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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 99 70 1 0.75 it is the complementary color RGBA 156 185 254 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 99 70 1 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 99 70 1 0.75 shade: RGBA 104 70 0 0.75, RGBA 121 88 15 0.75, RGBA 138 106 34 0.75, RGBA 155 124 53 0.75 and RGBA 172 142 72 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 99 70 1 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 99 70 1 0.75 shade: RGBA 99 70 1 0.75, RGBA 82 52 0 0.75, RGBA 65 34 0 0.75, RGBA 48 16 0 0.75 and RGBA 31 0 0 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 99 70 1 0.75 shade: RGB 101 71 1, RGB 101 44 1, RGB 101 17 1 and RGB 101 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 99 70 1 0.75 shade: RGB 101 71 1, RGB 101 98 1, RGB 77 101 1, RGB 50 101 1 and RGB 23 101 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 99 70 1 0.75 shade matches the following richer shades: RGB 101 71 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 99 70 1 0.75 shade: RGB 101 71 1, RGB 93 68 9, RGB 84 65 18, RGB 76 61 26 and RGB 68 58 34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 99 70 1 0.75 shade: RGB 101 18 1, RGB 101 44 1, RGB 101 71 1, RGB 101 98 1 and RGB 78 101 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 99 70 1 0.75 shade: RGB 19 14 0, RGB 60 43 1, RGB 101 71 1, RGB 142 100 1 and RGB 183 129 2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 99 70 1 0.75 shade: RGB 99 70 1, RGB 11 101 1 and RGB 31 1 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 99 70 1 0.75 shade: RGB 99 70 1, RGB 1 101 71 and RGB 71 1 101

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 99 70 1 0.75 shade: RGB 99 70 1, RGB 11 101 1, RGB 1 31 101 and RGB 91 1 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 99 70 1 0.75 shade: RGB 99 70 1, RGB 1 101 21, RGB 1 31 101 and RGB 101 1 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 74 / 46

HEX #634601BF

RGBA 99 70 1 0.75

HSLA 42.24, 0.98%, 0.2%, 0.75

LABA 31.89, 6.53, 40.68, 0.75

 

Complementary color

CMYK 29 / 20 / 0 / 0

HEX #9CB9FEBF

RGBA 156 185 254 0.75

HSLA 222.24, 0.98%, 0.8%, 0.75

LABA 75.4, 6.8, -37.22, 0.75

 

CMYK 0 / 25 / 75 / 44

HEX #684600BF

RGBA 104 70 0 0.75

HSLA 40.38, 1%, 0.2%, 0.75

LABA 32.53, 9.01, 41.83, 0.75

 

CMYK 0 / 20 / 66 / 39

HEX #79580FBF

RGBA 121 88 15 0.75

HSLA 41.32, 0.78%, 0.27%, 0.75

LABA 39.71, 6.88, 43.41, 0.75

 

CMYK 0 / 17 / 57 / 34

HEX #8A6A22BF

RGBA 138 106 34 0.75

HSLA 41.54, 0.6%, 0.34%, 0.75

LABA 46.75, 5.18, 43.23, 0.75

 

CMYK 0 / 15 / 49 / 29

HEX #9B7C35BF

RGBA 155 124 53 0.75

HSLA 41.76, 0.49%, 0.41%, 0.75

LABA 53.64, 3.84, 42.24, 0.75

 

CMYK 0 / 13 / 44 / 24

HEX #AC8E48BF

RGBA 172 142 72 0.75

HSLA 42, 0.41%, 0.48%, 0.75

LABA 60.41, 2.75, 40.97, 0.75

 

CMYK 0 / 22 / 74 / 46

HEX #634601BF

RGBA 99 70 1 0.75

HSLA 42.24, 0.98%, 0.2%, 0.75

LABA 31.89, 6.53, 40.68, 0.75

 

CMYK 0 / 27 / 75 / 51

HEX #523400BF

RGBA 82 52 0 0.75

HSLA 38.05, 1%, 0.16%, 0.75

LABA 24.48, 9.14, 34.02, 0.75

 

