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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone standox Autolacke - ALFA ROMEO 428B blu cosmo it is the complementary color standox Autolacke - FIAT-LANCIA 224 bianco cofu. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color standox Autolacke - ALFA ROMEO 428B blu cosmo. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - SAAB 248 novaschwarz, standox Autolacke - PROTON A44, AC16944 vulcan grey, standox Autolacke - HONDA G92P spruce gray, standox Autolacke - MITSUBISHI H32, CUH10032 dark gray p and standox Autolacke - VW LD7Z saltlakegrey
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color standox Autolacke - ALFA ROMEO 428B blu cosmo. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - MITSUBISHI X24, CMX10024 black OEM2005 and standox Autolacke - HONDA NH568 black
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - FIAT-LANCIA 266A blu atlantic/nobile OEM 2006, standox Autolacke - LADA 4, 902 serebristo siny OEM 2006, standox Autolacke - TOYOTA 936 dark purple and standox Autolacke - AUDI LZ4Z, 4H veneziaviolett
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - FIAT-LANCIA 266A blu atlantic/nobile OEM 2006, standox Autolacke - LADA 4, 902 serebristo siny OEM 2006 and standox Autolacke - LADA 4, 902 serebristo siny OEM 2006
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The standox Autolacke - ALFA ROMEO 428B blu cosmo shade matches the following richer shades: standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - TOYOTA 752 deep teal, standox Autolacke - BMW 336 aegaeischblau, standox Autolacke - LADA 420 baltic blue and standox Autolacke - CITROEN KNR bleu damas OEM 2006
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - MERCEDES MCLAREN, 002 crystal cassiterit black OEM2005, standox Autolacke - FIAT-LANCIA 742 testa di moro OEM 2006, standox Autolacke - PEUGEOT EEW cuivre andin and standox Autolacke - NISSAN CP2 brown
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - CITROEN KGD, S4 vert yucca OEM 2006, standox Autolacke - HONDA G70P charlotte green, standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - FIAT-LANCIA 266A blu atlantic/nobile OEM 2006 and standox Autolacke - LADA 4, 902 serebristo siny OEM 2006
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - HONDA NH568 black, standox Autolacke - MITSUBISHI X02, AC11002 toscana black, standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - VW LD7T grey tech and standox Autolacke - OPEL-VAUXHALL 21T, 429N, 72Q eisenherz OEM 2006
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - AUDI LZ4Z, 4H veneziaviolett and standox Autolacke - MITSUBISHI L45, AC11145 malaga olive
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - LADA 107 purple and standox Autolacke - ALFA ROMEO 315A verde minerva
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - AUDI LZ4Z, 4H veneziaviolett, standox Autolacke - FIAT-LANCIA 742 testa di moro OEM 2006 and standox Autolacke - ALFA ROMEO 315A verde minerva
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the standox Autolacke - ALFA ROMEO 428B blu cosmo shade: standox Autolacke - ALFA ROMEO 428B blu cosmo, standox Autolacke - LADA 107 purple, standox Autolacke - FIAT-LANCIA 742 testa di moro OEM 2006 and standox Autolacke - ALFA ROMEO 315A verde minerva
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
Complementary color
HSL 55, 0.13%, 0.82%
LAB 85.79, -1.59, 5.53
Lighter colors
HSL 190, 0.07%, 0.18%
LAB 18.97, -1.92, -1.39
HSL 210, 0.05%, 0.25%
LAB 26.47, -0.54, -2.27
HSL 187.5, 0.05%, 0.32%
LAB 35.15, -2.55, -1.54
HSL 197.14, 0.04%, 0.39%
LAB 42.01, -1.5, -1.81
HSL 204, 0.04%, 0.46%
LAB 49.66, -1.4, -2.98
Darker colors
