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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone standox Autolacke - NISSAN A19 orange OEM2005 it is the complementary color standox Autolacke - TOYOTA 8J2 medium blue. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color standox Autolacke - NISSAN A19 orange OEM2005. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - NISSAN A17 orange, standox Autolacke - OPEL-VAUXHALL 40B, 43L caprigelb / giallo capri, standox Autolacke - NISSAN A10 apricot, standox Autolacke - VW LD2A, G7 aprikot and standox Autolacke - AUDI LY1F, 1Q maniokgelb
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color standox Autolacke - NISSAN A19 orange OEM2005. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - CHRYSLER PVK, CVK orange blast OEM 2006, standox Autolacke - CITROEN EHT cronos, standox Autolacke - VOLVO 423 orange and standox Autolacke - BMW 365 ziegelrot
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - MINI A26, WA26 hot orange OEM2005 and standox Autolacke - FIAT-LANCIA 910A dark orange
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - RENAULT D37 jaune automne, standox Autolacke - KIA 2Y sunburst gold, standox Autolacke - OPEL-VAUXHALL 379, 18L, 30L mambagruen / mamba green and standox Autolacke - NISSAN J31 green OEM2005
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The standox Autolacke - NISSAN A19 orange OEM2005 shade matches the following richer shades: standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - PROTON A0092 liquid orange OEM 2006, standox Autolacke - VW LD2C magmaorange OEM 2006 and standox Autolacke - AUDI LY2D dottergelb
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - NISSAN HV0 toffee, standox Autolacke - BMW 418 impalabraun, standox Autolacke - NISSAN KS1 gray and standox Autolacke - ISUZU 674, B310-P901-0 mineral blue
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - SUBARU 177 red, standox Autolacke - NISSAN AW6 lava, standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - LAND ROVER GUD, 583 sahara and standox Autolacke - KIA 2Y sunburst gold
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - HYUNDAI OO copper orange, standox Autolacke - SUZUKI ZCV garnet orange OEM 2006, standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - OPEL-VAUXHALL 40B, 43L caprigelb / giallo capri and standox Autolacke - CITROEN KHT, W6 cognac
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - OPEL-VAUXHALL 376, DX tropical green and standox Autolacke - SEAT LS5J, 6C azul lapislazuli
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - FIAT-LANCIA 343A verde evidence and standox Autolacke - RENAULT B74 osiatis
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - OPEL-VAUXHALL 376, DX tropical green, standox Autolacke - SKODA 4591, F5J hellblau sky and standox Autolacke - TOYOTA 9AC radish purple OEM 2006
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the standox Autolacke - NISSAN A19 orange OEM2005 shade: standox Autolacke - NISSAN A19 orange OEM2005, standox Autolacke - VW LN6H gruen, standox Autolacke - SKODA 4591, F5J hellblau sky and standox Autolacke - KIA DC pale violet
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
Complementary color
HSL 200.79, 0.41%, 0.51%
LAB 57.65, -10.82, -24.69
Lighter colors
HSL 24, 0.53%, 0.44%
LAB 50.04, 24.8, 38.86
HSL 34.14, 0.46%, 0.51%
LAB 60.7, 11.98, 42.22
standox Autolacke
OPEL-VAUXHALL 40B, 43L caprigelb / giallo capri
HSL 23.89, 0.48%, 0.56%
LAB 60.86, 20.39, 33.23
HSL 28.31, 0.79%, 0.65%
LAB 72.32, 21.22, 45.63
HSL 36.69, 0.82%, 0.71%
LAB 81.45, 7.88, 43.32
Darker colors
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 25.93, 0.6%, 0.38%
LAB 45.12, 23.3, 40.03
HSL 18.11, 0.64%, 0.33%
LAB 35.54, 29.43, 33.72
HSL 12.26, 0.6%, 0.3%
LAB 31.03, 30.93, 27.7
HSL 0, 0.51%, 0.27%
LAB 24.33, 31.36, 16.96
Warmer colors
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 9.23, 0.46%, 0.44%