CMYK 0 / 36 / 75 / 56

HEX #412200BF

RGBA 65 34 0 0.75

HSLA 31.38, 1%, 0.13%, 0.75

LABA 16.83, 12.01, 24.84, 0.75

 

CMYK 0 / 50 / 75 / 61

HEX #301000BF

RGBA 48 16 0 0.75

HSLA 20, 1%, 0.09%, 0.75

LABA 8.98, 15, 13.79, 0.75

 

CMYK 0 / 75 / 75 / 66

HEX #1F0000BF

RGBA 31 0 0 0.75

HSLA 0, 1%, 0.06%, 0.75

LABA 2.63, 11.81, 4.16, 0.75

 

CMYK 0 / 30 / 99 / 60

HEX #654701

RGB 101 71 1

HSL 42, 0.98%, 0.2%

LAB 32.43, 6.92, 41.18

 

CMYK 0 / 56 / 99 / 60

HEX #652C01

RGB 101 44 1

HSL 25.8, 0.98%, 0.2%

LAB 25.47, 23.3, 35.62

 

CMYK 0 / 83 / 99 / 60

HEX #651101

RGB 101 17 1

HSL 9.6, 0.98%, 0.2%

LAB 20.71, 36, 30.75

 

CMYK 0 / 99 / 99 / 60

HEX #650101

RGB 101 1 1

HSL 0, 0.98%, 0.2%

LAB 19.18, 40.36, 29.02

 

CMYK 0 / 30 / 99 / 60

HEX #654701

RGB 101 71 1

HSL 42, 0.98%, 0.2%

LAB 32.43, 6.92, 41.18

 

CMYK 0 / 3 / 99 / 60

HEX #656201

RGB 101 98 1

HSL 58.2, 0.98%, 0.2%

LAB 40.42, -9.2, 46.93

 

CMYK 24 / 0 / 99 / 60

HEX #4D6501

RGB 77 101 1

HSL 74.4, 0.98%, 0.2%

LAB 39.39, -22.22, 45.29

 

CMYK 50 / 0 / 99 / 60

HEX #326501

RGB 50 101 1

HSL 90.6, 0.98%, 0.2%

LAB 37.82, -33.18, 43.39

 

CMYK 77 / 0 / 99 / 60

HEX #176501

RGB 23 101 1

HSL 106.8, 0.98%, 0.2%

LAB 36.91, -40.58, 42.28

 

CMYK 0 / 30 / 99 / 60

HEX #654701

RGB 101 71 1

HSL 42, 0.98%, 0.2%

LAB 32.43, 6.92, 41.18

 

CMYK 0 / 30 / 99 / 60

HEX #654701

RGB 101 71 1

HSL 42, 0.98%, 0.2%

LAB 32.43, 6.92, 41.18

 

CMYK 0 / 27 / 90 / 64

HEX #5D4409

RGB 93 68 9

HSL 42.14, 0.82%, 0.2%

LAB 30.6, 4.99, 36.33

 

CMYK 0 / 23 / 79 / 67

HEX #544112

RGB 84 65 18

HSL 42.73, 0.65%, 0.2%

LAB 28.67, 2.67, 30.42

 

CMYK 0 / 20 / 66 / 70

HEX #4C3D1A

RGB 76 61 26

HSL 42, 0.49%, 0.2%

LAB 26.59, 1.7, 23.66

 

CMYK 0 / 15 / 50 / 73

HEX #443A22

RGB 68 58 34

HSL 42.35, 0.33%, 0.2%

LAB 24.86, 0.45, 16.51

 

CMYK 0 / 82 / 99 / 60

HEX #651201

RGB 101 18 1

HSL 10.2, 0.98%, 0.2%

LAB 20.83, 35.66, 30.88

 

CMYK 0 / 56 / 99 / 60

HEX #652C01

RGB 101 44 1

HSL 25.8, 0.98%, 0.2%

LAB 25.47, 23.3, 35.62

 

CMYK 0 / 30 / 99 / 60

HEX #654701

RGB 101 71 1

HSL 42, 0.98%, 0.2%

LAB 32.43, 6.92, 41.18

 

