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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone standox Autolacke - HONDA B75M crescent silver it is the complementary color standox Autolacke - BMW 478 satinbeige. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color standox Autolacke - HONDA B75M crescent silver. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - ISUZU N316-P901-0 gray, standox Autolacke - TOYOTA 1A3 medium gray, standox Autolacke - MERCEDES 752 carraragrau, standox Autolacke - MITSUBISHI T68, CMT10068 pearl blue OEM 2006 and standox Autolacke - LADA 419 silver blue
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color standox Autolacke - HONDA B75M crescent silver. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - HONDA B75M crescent silver, standox Autolacke - KIA 7B armor blue, standox Autolacke - FIAT-LANCIA 678A grigio dialogos, standox Autolacke - TOYOTA 8N5 dark blue and standox Autolacke - HYUNDAI UV polite grey
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - SSANGYONG 552 ocean blue, standox Autolacke - VOLVO 319 steelgrey, standox Autolacke - VOLVO 319 steelgrey, standox Autolacke - FIAT-LANCIA 605A grigio fiume and standox Autolacke - DAIHATSU P04 lilac mist
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - SSANGYONG 552 ocean blue, standox Autolacke - VOLVO 319 steelgrey, standox Autolacke - VOLVO 319 steelgrey and standox Autolacke - TOYOTA 8N4 blue
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The standox Autolacke - HONDA B75M crescent silver shade matches the following richer shades: standox Autolacke - SSANGYONG 552 ocean blue, standox Autolacke - SUZUKI 0EN atlantic blue, standox Autolacke - DAEWOO 12L laser blue, standox Autolacke - PEUGEOT KMN bleu linarite OEM 2006 and standox Autolacke - ROVER MGRC196 monogram blue skies
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - SSANGYONG 552 ocean blue, standox Autolacke - BMW 478 satinbeige, standox Autolacke - DAEWOO 77F cyber orange, standox Autolacke - LADA 286 opatija ll and standox Autolacke - HONDA YR536P new imola orange OEM 2005
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - HONDA G513M mist opal green, standox Autolacke - NISSAN DN0 grayish green, standox Autolacke - SSANGYONG 552 ocean blue, standox Autolacke - VOLVO 319 steelgrey and standox Autolacke - VOLVO 319 steelgrey
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - MAZDA 2U, WC medium opal, standox Autolacke - FIAT-LANCIA 600 grigio patrizia lancia, standox Autolacke - SSANGYONG 552 ocean blue, standox Autolacke - BMW 439 eisblau and standox Autolacke - TOYOTA 931 light purple opal
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - HONDA B75M crescent silver, standox Autolacke - DAIHATSU P04 lilac mist and standox Autolacke - NISSAN JW0 yellowish green
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - HONDA B75M crescent silver, standox Autolacke - DAIHATSU P04 lilac mist and standox Autolacke - NISSAN JW0 yellowish green
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - HONDA B75M crescent silver, standox Autolacke - DAIHATSU P04 lilac mist, standox Autolacke - BMW 478 satinbeige and standox Autolacke - TOYOTA 6N6 yellow green
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the standox Autolacke - HONDA B75M crescent silver shade: standox Autolacke - HONDA B75M crescent silver, standox Autolacke - DAIHATSU P04 lilac mist, standox Autolacke - BMW 478 satinbeige and standox Autolacke - TOYOTA 6N6 yellow green
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 205.26, 0.08%, 0.5%
LAB 53.73, -2.29, -5.69
Complementary color
HSL 20, 0.07%, 0.5%
LAB 53.3, 3.49, 4.92
Lighter colors
HSL 216, 0.04%, 0.51%
LAB 53.43, -0.24, -3.76
HSL 212.73, 0.05%, 0.58%
LAB 60.71, -0.59, -3.8
HSL 212.31, 0.07%, 0.65%
LAB 67.1, -0.73, -4.36
HSL 193.85, 0.09%, 0.71%
LAB 74.47, -2.87, -2.72
standox Autolacke
MITSUBISHI T68, CMT10068 pearl blue OEM 2006
