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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone standox Autolacke - SSANGYONG BAG blue it is the complementary color standox Autolacke - MERCEDES 697 rocky mountains brown middle. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color standox Autolacke - SSANGYONG BAG blue. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - FORD EUROPE 6DYE, C sea grey OEM 2006, standox Autolacke - AUDI LZ7M, Z2 opal, standox Autolacke - DAIHATSU S30 grey, standox Autolacke - TOYOTA 8M3 light grayish blue and standox Autolacke - DAEWOO 83U sky grey
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color standox Autolacke - SSANGYONG BAG blue. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - SSANGYONG BAG blue, standox Autolacke - MERCEDES MCLAREN, 502 crystal digenit blue OEM2005, standox Autolacke - MAZDA A5D deep navy, standox Autolacke - HONDA NH568 black and standox Autolacke - HONDA NH568 black
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - SSANGYONG BAG blue, standox Autolacke - AUDI LZ5S, 4K nemoblau, standox Autolacke - TOYOTA 940 dark purple, standox Autolacke - LADA 133 magic purple and standox Autolacke - LADA 133 magic purple
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - SSANGYONG BAG blue, standox Autolacke - AUDI LZ5S, 4K nemoblau, standox Autolacke - TOYOTA 940 dark purple and standox Autolacke - TOYOTA 940 dark purple
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The standox Autolacke - SSANGYONG BAG blue shade matches the following richer shades: standox Autolacke - SSANGYONG BAG blue, standox Autolacke - PEUGEOT KMA bleu horn, standox Autolacke - FIAT-LANCIA 470B blu pitti, standox Autolacke - TOYOTA 8E5 blue and standox Autolacke - MINI A28, WA28 hyper blue
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - SSANGYONG BAG blue, standox Autolacke - VW LR7S empiregreen, standox Autolacke - AUDI LZ8P, K3 sambabraun, standox Autolacke - SEAT LS8P marron tierra and standox Autolacke - SAAB 263 copper bronze
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - BMW 356 vermontgruen, standox Autolacke - ALFA ROMEO 326B petrolio scuro, standox Autolacke - SSANGYONG BAG blue, standox Autolacke - AUDI LZ5S, 4K nemoblau and standox Autolacke - TOYOTA 940 dark purple
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - HONDA NH568 black, standox Autolacke - LADA 498 dark blue, standox Autolacke - SSANGYONG BAG blue, standox Autolacke - VW LD5X trendblue and standox Autolacke - FIAT-LANCIA 486A blu winchester
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - SSANGYONG BAG blue, standox Autolacke - LADA 133 magic purple and standox Autolacke - BMW A04, YA04 uban green
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - SSANGYONG BAG blue, standox Autolacke - VW LK4Z, S4 brombeer and standox Autolacke - BMW 370 shetlandgruen
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - SSANGYONG BAG blue, standox Autolacke - LADA 133 magic purple, standox Autolacke - ALFA ROMEO 581A marrone luci di bosco OEM 2006 and standox Autolacke - BMW 370 shetlandgruen
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the standox Autolacke - SSANGYONG BAG blue shade: standox Autolacke - SSANGYONG BAG blue, standox Autolacke - ALFA ROMEO 497A prugna, standox Autolacke - ALFA ROMEO 581A marrone luci di bosco OEM 2006 and standox Autolacke - BMW 370 shetlandgruen
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
Complementary color
HSL 36.52, 0.17%, 0.74%
LAB 77.71, 0.76, 8.18
Lighter colors
HSL 210, 0.09%, 0.26%
LAB 27.64, -0.99, -4.48
HSL 206.67, 0.11%, 0.33%
LAB 35.14, -1.99, -5.98
HSL 203.33, 0.09%, 0.4%
LAB 42.92, -2.57, -5.36
HSL 200, 0.09%, 0.47%
LAB 50.72, -3.58, -5.57
HSL 196.36, 0.09%, 0.53%
LAB 56.8, -4.44, -5.16
Darker colors
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 212.73, 0.23%, 0.18%
LAB 18.52, -0.71, -9.02
standox Autolacke
MERCEDES MCLAREN, 502 crystal digenit blue OEM2005
HSL 218.18, 0.17%, 0.12%
LAB 11.15, 0.19, -5.37
HSL 0, 0%, 0.1%
LAB 8.76, 0, -0
HSL 0, 0%, 0.1%
LAB 8.76, 0, -0
Warmer colors