CMYK 0 / 3 / 99 / 60

HEX #656201

RGB 101 98 1

HSL 58.2, 0.98%, 0.2%

LAB 40.42, -9.2, 46.93

 

CMYK 23 / 0 / 99 / 60

HEX #4E6501

RGB 78 101 1

HSL 73.8, 0.98%, 0.2%

LAB 39.46, -21.77, 45.37

 

CMYK 0 / 26 / 100 / 93

HEX #130E00

RGB 19 14 0

HSL 44.21, 1%, 0.04%

LAB 4.09, -0.18, 6.12

 

CMYK 0 / 28 / 98 / 76

HEX #3C2B01

RGB 60 43 1

HSL 42.71, 0.97%, 0.12%

LAB 18.76, 3.35, 26.57

 

CMYK 0 / 30 / 99 / 60

HEX #654701

RGB 101 71 1

HSL 42, 0.98%, 0.2%

LAB 32.43, 6.92, 41.18

 

CMYK 0 / 30 / 99 / 44

HEX #8E6401

RGB 142 100 1

HSL 42.13, 0.99%, 0.28%

LAB 45.45, 9.57, 52.57

 

CMYK 0 / 30 / 99 / 28

HEX #B78102

RGB 183 129 2

HSL 42.1, 0.98%, 0.36%

LAB 57.82, 12.07, 63.15

 

CMYK 0 / 29 / 99 / 61

HEX #634601

RGB 99 70 1

HSL 42.24, 0.98%, 0.2%

LAB 31.89, 6.53, 40.68

 

CMYK 89 / 0 / 99 / 60

HEX #0B6501

RGB 11 101 1

HSL 114, 0.98%, 0.2%

LAB 36.71, -42.41, 42.02

 

CMYK 69 / 99 / 0 / 60

HEX #1F0165

RGB 31 1 101

HSL 258, 0.98%, 0.2%

LAB 10.94, 40.56, -50.49

 

CMYK 0 / 29 / 99 / 61

HEX #634601

RGB 99 70 1

HSL 42.24, 0.98%, 0.2%

LAB 31.89, 6.53, 40.68

 

CMYK 99 / 0 / 30 / 60

HEX #016547

RGB 1 101 71

HSL 162, 0.98%, 0.2%

LAB 37.42, -33.39, 9.98

 

CMYK 30 / 99 / 0 / 60

HEX #470165

RGB 71 1 101

HSL 282, 0.98%, 0.2%

LAB 16.99, 44.61, -40.3

 

CMYK 0 / 29 / 99 / 61

HEX #634601

RGB 99 70 1

HSL 42.24, 0.98%, 0.2%

LAB 31.89, 6.53, 40.68

 

CMYK 89 / 0 / 99 / 60

HEX #0B6501

RGB 11 101 1

HSL 114, 0.98%, 0.2%

LAB 36.71, -42.41, 42.02

 

CMYK 99 / 69 / 0 / 60

HEX #011F65

RGB 1 31 101

HSL 222, 0.98%, 0.2%

LAB 15.09, 21.34, -43.68

 

CMYK 10 / 99 / 0 / 60

HEX #5B0165

RGB 91 1 101

HSL 294, 0.98%, 0.2%

LAB 20.77, 47.78, -34

 

CMYK 0 / 29 / 99 / 61

HEX #634601

RGB 99 70 1

HSL 42.24, 0.98%, 0.2%

LAB 31.89, 6.53, 40.68

 

CMYK 99 / 0 / 79 / 60

HEX #016515

RGB 1 101 21

HSL 132, 0.98%, 0.2%

LAB 36.68, -42.25, 35.83

 

CMYK 99 / 69 / 0 / 60

HEX #011F65

RGB 1 31 101

HSL 222, 0.98%, 0.2%

LAB 15.09, 21.34, -43.68

 

CMYK 0 / 99 / 20 / 60

HEX #650151

RGB 101 1 81

HSL 312, 0.98%, 0.2%

LAB 21.51, 46.5, -19.35

 

Description

Color code: RGBA 99 70 1 0.75 | qconv.com Color code: RGBA 99 70 1 0.75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 70 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 70 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 74 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 74% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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