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Color name
RGBA 99 189 53 0.25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 99 189 53 0.25 it is the complementary color RGBA 156 66 202 0.25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 99 189 53 0.25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 99 189 53 0.25 shade: RGBA 104 189 48 0.25, RGBA 121 207 67 0.25, RGBA 138 225 86 0.25, RGBA 155 243 105 0.25 and RGBA 172 255 124 0.25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 99 189 53 0.25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 99 189 53 0.25 shade: RGBA 99 189 53 0.25, RGBA 82 171 34 0.25, RGBA 65 153 15 0.25, RGBA 48 135 0 0.25 and RGBA 31 117 0 0.25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 99 189 53 0.25 shade: RGB 98 187 53, RGB 134 187 53, RGB 171 187 53, RGB 187 167 53 and RGB 187 131 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 99 189 53 0.25 shade: RGB 98 187 53, RGB 62 187 53, RGB 53 187 80, RGB 53 187 116 and RGB 53 187 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 99 189 53 0.25 shade matches the following richer shades: RGB 98 187 53, RGB 92 206 33 and RGB 86 226 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 99 189 53 0.25 shade: RGB 98 187 53, RGB 104 168 72, RGB 111 148 92, RGB 117 129 111 and RGB 123 109 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 99 189 53 0.25 shade: RGB 171 187 53, RGB 136 187 53, RGB 100 187 53, RGB 64 187 53 and RGB 53 187 77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 99 189 53 0.25 shade: RGB 64 123 35, RGB 81 155 44, RGB 98 187 53, RGB 120 205 76 and RGB 144 214 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 99 189 53 0.25 shade: RGB 99 189 53, RGB 53 187 167 and RGB 187 53 153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 99 189 53 0.25 shade: RGB 99 189 53, RGB 53 100 187 and RGB 187 53 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 99 189 53 0.25 shade: RGB 99 189 53, RGB 53 187 167, RGB 140 53 187 and RGB 187 53 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 99 189 53 0.25 shade: RGB 99 189 53, RGB 53 167 187, RGB 140 53 187 and RGB 187 73 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 18 / 6

HEX #63BD353F

RGBA 99 189 53 0.25

HSLA 99.71, 0.56%, 0.47%, 0.25

LABA 68.97, -50.29, 57.21, 0.25

 

Complementary color

CMYK 6 / 17 / 0 / 5

HEX #9C42CA3F

RGBA 156 66 202 0.25

HSLA 279.71, 0.56%, 0.53%, 0.25

LABA 45.95, 58.89, -54.79, 0.25

 

CMYK 11 / 0 / 19 / 6

HEX #68BD303F

RGBA 104 189 48 0.25

HSLA 96.17, 0.59%, 0.46%, 0.25

LABA 69.15, -49.07, 59.23, 0.25

 

CMYK 10 / 0 / 17 / 5

HEX #79CF433F

RGBA 121 207 67 0.25

HSLA 96.86, 0.59%, 0.54%, 0.25

LABA 75.51, -49.49, 58.94, 0.25

 

CMYK 10 / 0 / 15 / 3

HEX #8AE1563F

RGBA 138 225 86 0.25

HSLA 97.55, 0.7%, 0.61%, 0.25

LABA 81.8, -49.72, 58.22, 0.25

 

CMYK 9 / 0 / 14 / 1

HEX #9BF3693F

RGBA 155 243 105 0.25

HSLA 98.26, 0.85%, 0.68%, 0.25

LABA 88.01, -49.83, 57.28, 0.25

 

CMYK 8 / 0 / 13 / 0

HEX #ACFF7C3F

RGBA 172 255 124 0.25

HSLA 98.02, 1%, 0.74%, 0.25

LABA 92.46, -47.32, 54.21, 0.25

 

CMYK 12 / 0 / 18 / 6

HEX #63BD353F

RGBA 99 189 53 0.25

HSLA 99.71, 0.56%, 0.47%, 0.25

LABA 68.97, -50.29, 57.21, 0.25

 

CMYK 13 / 0 / 20 / 8

HEX #52AB223F

RGBA 82 171 34 0.25

HSLA 98.98, 0.67%, 0.4%, 0.25

LABA 62.54, -49.64, 57.09, 0.25

 

CMYK 14 / 0 / 23 / 10

HEX #41990F3F

RGBA 65 153 15 0.25

HSLA 98.26, 0.82%, 0.33%, 0.25

LABA 56.03, -48.58, 55.8, 0.25

 