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 215.29, 0.14%, 0.24%
LAB 24.6, -0.3, -7.13
HSL 240, 0.18%, 0.24%
LAB 22.13, 5.87, -13.57
HSL 258, 0.15%, 0.26%
LAB 24.87, 7.42, -11.27
HSL 258, 0.15%, 0.26%
LAB 24.87, 7.42, -11.27
Colder colors
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 215.29, 0.14%, 0.24%
LAB 24.6, -0.3, -7.13
HSL 240, 0.18%, 0.24%
LAB 22.13, 5.87, -13.57
HSL 240, 0.18%, 0.24%
LAB 22.13, 5.87, -13.57
Richer colors
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 208.64, 0.36%, 0.24%
LAB 25.26, -2.21, -15.44
HSL 207.1, 0.49%, 0.25%
LAB 26.77, -2.61, -20.3
HSL 206.97, 0.69%, 0.25%
LAB 28.14, -0.72, -27.78
HSL 207.84, 0.73%, 0.26%
LAB 28.76, 0.84, -30.59
Paler colors
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 180, 0.02%, 0.24%
LAB 26.47, -0.84, -0.3
HSL 10.91, 0.09%, 0.25%
LAB 26.61, 3.49, 2.65
HSL 14.59, 0.29%, 0.25%
LAB 26.07, 11.22, 10.68
HSL 21.11, 0.4%, 0.27%
LAB 28.97, 13.09, 18.03
Analogue colors
HSL 169.57, 0.18%, 0.25%
LAB 29.95, -9.86, -0.48
HSL 182.61, 0.19%, 0.24%
LAB 28.45, -8.22, -3.36
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 215.29, 0.14%, 0.24%
LAB 24.6, -0.3, -7.13
HSL 240, 0.18%, 0.24%
LAB 22.13, 5.87, -13.57
Monochromatic colors
HSL 0, 0%, 0.1%
LAB 8.76, 0, -0
HSL 210, 0.16%, 0.17%
LAB 17.15, -1.09, -5.54
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 206.25, 0.19%, 0.33%
LAB 36.03, -3.21, -10.33
HSL 209.09, 0.16%, 0.41%
LAB 44, -2.41, -11.01
Partial complementary colors
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 258, 0.15%, 0.26%
LAB 24.87, 7.42, -11.27
HSL 60, 0.16%, 0.25%
LAB 31.33, -4.02, 12.56
Triadic colors
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 328.97, 0.23%, 0.25%
LAB 23.84, 15.82, -3.97
HSL 106.36, 0.17%, 0.25%
LAB 29.88, -11.64, 10.98
Rectangular (tetradic) colors
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 258, 0.15%, 0.26%
LAB 24.87, 7.42, -11.27
HSL 26.67, 0.14%, 0.26%
LAB 28.31, 2.78, 6.46
standox Autolacke
ALFA ROMEO 581A marrone luci di bosco OEM 2006
HSL 106.36, 0.17%, 0.25%
LAB 29.88, -11.64, 10.98
Square colors
HSL 207.5, 0.18%, 0.25%
LAB 27.27, -2.25, -8.37
HSL 328.24, 0.13%, 0.26%
LAB 26.09, 9.27, -2.68
HSL 26.67, 0.14%, 0.26%
LAB 28.31, 2.78, 6.46
standox Autolacke
ALFA ROMEO 581A marrone luci di bosco OEM 2006
HSL 106.36, 0.17%, 0.25%
LAB 29.88, -11.64, 10.98
Description
Since the color values are relatively low compared to others, this hue appears darker to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 53 red, 66 green and 77 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 14 magenta, none yellow and 70 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Brands
This color is used by at least one manufactures. Here you can see which:
53% - Mazda UK | Explore o...
Link: http://www.mazda.co.uk
30% - Centar za korisnike ...
Link: http://sada.zgh.hr
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
RGB to HEX
convert from RGB red green blue to #RRGGBB
RGB to CMYK
convert from RGB red green blue to CMYK cyan / magenta / yellow / black
RGB to RAL®
convert from RGB red green blue to RAL®-number (RAL 0000)
RGB to HKS®
convert from RGB red green blue to HKS®-number (HKS 00)
RGB to PANTONE®
convert from RGB red green blue to Pantone®-number (Pantone 0000)
RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
convert from RGB red green blue to NCS-number (S0000-X00X)
CMYK to HEX
convert from CMYK cyan / magenta / yellow / black to #RRGGBB
CMYK to RGB
convert from CMYK cyan / magenta / yellow / black to RGB red green blue
CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
convert from CMYK cyan / magenta / yellow / black to NCS-number (S0000-X00X)
HEX to RGB
convert from #RRGGBB to RGB red green blue
HEX to CMYK
convert from #RRGGBB to CMYK cyan / magenta / yellow / black
HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)
HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to CMYK
convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black
Sherwin Williams® to HEX
convert from Sherwin Williams®-number (SW 0000) to #RRGGBB
Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)