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 204, 0.09%, 0.11%
LAB 10.54, -0.85, -1.86
HSL 0, 0%, 0.1%
LAB 8.76, 0, -0
Warmer colors
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 222.86, 0.15%, 0.18%
LAB 18, 0.96, -7
standox Autolacke
FIAT-LANCIA 266A blu atlantic/nobile OEM 2006
HSL 228.75, 0.18%, 0.18%
LAB 16.34, 2.3, -8.85
HSL 247.06, 0.18%, 0.18%
LAB 16.07, 5.5, -10.65
HSL 263.08, 0.14%, 0.18%
LAB 17.14, 5.51, -7.56
Colder colors
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 222.86, 0.15%, 0.18%
LAB 18, 0.96, -7
standox Autolacke
FIAT-LANCIA 266A blu atlantic/nobile OEM 2006
HSL 228.75, 0.18%, 0.18%
LAB 16.34, 2.3, -8.85
HSL 228.75, 0.18%, 0.18%
LAB 16.34, 2.3, -8.85
Richer colors
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 201.43, 0.31%, 0.18%
LAB 19.24, -4.14, -8.64
HSL 199.02, 0.47%, 0.17%
LAB 19.72, -6.02, -11.37
HSL 200.34, 0.63%, 0.18%
LAB 21.83, -5.94, -16.21
HSL 207.27, 0.69%, 0.19%
LAB 20.3, -0.82, -21.97
Paler colors
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 300, 0.01%, 0.18%
LAB 18.61, 0.68, -0.49
standox Autolacke
MERCEDES MCLAREN, 002 crystal cassiterit black OEM2005
HSL 21.82, 0.12%, 0.18%
LAB 18.62, 2.37, 3.76
HSL 5, 0.26%, 0.18%
LAB 17.34, 10.13, 5.59
HSL 5.29, 0.33%, 0.2%
LAB 18.66, 14.28, 8.32
Analogue colors
HSL 165.88, 0.19%, 0.18%
LAB 21.06, -7.99, 0.27
HSL 184.62, 0.14%, 0.18%
LAB 20.69, -4.73, -2.3
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 222.86, 0.15%, 0.18%
LAB 18, 0.96, -7
standox Autolacke
FIAT-LANCIA 266A blu atlantic/nobile OEM 2006
HSL 228.75, 0.18%, 0.18%
LAB 16.34, 2.3, -8.85
Monochromatic colors
HSL 0, 0%, 0.1%
LAB 8.76, 0, -0
HSL 210, 0.07%, 0.11%
LAB 9.63, -0.4, -1.71
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 207, 0.15%, 0.27%
LAB 28.66, -2.09, -6.88
HSL 204, 0.17%, 0.34%
LAB 37.21, -3.77, -9.15
standox Autolacke
OPEL-VAUXHALL 21T, 429N, 72Q eisenherz OEM 2006
Partial complementary colors
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 263.08, 0.14%, 0.18%
LAB 17.14, 5.51, -7.56
HSL 72.86, 0.16%, 0.18%
LAB 21.01, -4.31, 8.44
Triadic colors
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 310, 0.14%, 0.17%
LAB 16.88, 7.79, -4.39
HSL 88, 0.16%, 0.18%
LAB 21.08, -6.35, 8.49
Rectangular (tetradic) colors
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 263.08, 0.14%, 0.18%
LAB 17.14, 5.51, -7.56
HSL 21.82, 0.12%, 0.18%
LAB 18.62, 2.37, 3.76
HSL 88, 0.16%, 0.18%
LAB 21.08, -6.35, 8.49
Square colors
HSL 201.43, 0.16%, 0.18%
LAB 18.77, -2.46, -4.48
HSL 310, 0.14%, 0.17%
LAB 16.88, 7.79, -4.39
HSL 21.82, 0.12%, 0.18%
LAB 18.62, 2.37, 3.76
HSL 88, 0.16%, 0.18%
LAB 21.08, -6.35, 8.49
Description
Since the color values are relatively low compared to others, this hue appears darker to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 47 green and 52 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 10 magenta, none yellow and 80 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
Popular conversions
RGB to HEX
convert from RGB red green blue to #RRGGBB
RGB to CMYK
convert from RGB red green blue to CMYK cyan / magenta / yellow / black
RGB to RAL®
convert from RGB red green blue to RAL®-number (RAL 0000)
RGB to HKS®
convert from RGB red green blue to HKS®-number (HKS 00)
RGB to PANTONE®
convert from RGB red green blue to Pantone®-number (Pantone 0000)
RGB to Sherwin Williams®
convert from RGB red green blue to Sherwin Williams®-number (SW 0000)
RGB to NCS®
convert from RGB red green blue to NCS-number (S0000-X00X)
CMYK to HEX
convert from CMYK cyan / magenta / yellow / black to #RRGGBB
CMYK to RGB
convert from CMYK cyan / magenta / yellow / black to RGB red green blue
CMYK to RAL®