CMYK 16 / 0 / 25 / 12

HEX #3087003F

RGBA 48 135 0 0.25

HSLA 98.67, 1%, 0.26%, 0.25

LABA 49.44, -46.96, 52.8, 0.25

 

CMYK 18 / 0 / 25 / 14

HEX #1F75003F

RGBA 31 117 0 0.25

HSLA 104.1, 1%, 0.23%, 0.25

LABA 42.78, -44.53, 47.32, 0.25

 

CMYK 48 / 0 / 72 / 27

HEX #62BB35

RGB 98 187 53

HSL 99.85, 0.56%, 0.47%

LAB 68.31, -49.81, 56.52

 

CMYK 28 / 0 / 72 / 27

HEX #86BB35

RGB 134 187 53

HSL 83.73, 0.56%, 0.47%

LAB 70.08, -37.38, 58.89

 

CMYK 9 / 0 / 72 / 27

HEX #ABBB35

RGB 171 187 53

HSL 67.16, 0.56%, 0.47%

LAB 72.53, -22.51, 62.13

 

CMYK 0 / 11 / 72 / 27

HEX #BBA735

RGB 187 167 53

HSL 51.04, 0.56%, 0.47%

LAB 68.36, -5.38, 58.49

 

CMYK 0 / 30 / 72 / 27

HEX #BB8335

RGB 187 131 53

HSL 34.93, 0.56%, 0.47%

LAB 59.02, 14.2, 49.05

 

CMYK 48 / 0 / 72 / 27

HEX #62BB35

RGB 98 187 53

HSL 99.85, 0.56%, 0.47%

LAB 68.31, -49.81, 56.52

 

CMYK 67 / 0 / 72 / 27

HEX #3EBB35

RGB 62 187 53

HSL 115.97, 0.56%, 0.47%

LAB 67.14, -59.01, 54.96

 

CMYK 72 / 0 / 57 / 27

HEX #35BB50

RGB 53 187 80

HSL 132.09, 0.56%, 0.47%

LAB 67.18, -57.79, 43.41

 

CMYK 72 / 0 / 38 / 27

HEX #35BB74

RGB 53 187 116

HSL 148.21, 0.56%, 0.47%

LAB 67.69, -51.95, 25.9

 

CMYK 72 / 0 / 19 / 27

HEX #35BB98

RGB 53 187 152

HSL 164.33, 0.56%, 0.47%

LAB 68.43, -43.99, 7.49

 

CMYK 48 / 0 / 72 / 27

HEX #62BB35

RGB 98 187 53

HSL 99.85, 0.56%, 0.47%

LAB 68.31, -49.81, 56.52

 

CMYK 55 / 0 / 84 / 19

HEX #5CCE21

RGB 92 206 33

HSL 99.54, 0.72%, 0.47%

LAB 73.89, -59.74, 67.83

 

CMYK 62 / 0 / 94 / 11

HEX #56E20E

RGB 86 226 14

HSL 99.62, 0.88%, 0.47%

LAB 79.84, -68.52, 76.04

 

CMYK 48 / 0 / 72 / 27

HEX #62BB35

RGB 98 187 53

HSL 99.85, 0.56%, 0.47%

LAB 68.31, -49.81, 56.52

 

CMYK 38 / 0 / 57 / 34

HEX #68A848

RGB 104 168 72

HSL 100, 0.4%, 0.47%

LAB 62.86, -38.2, 42.55

 

CMYK 25 / 0 / 38 / 42

HEX #6F945C

RGB 111 148 92

HSL 99.64, 0.23%, 0.47%

LAB 57.4, -23.62, 25.58

 

CMYK 9 / 0 / 14 / 49

HEX #75816F

RGB 117 129 111

HSL 100, 0.08%, 0.47%

LAB 52.54, -8.01, 8.27

 

CMYK 5 / 16 / 0 / 49

HEX #7B6D82

RGB 123 109 130

HSL 280, 0.09%, 0.47%

LAB 47.96, 9.67, -9.57

 

CMYK 9 / 0 / 72 / 27

HEX #ABBB35

RGB 171 187 53

HSL 67.16, 0.56%, 0.47%

LAB 72.53, -22.51, 62.13

 

CMYK 27 / 0 / 72 / 27

HEX #88BB35

RGB 136 187 53

HSL 82.84, 0.56%, 0.47%

LAB 70.2, -36.62, 59.04

 

