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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 it is the complementary color standox Autolacke - FORD EUROPE 2568CM, G purple / spring violet. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - PEUGEOT 751 vert freeway, standox Autolacke - TOYOTA 6S0 light green, standox Autolacke - KIA PG puny green and standox Autolacke - SSANGYONG SPA409, WD porcelain white
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - TOYOTA 6N6 yellow green, standox Autolacke - HONDA G511M-5 galapagos green OEM 2005, standox Autolacke - DAIHATSU G24 green and standox Autolacke - ALFA ROMEO 310A verde bosco
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - NISSAN J21 green, standox Autolacke - LAND ROVER HES, 653 vienna green and standox Autolacke - OPEL-VAUXHALL 3WU switch OEM2005
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - ALFA ROMEO 337A verde orione, standox Autolacke - SUBARU 58K light turquoise OEM 2006, standox Autolacke - TOYOTA 6M9 frosted mint and standox Autolacke - NISSAN FL2 smoke ice
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade matches the following richer shades: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - DAIHATSU G36 apple greenopal, standox Autolacke - HYUNDAI UO fairy leaf (yellow green), standox Autolacke - TOYOTA 6S1 green and standox Autolacke - PROTON G49, AC16949 dragonfly green
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - TOYOTA 3P4 rose, standox Autolacke - KIA J2 pink coral, standox Autolacke - KIA J2 pink coral and standox Autolacke - DAIHATSU R41 rose
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - NISSAN J21 green, standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - ALFA ROMEO 337A verde orione and standox Autolacke - SUBARU 58K light turquoise OEM 2006
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - SUBARU 477 classical green, standox Autolacke - CITROEN ESV vert pistache, standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - ROVER HFH alumina green and standox Autolacke - HONDA G524M chiffon green OEM 2006
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - TOYOTA 8R6 light blue and standox Autolacke - NISSAN ES6 grayish beige
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - SUZUKI 1JZ frosty purple and standox Autolacke - HONDA YR545M desert rock OEM 2006
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - TOYOTA 8R6 light blue, standox Autolacke - DAEWOO 63L romance beige and standox Autolacke - HONDA YR545M desert rock OEM 2006
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005 shade: standox Autolacke - FIAT-LANCIA 795A verde opale OEM 2005, standox Autolacke - DAEWOO 30L lapis blue, standox Autolacke - DAEWOO 63L romance beige and standox Autolacke - HONDA YR545M desert rock OEM 2006
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
Complementary color
HSL 343.64, 0.1%, 0.42%
LAB 42.62, 9.97, -0.06
standox Autolacke
FORD EUROPE 2568CM, G purple / spring violet
Lighter colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 94.5, 0.21%, 0.63%
LAB 71.04, -15.3, 17.81
HSL 127.5, 0.17%, 0.72%
LAB 76.52, -12.17, 7.82
HSL 100, 0.26%, 0.78%
LAB 83.1, -12.17, 12.58
HSL 124.29, 0.22%, 0.87%
LAB 89.95, -7.02, 4.72
Darker colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 113.33, 0.07%, 0.51%
LAB 55.76, -9.42, 7.69
HSL 112.5, 0.07%, 0.44%
LAB 48.48, -8.51, 7.05
HSL 120, 0.11%, 0.38%
LAB 43.73, -12.91, 9.65
HSL 92.31, 0.18%, 0.29%
LAB 34.72, -10.89, 13.39
Warmer colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 97.5, 0.08%, 0.6%