LAB 43.34, 35.08, 26.75
HSL 0.5, 0.54%, 0.44%
LAB 40.17, 48.29, 28.51
Colder colors
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 44.04, 0.42%, 0.44%
LAB 57.26, 0.87, 40.03
HSL 50.55, 0.54%, 0.46%
LAB 66.2, -4.78, 55.75
HSL 60, 0.46%, 0.39%
LAB 59.28, -12.33, 47.64
standox Autolacke
OPEL-VAUXHALL 379, 18L, 30L mambagruen / mamba green
HSL 84.92, 0.3%, 0.43%
LAB 55.61, -21.1, 31.44
Richer colors
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 27.73, 0.62%, 0.42%
LAB 49.78, 23.71, 44.96
HSL 29.24, 0.93%, 0.41%
LAB 54.61, 35.29, 61.44
HSL 28.55, 1%, 0.45%
LAB 59.03, 41.83, 67.19
Paler colors
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 31.67, 0.34%, 0.41%
LAB 47.76, 8.61, 26.44
HSL 24, 0.19%, 0.42%
LAB 45.9, 7.03, 12.62
HSL 0, 0.01%, 0.44%
LAB 47.01, 0.77, 0.27
HSL 204.88, 0.19%, 0.43%
LAB 45.97, -4.45, -12.24
Analogue colors
HSL 353.65, 0.49%, 0.42%
LAB 38.36, 43.92, 17.09
HSL 5.05, 0.46%, 0.45%
LAB 43.2, 39.66, 25.55
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 36.41, 0.48%, 0.48%
LAB 59.08, 10.05, 44.15
HSL 50.55, 0.54%, 0.46%
LAB 66.2, -4.78, 55.75
Monochromatic colors
HSL 19.73, 0.51%, 0.28%
LAB 30.49, 19.2, 24.01
HSL 23.08, 0.54%, 0.38%
LAB 42.88, 22.96, 34.17
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 34.14, 0.46%, 0.51%
LAB 60.7, 11.98, 42.22
standox Autolacke
OPEL-VAUXHALL 40B, 43L caprigelb / giallo capri
HSL 27.59, 0.4%, 0.57%
LAB 62.99, 12.75, 28.15
Partial complementary colors
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 102.86, 0.31%, 0.45%
LAB 56.79, -30.38, 31.64
HSL 228, 0.44%, 0.4%
LAB 34.41, 16.17, -41.9
Triadic colors
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 145.41, 0.52%, 0.42%
LAB 59.37, -45.99, 24.45
HSL 280.95, 0.34%, 0.36%
LAB 33.02, 30.78, -28.47
Rectangular (tetradic) colors
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 102.86, 0.31%, 0.45%
LAB 56.79, -30.38, 31.64
HSL 202.5, 0.44%, 0.42%
LAB 48, -8.2, -25.24
HSL 322.94, 0.36%, 0.37%
LAB 35.95, 34.8, -11.06
Square colors
HSL 26.32, 0.5%, 0.44%
LAB 50.85, 20.91, 38.1
HSL 121.76, 0.38%, 0.35%
LAB 46.39, -36.07, 29.41
HSL 202.5, 0.44%, 0.42%
LAB 48, -8.2, -25.24
HSL 330.31, 0.46%, 0.41%
LAB 39.27, 45.35, -6.93
Description
Since the color values are relatively low compared to others, this hue appears darker to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 106 green and 56 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 67 yellow and 33 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Brands
This color is used by at least one manufactures. Here you can see which:
44% - Interracorsa
Link: http://interracorsa.eu
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
RGB to HEX
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RGB to CMYK
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RGB to RAL®
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RGB to HKS®
convert from RGB red green blue to HKS®-number (HKS 00)
RGB to PANTONE®
convert from RGB red green blue to Pantone®-number (Pantone 0000)
RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
convert from RGB red green blue to NCS-number (S0000-X00X)
CMYK to HEX
convert from CMYK cyan / magenta / yellow / black to #RRGGBB
CMYK to RGB
convert from CMYK cyan / magenta / yellow / black to RGB red green blue
CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
convert from CMYK cyan / magenta / yellow / black to NCS-number (S0000-X00X)
HEX to RGB
convert from #RRGGBB to RGB red green blue
HEX to CMYK
convert from #RRGGBB to CMYK cyan / magenta / yellow / black
HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)
HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to CMYK
convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black
Sherwin Williams® to HEX
convert from Sherwin Williams®-number (SW 0000) to #RRGGBB
Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)