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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone standox Autolacke - LADA 466 sapphire it is the complementary color standox Autolacke - SSANGYONG EAH golden beige OEM 2005. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color standox Autolacke - LADA 466 sapphire. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - FORD EUROPE 4, 5DVEWWA, B jeans / jeans OEM 2005, standox Autolacke - FIAT-LANCIA 811A blu eco, standox Autolacke - SUBARU 21J lapis blue, standox Autolacke - NISSAN BN7 light violet and standox Autolacke - FIAT-LANCIA 466A azzurro portofino
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color standox Autolacke - LADA 466 sapphire. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - LADA 466 sapphire, standox Autolacke - SUZUKI ZF2 saphire blue 2, standox Autolacke - SUBARU 53C light blue, standox Autolacke - MITSUBISHI T67, AC11267 modern blue and standox Autolacke - MITSUBISHI X02, AC11002 toscana black
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - LADA 466 sapphire, standox Autolacke - MAZDA 1V wistaria purple, standox Autolacke - RENAULT D45 bleu vibrato, standox Autolacke - FORD EUROPE 2792, 75 fun lila / light grape and standox Autolacke - PEUGEOT KPF violet retevision
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - LADA 466 sapphire, standox Autolacke - MAZDA 1V wistaria purple and standox Autolacke - RENAULT D45 bleu vibrato
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The standox Autolacke - LADA 466 sapphire shade matches the following richer shades: standox Autolacke - LADA 466 sapphire, standox Autolacke - ROVER IAT, MGRC079 monogram chagall, standox Autolacke - FIAT-LANCIA 489A blu metro lancia, standox Autolacke - MAZDA 26P starry blue and standox Autolacke - ISUZU 722, B702-P8020 marine blue
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - LADA 466 sapphire, standox Autolacke - MERCEDES 357, 5357 iolithblau OEM2005, standox Autolacke - ALFA ROMEO 568A grigio canna di fucile OEM 2006, standox Autolacke - FIAT POLSKI 143 oliwkowy and standox Autolacke - RENAULT F90 vert onyx
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - NISSAN FM2 turquoise, standox Autolacke - LADA 430 fregat green, standox Autolacke - LADA 466 sapphire, standox Autolacke - MAZDA 1V wistaria purple and standox Autolacke - RENAULT D45 bleu vibrato
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - FORD EUROPE 2713A, B ontarioblau / ontario blue, standox Autolacke - DAIHATSU 8G4 dark blue, standox Autolacke - LADA 466 sapphire, standox Autolacke - FIAT-LANCIA 480A zaffiro and standox Autolacke - FIAT-LANCIA 770 azzurro sky
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - LADA 466 sapphire, standox Autolacke - PEUGEOT KPF violet retevision and standox Autolacke - TOYOTA 6R7 green
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - LADA 466 sapphire, standox Autolacke - MITSUBISHI QI fire red and standox Autolacke - TOYOTA 6R7 green
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - LADA 466 sapphire, standox Autolacke - PEUGEOT KPF violet retevision, standox Autolacke - FIAT POLSKI 143 oliwkowy and standox Autolacke - FIAT POLSKI 155 green
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the standox Autolacke - LADA 466 sapphire shade: standox Autolacke - LADA 466 sapphire, standox Autolacke - FIAT-LANCIA 138A rosso bougainville, standox Autolacke - FIAT POLSKI 143 oliwkowy and standox Autolacke - FIAT POLSKI 155 green
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
Complementary color
HSL 38.08, 0.3%, 0.66%
LAB 72.65, 1.69, 19.41
Lighter colors
HSL 217.5, 0.24%, 0.33%
LAB 33.31, 1.04, -16.38
standox Autolacke
FORD EUROPE 4, 5DVEWWA, B jeans / jeans OEM 2005
HSL 224.29, 0.2%, 0.41%
LAB 40.53, 3.72, -18.75
HSL 216, 0.15%, 0.47%
LAB 48.41, -0.19, -13.21
HSL 224, 0.19%, 0.54%
LAB 53.34, 3.4, -19.09
HSL 220.8, 0.26%, 0.62%
LAB 61.57, 2.14, -19.57
Darker colors
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 219.6, 0.37%, 0.26%
LAB 24.93, 3.79, -21.84