LAB 65.05, -6.61, 7.11
HSL 63.53, 0.08%, 0.58%
LAB 63.84, -3.47, 8.78
HSL 60, 0.1%, 0.58%
LAB 65.32, -3.93, 11.49
Colder colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 153, 0.09%, 0.58%
LAB 62.99, -8.88, 2.32
HSL 177.6, 0.12%, 0.58%
LAB 64, -8.9, -2.41
HSL 182.31, 0.12%, 0.58%
LAB 64.05, -8.46, -3.45
HSL 193.33, 0.13%, 0.59%
LAB 64.09, -6.05, -5.61
Richer colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 118.64, 0.22%, 0.61%
LAB 68.54, -23.16, 17.93
HSL 120.98, 0.25%, 0.52%
LAB 62.03, -32.3, 25.08
HSL 138.95, 0.31%, 0.48%
LAB 59.99, -35.52, 20.01
HSL 149.39, 0.41%, 0.47%
LAB 62.55, -40.6, 17.39
Paler colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 351.43, 0.03%, 0.6%
LAB 62.69, 2.75, 0.38
HSL 331.36, 0.24%, 0.64%
LAB 63.32, 20.05, -4.61
HSL 331.36, 0.24%, 0.64%
LAB 63.32, 20.05, -4.61
HSL 326.67, 0.19%, 0.72%
LAB 71.94, 12.38, -4.06
Analogue colors
HSL 97.5, 0.08%, 0.6%
LAB 65.05, -6.61, 7.11
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 153, 0.09%, 0.58%
LAB 62.99, -8.88, 2.32
HSL 177.6, 0.12%, 0.58%
LAB 64, -8.9, -2.41
Monochromatic colors
HSL 140, 0.12%, 0.41%
LAB 46.56, -12.31, 5.96
HSL 148, 0.12%, 0.5%
LAB 56.38, -14.01, 5.06
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 107.37, 0.12%, 0.68%
LAB 72.44, -8.79, 7.9
HSL 102, 0.08%, 0.75%
LAB 78.37, -4.25, 4.17
Partial complementary colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 198.46, 0.13%, 0.59%
LAB 63.23, -4.62, -6.33
HSL 41.25, 0.08%, 0.6%
LAB 64.1, -0.17, 6.4
Triadic colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 240, 0.08%, 0.57%
LAB 57.99, 3.51, -9.02
HSL 37.5, 0.11%, 0.58%
LAB 63.21, 0.67, 9.07
Rectangular (tetradic) colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 198.46, 0.13%, 0.59%
LAB 63.23, -4.62, -6.33
HSL 15, 0.04%, 0.62%
LAB 64.42, 1.81, 1.82
HSL 37.5, 0.11%, 0.58%
LAB 63.21, 0.67, 9.07
Square colors
HSL 127.2, 0.12%, 0.59%
LAB 64.2, -13.13, 8.55
HSL 207.69, 0.12%, 0.58%
LAB 61.36, -2.4, -8
HSL 15, 0.04%, 0.62%
LAB 64.42, 1.81, 1.82
HSL 37.5, 0.11%, 0.58%
LAB 63.21, 0.67, 9.07
Description
Since the color values are relatively high compared to others, this hue appears lighter to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 162 green and 140 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 14 yellow and 36 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
RGB to HEX
convert from RGB red green blue to #RRGGBB
RGB to CMYK
convert from RGB red green blue to CMYK cyan / magenta / yellow / black
RGB to RAL®
convert from RGB red green blue to RAL®-number (RAL 0000)
RGB to HKS®
convert from RGB red green blue to HKS®-number (HKS 00)
RGB to PANTONE®
convert from RGB red green blue to Pantone®-number (Pantone 0000)
RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
convert from RGB red green blue to NCS-number (S0000-X00X)
CMYK to HEX
convert from CMYK cyan / magenta / yellow / black to #RRGGBB
CMYK to RGB
convert from CMYK cyan / magenta / yellow / black to RGB red green blue
CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
convert from CMYK cyan / magenta / yellow / black to NCS-number (S0000-X00X)
HEX to RGB
convert from #RRGGBB to RGB red green blue
HEX to CMYK
convert from #RRGGBB to CMYK cyan / magenta / yellow / black
HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)
HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to CMYK
convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black
Sherwin Williams® to HEX
convert from Sherwin Williams®-number (SW 0000) to #RRGGBB
Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)