convert from CMYK cyan / magenta / yellow / black to RAL®-number (RAL 0000)
CMYK to HKS®
convert from CMYK cyan / magenta / yellow / black to HKS®-number (HKS 00)
CMYK to PANTONE®
convert from CMYK cyan / magenta / yellow / black to Pantone®-number (Pantone 0000)
CMYK to Sherwin Williams®
convert from CMYK cyan / magenta / yellow / black to Sherwin Williams®-number (SW 0000)
CMYK to NCS®
convert from CMYK cyan / magenta / yellow / black to NCS-number (S0000-X00X)
HEX to RGB
convert from #RRGGBB to RGB red green blue
HEX to CMYK
convert from #RRGGBB to CMYK cyan / magenta / yellow / black
HEX to RAL®
convert from #RRGGBB to RAL®-number (RAL 0000)
HEX to HKS®
convert from #RRGGBB to HKS®-number (HKS 00)
HEX to PANTONE®
convert from #RRGGBB to Pantone®-number (Pantone 0000)
HEX to Sherwin Williams®
convert from #RRGGBB to Sherwin Williams®-number (SW 0000)
HEX to NCS®
convert from #RRGGBB to NCS-number (S0000-X00X)
RAL® to RGB
convert from RAL®-number (RAL 0000) to RGB red green blue
RAL® to CMYK
convert from RAL®-number (RAL 0000) to CMYK cyan / magenta / yellow / black
RAL® to HEX
convert from RAL®-number (RAL 0000) to #RRGGBB
RAL® to HKS®
convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)
RAL® to PANTONE®
convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)
RAL® to Sherwin Williams®
convert from RAL®-number (RAL 0000) to Sherwin Williams®-number (SW 0000)
RAL® to NCS®
convert from RAL®-number (RAL 0000) to NCS-number (S0000-X00X)
HKS® to RGB
convert from HKS®-number (HKS 00) to RGB red green blue
HKS® to CMYK
convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black
HKS® to HEX
convert from HKS®-number (HKS 00) to #RRGGBB
HKS® to RAL®
convert from HKS®-number (HKS 00) to RAL®-number (RAL 0000)
HKS® to PANTONE®
convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)
HKS® to Sherwin Williams®
convert from HKS®-number (HKS 00) to Sherwin Williams®-number (SW 0000)
HKS® to NCS®
convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)
PANTONE® to RGB
convert from Pantone®-number (Pantone 0000) to RGB red green blue
PANTONE® to CMYK
convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black
PANTONE® to HEX
convert from Pantone®-number (Pantone 0000) to #RRGGBB
PANTONE® to RAL®
convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)
PANTONE® to HKS®
convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)
PANTONE® to Sherwin Williams®
convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)
PANTONE® to NCS®
convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)
Sherwin Williams® to RGB
convert from Sherwin Williams®-number (SW 0000) to RGB red green blue
Sherwin Williams® to CMYK
convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black
Sherwin Williams® to HEX
convert from Sherwin Williams®-number (SW 0000) to #RRGGBB
Sherwin Williams® to RAL®
convert from Sherwin Williams®-number (SW 0000) to RAL®-number (RAL 0000)
Sherwin Williams® to HKS®
convert from Sherwin Williams®-number (SW 0000) to HKS®-number (HKS 00)
Sherwin Williams® to PANTONE®
convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)
Sherwin Williams® to NCS®
convert from Sherwin Williams®-number (SW 0000) to NCS-number (S0000-X00X)
NCS® to RGB
convert from NCS-number (S0000-X00X) to RGB red green blue
NCS® to CMYK
convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black
NCS® to HEX
convert from NCS-number (S0000-X00X) to #RRGGBB
NCS® to RAL®
convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)
NCS® to HKS®
convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)
NCS® to PANTONE®
convert from NCS-number (S0000-X00X) to Pantone®-number (Pantone 0000)
NCS® to Sherwin Williams®
convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)