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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 99 103 21 0.5 it is the complementary color RGBA 156 152 234 0.5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 99 103 21 0.5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 99 103 21 0.5 shade: RGBA 104 103 16 0.5, RGBA 121 121 35 0.5, RGBA 138 139 54 0.5, RGBA 155 157 73 0.5 and RGBA 172 175 92 0.5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 99 103 21 0.5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 99 103 21 0.5 shade: RGBA 99 103 21 0.5, RGBA 82 85 2 0.5, RGBA 65 67 0 0.5, RGBA 48 49 0 0.5 and RGBA 31 31 0 0.5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 99 103 21 0.5 shade: RGB 98 102 21, RGB 102 84 21, RGB 102 62 21, RGB 102 40 21 and RGB 102 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 99 103 21 0.5 shade: RGB 98 102 21, RGB 76 102 21, RGB 54 102 21, RGB 32 102 21 and RGB 21 102 31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 99 103 21 0.5 shade matches the following richer shades: RGB 98 102 21, RGB 107 111 11 and RGB 116 121 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 99 103 21 0.5 shade: RGB 98 102 21, RGB 89 92 31, RGB 80 82 41, RGB 71 72 51 and RGB 62 62 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 99 103 21 0.5 shade: RGB 102 61 21, RGB 102 83 21, RGB 99 102 21, RGB 77 102 21 and RGB 56 102 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 99 103 21 0.5 shade: RGB 32 33 7, RGB 65 67 14, RGB 98 102 21, RGB 131 136 28 and RGB 163 170 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 99 103 21 0.5 shade: RGB 99 103 21, RGB 21 102 40 and RGB 72 21 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 99 103 21 0.5 shade: RGB 99 103 21, RGB 21 99 102 and RGB 102 21 99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 99 103 21 0.5 shade: RGB 99 103 21, RGB 21 102 40, RGB 24 21 102 and RGB 102 21 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 99 103 21 0.5 shade: RGB 99 103 21, RGB 21 102 64, RGB 24 21 102 and RGB 102 21 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 40 / 30

HEX #6367157F

RGBA 99 103 21 0.5

HSLA 62.93, 0.66%, 0.24%, 0.5

LABA 41.86, -12.31, 42.38, 0.5

 

Complementary color

CMYK 17 / 18 / 0 / 4

HEX #9C98EA7F

RGBA 156 152 234 0.5

HSLA 242.93, 0.66%, 0.76%, 0.5

LABA 66.11, 20.12, -40.83, 0.5

 

CMYK 0 / 0 / 42 / 30

HEX #6867107F

RGBA 104 103 16 0.5

HSLA 59.32, 0.73%, 0.24%, 0.5

LABA 42.28, -10.13, 44.59, 0.5

 

CMYK 0 / 0 / 36 / 26

HEX #7979237F

RGBA 121 121 35 0.5

HSLA 60, 0.55%, 0.31%, 0.5

LABA 49.33, -11.23, 44.81, 0.5

 

CMYK 0 / 0 / 31 / 23

HEX #8A8B367F

RGBA 138 139 54 0.5

HSLA 60.71, 0.44%, 0.38%, 0.5

LABA 56.22, -12.04, 44.12, 0.5

 

CMYK 1 / 0 / 27 / 19

HEX #9B9D497F

RGBA 155 157 73 0.5

HSLA 61.43, 0.37%, 0.45%, 0.5

LABA 62.98, -12.66, 43.07, 0.5

 

CMYK 1 / 0 / 24 / 16

HEX #ACAF5C7F

RGBA 172 175 92 0.5

HSLA 62.17, 0.34%, 0.52%, 0.5

LABA 69.61, -13.14, 41.9, 0.5

 

CMYK 2 / 0 / 40 / 30

HEX #6367157F

RGBA 99 103 21 0.5

HSLA 62.93, 0.66%, 0.24%, 0.5

LABA 41.86, -12.31, 42.38, 0.5

 

CMYK 2 / 0 / 49 / 33

HEX #5255027F

RGBA 82 85 2 0.5

HSLA 62.17, 0.95%, 0.17%, 0.5

LABA 34.59, -11.11, 41.47, 0.5

 