HSL 220.43, 0.48%, 0.19%
LAB 16.4, 4.9, -21.33
HSL 243, 0.24%, 0.16%
LAB 13.26, 6.26, -12.94
HSL 210, 0.07%, 0.11%
LAB 9.63, -0.4, -1.71
Warmer colors
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 235.91, 0.27%, 0.32%
LAB 28.15, 10.3, -24.42
HSL 237.6, 0.3%, 0.32%
LAB 26.9, 13.1, -28.34
HSL 264.32, 0.23%, 0.31%
LAB 28.79, 15.06, -19.47
standox Autolacke
FORD EUROPE 2792, 75 fun lila / light grape
HSL 286.23, 0.35%, 0.34%
LAB 31.8, 31.72, -26.62
Colder colors
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 235.91, 0.27%, 0.32%
LAB 28.15, 10.3, -24.42
HSL 237.6, 0.3%, 0.32%
LAB 26.9, 13.1, -28.34
Richer colors
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 216, 0.45%, 0.33%
LAB 32.1, 3.86, -29
HSL 220, 0.59%, 0.32%
LAB 29.03, 11.82, -39.55
HSL 210, 0.75%, 0.31%
LAB 33.08, 4.52, -38.01
HSL 207.48, 1%, 0.3%
LAB 35.41, 7.01, -44.62
Paler colors
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 207.27, 0.13%, 0.33%
LAB 35.06, -2.2, -7.38
HSL 40, 0.04%, 0.33%
LAB 35.79, -0.01, 2.62
standox Autolacke
ALFA ROMEO 568A grigio canna di fucile OEM 2006
HSL 41.67, 0.22%, 0.32%
LAB 38.24, 0.28, 16.12
HSL 46.29, 0.4%, 0.34%
LAB 45.21, -1.05, 32.25
Analogue colors
HSL 183, 0.24%, 0.33%
LAB 40.97, -12.86, -5.41
HSL 198.75, 0.29%, 0.32%
LAB 36.79, -7.6, -12.35
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 235.91, 0.27%, 0.32%
LAB 28.15, 10.3, -24.42
HSL 237.6, 0.3%, 0.32%
LAB 26.9, 13.1, -28.34
Monochromatic colors
HSL 217.5, 0.29%, 0.16%
LAB 15.45, 0.76, -10.98
standox Autolacke
FORD EUROPE 2713A, B ontarioblau / ontario blue
HSL 217.06, 0.28%, 0.24%
LAB 23.26, 0.98, -14.55
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 225, 0.24%, 0.43%
LAB 41.14, 5.38, -23.27
HSL 217.18, 0.29%, 0.49%
LAB 48.45, 2.29, -26.77
Partial complementary colors
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 286.23, 0.35%, 0.34%
LAB 31.8, 31.72, -26.62
HSL 80.82, 0.29%, 0.33%
LAB 43.16, -15.34, 25.28
Triadic colors
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 345.56, 0.33%, 0.32%
LAB 29.99, 25.51, 2.91
HSL 80.82, 0.29%, 0.33%
LAB 43.16, -15.34, 25.28
Rectangular (tetradic) colors
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 286.23, 0.35%, 0.34%
LAB 31.8, 31.72, -26.62
HSL 41.67, 0.22%, 0.32%
LAB 38.24, 0.28, 16.12
HSL 130, 0.3%, 0.32%
LAB 40.17, -25.84, 17.55
Square colors
HSL 219.18, 0.29%, 0.33%
LAB 32.64, 2.66, -20.58
HSL 316.36, 0.33%, 0.33%
LAB 31.93, 30.1, -12.98
HSL 41.67, 0.22%, 0.32%
LAB 38.24, 0.28, 16.12
HSL 130, 0.3%, 0.32%
LAB 40.17, -25.84, 17.55
Description
Since the color values are relatively low compared to others, this hue appears darker to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 77 green and 109 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 29 magenta, none yellow and 57 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
RGB to HEX
convert from RGB red green blue to #RRGGBB
RGB to CMYK
convert from RGB red green blue to CMYK cyan / magenta / yellow / black
RGB to RAL®
convert from RGB red green blue to RAL®-number (RAL 0000)
RGB to HKS®
convert from RGB red green blue to HKS®-number (HKS 00)
RGB to PANTONE®
convert from RGB red green blue to Pantone®-number (Pantone 0000)
RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
convert from RGB red green blue to NCS-number (S0000-X00X)
CMYK to HEX
convert from CMYK cyan / magenta / yellow / black to #RRGGBB
CMYK to RGB
convert from CMYK cyan / magenta / yellow / black to RGB red green blue
CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
convert from CMYK cyan / magenta / yellow / black to NCS-number (S0000-X00X)
HEX to RGB
convert from #RRGGBB to RGB red green blue
HEX to CMYK
convert from #RRGGBB to CMYK cyan / magenta / yellow / black
HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)
HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to CMYK
convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black
Sherwin Williams® to HEX
convert from Sherwin Williams®-number (SW 0000) to #RRGGBB
Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)