAB 54.99, 5.29, -37.31
HSL 218.02, 0.46%, 0.57%
LAB 54.99, 5.29, -37.31
Analogue colors
HSL 21, 0.09%, 0.55%
LAB 57.64, 3.64, 5.52
HSL 23.33, 0.08%, 0.56%
LAB 59, 2.84, 5.2
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 47.14, 0.06%, 0.56%
LAB 60.9, -0.92, 6.21
HSL 47.14, 0.06%, 0.56%
LAB 60.9, -0.92, 6.21
Monochromatic colors
HSL 35, 0.06%, 0.4%
LAB 43.44, 0.61, 4.65
HSL 35.29, 0.07%, 0.48%
LAB 51.95, 0.82, 6.41
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 45, 0.07%, 0.64%
LAB 68.5, -0.56, 5.02
HSL 43.64, 0.08%, 0.72%
LAB 75.91, -0.38, 4.41
Partial complementary colors
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 75, 0.05%, 0.55%
LAB 60, -3.37, 5.97
HSL 240, 0.08%, 0.57%
LAB 57.99, 3.51, -9.02
Triadic colors
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 166.67, 0.08%, 0.55%
LAB 60.6, -7.22, -0.07
HSL 240, 0.05%, 0.58%
LAB 59.72, 2.22, -5.82
Rectangular (tetradic) colors
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 75, 0.05%, 0.55%
LAB 60, -3.37, 5.97
HSL 211.76, 0.08%, 0.56%
LAB 58.65, -1.01, -5.77
HSL 210, 0.01%, 0.58%
LAB 61.27, -0.16, -0.66
Square colors
HSL 37.5, 0.07%, 0.56%
LAB 60.03, 0.39, 6.09
HSL 144, 0.02%, 0.54%
LAB 57.38, -2.43, 0.96
HSL 211.76, 0.08%, 0.56%
LAB 58.65, -1.01, -5.77
HSL 20, 0.03%, 0.58%
LAB 60.83, 1.09, 1.57
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 144 green and 134 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 11 yellow and 41 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
RGB to HEX
convert from RGB red green blue to #RRGGBB
RGB to CMYK
convert from RGB red green blue to CMYK cyan / magenta / yellow / black
RGB to RAL®
convert from RGB red green blue to RAL®-number (RAL 0000)
RGB to HKS®
convert from RGB red green blue to HKS®-number (HKS 00)
RGB to PANTONE®
convert from RGB red green blue to Pantone®-number (Pantone 0000)
RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
convert from RGB red green blue to NCS-number (S0000-X00X)
CMYK to HEX
convert from CMYK cyan / magenta / yellow / black to #RRGGBB
CMYK to RGB
convert from CMYK cyan / magenta / yellow / black to RGB red green blue
CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
convert from CMYK cyan / magenta / yellow / black to NCS-number (S0000-X00X)
HEX to RGB
convert from #RRGGBB to RGB red green blue
HEX to CMYK
convert from #RRGGBB to CMYK cyan / magenta / yellow / black
HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)
HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to CMYK
convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black
Sherwin Williams® to HEX
convert from Sherwin Williams®-number (SW 0000) to #RRGGBB
Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)