CMYK 47 / 0 / 72 / 27

HEX #64BB35

RGB 100 187 53

HSL 98.96, 0.56%, 0.47%

LAB 68.39, -49.19, 56.63

 

CMYK 66 / 0 / 72 / 27

HEX #40BB35

RGB 64 187 53

HSL 115.07, 0.56%, 0.47%

LAB 67.19, -58.6, 55.02

 

CMYK 72 / 0 / 59 / 27

HEX #35BB4D

RGB 53 187 77

HSL 130.75, 0.56%, 0.47%

LAB 67.15, -58.18, 44.77

 

CMYK 48 / 0 / 72 / 52

HEX #407B23

RGB 64 123 35

HSL 100.23, 0.56%, 0.31%

LAB 46.15, -35.83, 40.35

 

CMYK 48 / 0 / 72 / 39

HEX #519B2C

RGB 81 155 44

HSL 100, 0.56%, 0.39%

LAB 57.44, -42.97, 48.61

 

CMYK 48 / 0 / 72 / 27

HEX #62BB35

RGB 98 187 53

HSL 99.85, 0.56%, 0.47%

LAB 68.31, -49.81, 56.52

 

CMYK 41 / 0 / 63 / 20

HEX #78CD4C

RGB 120 205 76

HSL 99.53, 0.56%, 0.55%

LAB 74.94, -48.23, 54.63

 

CMYK 33 / 0 / 49 / 16

HEX #90D66D

RGB 144 214 109

HSL 100, 0.56%, 0.63%

LAB 79.11, -40.64, 44.72

 

CMYK 48 / 0 / 72 / 26

HEX #63BD35

RGB 99 189 53

HSL 99.71, 0.56%, 0.47%

LAB 68.97, -50.29, 57.21

 

CMYK 72 / 0 / 11 / 27

HEX #35BBA7

RGB 53 187 167

HSL 171.04, 0.56%, 0.47%

LAB 68.81, -40.12, -0.19

 

CMYK 0 / 72 / 18 / 27

HEX #BB3599

RGB 187 53 153

HSL 315.22, 0.56%, 0.47%

LAB 46.19, 62.7, -25.27

 

CMYK 48 / 0 / 72 / 26

HEX #63BD35

RGB 99 189 53

HSL 99.71, 0.56%, 0.47%

LAB 68.97, -50.29, 57.21

 

CMYK 72 / 47 / 0 / 27

HEX #3564BB

RGB 53 100 187

HSL 218.96, 0.56%, 0.47%

LAB 43.45, 13.93, -50.58

 

CMYK 0 / 72 / 47 / 27

HEX #BB3564

RGB 187 53 100

HSL 338.96, 0.56%, 0.47%

LAB 44.28, 56.51, 4.21

 

CMYK 48 / 0 / 72 / 26

HEX #63BD35

RGB 99 189 53

HSL 99.71, 0.56%, 0.47%

LAB 68.97, -50.29, 57.21

 

CMYK 72 / 0 / 11 / 27

HEX #35BBA7

RGB 53 187 167

HSL 171.04, 0.56%, 0.47%

LAB 68.81, -40.12, -0.19

 

CMYK 25 / 72 / 0 / 27

HEX #8C35BB

RGB 140 53 187

HSL 278.96, 0.56%, 0.47%

LAB 40.75, 57.93, -54.54

 

CMYK 0 / 72 / 61 / 27

HEX #BB3549

RGB 187 53 73

HSL 351.04, 0.56%, 0.47%

LAB 43.64, 54.36, 20.07

 

CMYK 48 / 0 / 72 / 26

HEX #63BD35

RGB 99 189 53

HSL 99.71, 0.56%, 0.47%

LAB 68.97, -50.29, 57.21

 

CMYK 72 / 11 / 0 / 27

HEX #35A7BB

RGB 53 167 187

HSL 188.96, 0.56%, 0.47%

LAB 63.33, -24.78, -19.47

 

CMYK 25 / 72 / 0 / 27

HEX #8C35BB

RGB 140 53 187

HSL 278.96, 0.56%, 0.47%

LAB 40.75, 57.93, -54.54

 

CMYK 0 / 61 / 72 / 27

HEX #BB4935

RGB 187 73 53

HSL 8.96, 0.56%, 0.47%

LAB 46.43, 44.82, 35.37

 

Description

Color code: RGBA 99 189 53 0.25 | qconv.com Color code: RGBA 99 189 53 0.25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 189 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 189 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 18 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 18% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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