HSL 190, 0.11%, 0.78%
LAB 80.63, -3.02, -2.19
Darker colors
HSL 205.26, 0.08%, 0.5%
LAB 53.73, -2.29, -5.69
HSL 195, 0.07%, 0.43%
LAB 46.79, -3.6, -3.75
HSL 210, 0.08%, 0.36%
LAB 39.12, -1.12, -4.94
HSL 210, 0.09%, 0.3%
LAB 31.94, -1.13, -5.1
HSL 204, 0.09%, 0.23%
LAB 24.46, -1.51, -3.33
Warmer colors
HSL 206.09, 0.09%, 0.5%
LAB 53.25, -2.53, -7.01
HSL 213.33, 0.07%, 0.49%
LAB 51.67, -0.79, -6.45
HSL 213.33, 0.07%, 0.49%
LAB 51.67, -0.79, -6.45
HSL 218.57, 0.06%, 0.5%
LAB 52.27, 0.05, -5.53
HSL 281.54, 0.05%, 0.49%
LAB 50.81, 6.04, -5.86
Colder colors
HSL 206.09, 0.09%, 0.5%
LAB 53.25, -2.53, -7.01
HSL 213.33, 0.07%, 0.49%
LAB 51.67, -0.79, -6.45
HSL 213.33, 0.07%, 0.49%
LAB 51.67, -0.79, -6.45
HSL 220.65, 0.13%, 0.48%
LAB 49.11, 1.13, -12.71
Richer colors
HSL 206.09, 0.09%, 0.5%
LAB 53.25, -2.53, -7.01
HSL 204.55, 0.26%, 0.5%
LAB 53.7, -6.3, -18.67
HSL 203.62, 0.37%, 0.49%
LAB 54.33, -7.9, -25.25
HSL 200.36, 0.47%, 0.47%
LAB 54.45, -11.11, -26.84
HSL 195.97, 0.68%, 0.4%
LAB 52.17, -15.08, -27.56
Paler colors
HSL 206.09, 0.09%, 0.5%
LAB 53.25, -2.53, -7.01
HSL 20, 0.07%, 0.5%
LAB 53.3, 3.49, 4.92
HSL 22.4, 0.3%, 0.5%
LAB 54.09, 14.86, 22.66
HSL 24.49, 0.39%, 0.5%
LAB 54.8, 18.39, 31.12
HSL 28.4, 0.55%, 0.46%
LAB 54.77, 21.76, 44.45
Analogue colors
HSL 169.41, 0.07%, 0.51%
LAB 56.08, -6.76, -0.48
HSL 186.32, 0.07%, 0.5%
LAB 55.06, -5.7, -3.16
HSL 206.09, 0.09%, 0.5%
LAB 53.25, -2.53, -7.01
HSL 213.33, 0.07%, 0.49%
LAB 51.67, -0.79, -6.45
HSL 213.33, 0.07%, 0.49%
LAB 51.67, -0.79, -6.45
Monochromatic colors
HSL 208, 0.09%, 0.34%
LAB 36.53, -1.5, -5.12
HSL 207.69, 0.06%, 0.43%
LAB 45.63, -1.34, -4.26
HSL 206.09, 0.09%, 0.5%
LAB 53.25, -2.53, -7.01
HSL 214.74, 0.09%, 0.58%
LAB 60.63, -0.58, -6.79
HSL 214.29, 0.08%, 0.66%
LAB 68.62, -0.52, -4.85
Partial complementary colors
HSL 205.26, 0.08%, 0.5%
LAB 53.73, -2.29, -5.69
HSL 281.54, 0.05%, 0.49%
LAB 50.81, 6.04, -5.86
HSL 63, 0.08%, 0.5%
LAB 56.5, -4.05, 10.62
Triadic colors
HSL 205.26, 0.08%, 0.5%
LAB 53.73, -2.29, -5.69
HSL 281.54, 0.05%, 0.49%
LAB 50.81, 6.04, -5.86
HSL 63, 0.08%, 0.5%
LAB 56.5, -4.05, 10.62
Rectangular (tetradic) colors
HSL 205.26, 0.08%, 0.5%
LAB 53.73, -2.29, -5.69
HSL 281.54, 0.05%, 0.49%
LAB 50.81, 6.04, -5.86
HSL 20, 0.07%, 0.5%
LAB 53.3, 3.49, 4.92
HSL 113.33, 0.07%, 0.51%
LAB 55.76, -9.42, 7.69
Square colors
HSL 205.26, 0.08%, 0.5%
LAB 53.73, -2.29, -5.69
HSL 281.54, 0.05%, 0.49%
LAB 50.81, 6.04, -5.86
HSL 20, 0.07%, 0.5%
LAB 53.3, 3.49, 4.92
HSL 113.33, 0.07%, 0.51%
LAB 55.76, -9.42, 7.69
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 130 green and 138 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 6 magenta, none yellow and 46 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
RGB to HEX
convert from RGB red green blue to #RRGGBB
RGB to CMYK
convert from RGB red green blue to CMYK cyan / magenta / yellow / black
RGB to RAL®
convert from RGB red green blue to RAL®-number (RAL 0000)
RGB to HKS®
convert from RGB red green blue to HKS®-number (HKS 00)
RGB to PANTONE®
convert from RGB red green blue to Pantone®-number (Pantone 0000)
RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
convert from RGB red green blue to NCS-number (S0000-X00X)
CMYK to HEX
convert from CMYK cyan / magenta / yellow / black to #RRGGBB
CMYK to RGB
convert from CMYK cyan / magenta / yellow / black to RGB red green blue
CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
convert from CMYK cyan / magenta / yellow / black to NCS-number (S0000-X00X)
HEX to RGB
convert from #RRGGBB to RGB red green blue
HEX to CMYK
convert from #RRGGBB to CMYK cyan / magenta / yellow / black
HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)
HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to CMYK
convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black
Sherwin Williams® to HEX
convert from Sherwin Williams®-number (SW 0000) to #RRGGBB
Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)