CMYK 1 / 0 / 50 / 37

HEX #4143007F

RGBA 65 67 0 0.5

HSLA 61.79, 1%, 0.13%, 0.5

LABA 27.12, -9.29, 35.74, 0.5

 

CMYK 1 / 0 / 50 / 40

HEX #3031007F

RGBA 48 49 0 0.5

HSLA 61.22, 1%, 0.1%, 0.5

LABA 19.33, -7.3, 27.27, 0.5

 

CMYK 0 / 0 / 50 / 44

HEX #1F1F007F

RGBA 31 31 0 0.5

HSLA 60, 1%, 0.06%, 0.5

LABA 11.07, -5.16, 16.38, 0.5

 

CMYK 4 / 0 / 79 / 60

HEX #626615

RGB 98 102 21

HSL 62.96, 0.66%, 0.24%

LAB 41.46, -12.23, 41.98

 

CMYK 0 / 18 / 79 / 60

HEX #665415

RGB 102 84 21

HSL 46.67, 0.66%, 0.24%

LAB 36.4, 0.19, 37.35

 

CMYK 0 / 39 / 79 / 60

HEX #663E15

RGB 102 62 21

HSL 30.37, 0.66%, 0.24%

LAB 30.22, 13.69, 31.28

 

CMYK 0 / 61 / 79 / 60

HEX #662815

RGB 102 40 21

HSL 14.07, 0.66%, 0.24%

LAB 24.94, 26.67, 25.81

 

CMYK 0 / 79 / 79 / 60

HEX #661515

RGB 102 21 21

HSL 0, 0.66%, 0.24%

LAB 21.64, 35.56, 22.2

 

CMYK 4 / 0 / 79 / 60

HEX #626615

RGB 98 102 21

HSL 62.96, 0.66%, 0.24%

LAB 41.46, -12.23, 41.98

 

CMYK 25 / 0 / 79 / 60

HEX #4C6615

RGB 76 102 21

HSL 79.26, 0.66%, 0.24%

LAB 39.74, -22.34, 39.74

 

CMYK 47 / 0 / 79 / 60

HEX #366615

RGB 54 102 21

HSL 95.56, 0.66%, 0.24%

LAB 38.45, -31.19, 38.05

 

CMYK 69 / 0 / 79 / 60

HEX #206615

RGB 32 102 21

HSL 111.85, 0.66%, 0.24%

LAB 37.6, -37.83, 36.93

 

CMYK 79 / 0 / 70 / 60

HEX #15661F

RGB 21 102 31

HSL 127.41, 0.66%, 0.24%

LAB 37.41, -39.1, 32.35

 

CMYK 4 / 0 / 79 / 60

HEX #626615

RGB 98 102 21

HSL 62.96, 0.66%, 0.24%

LAB 41.46, -12.23, 41.98

 

CMYK 4 / 0 / 90 / 56

HEX #6B6F0B

RGB 107 111 11

HSL 62.4, 0.82%, 0.24%

LAB 44.97, -13.3, 48.3

 

CMYK 4 / 0 / 99 / 53

HEX #747901

RGB 116 121 1

HSL 62.5, 0.98%, 0.24%

LAB 48.75, -14.74, 53.71

 

CMYK 4 / 0 / 79 / 60

HEX #626615

RGB 98 102 21

HSL 62.96, 0.66%, 0.24%

LAB 41.46, -12.23, 41.98

 

CMYK 3 / 0 / 66 / 64

HEX #595C1F

RGB 89 92 31

HSL 62.95, 0.5%, 0.24%

LAB 37.62, -10.24, 33.62

 

CMYK 2 / 0 / 50 / 68

HEX #505229

RGB 80 82 41

HSL 62.93, 0.33%, 0.24%

LAB 33.77, -7.73, 23.66

 

CMYK 1 / 0 / 29 / 72

HEX #474833

RGB 71 72 51

HSL 62.86, 0.17%, 0.24%

LAB 29.94, -4.48, 12.5

 

CMYK 0 / 0 / 3 / 76

HEX #3E3E3C

RGB 62 62 60

HSL 60, 0.02%, 0.24%

LAB 26.14, -0.44, 1.22

 

CMYK 0 / 40 / 79 / 60

HEX #663D15

RGB 102 61 21

HSL 29.63, 0.66%, 0.24%

LAB 29.95, 14.31, 31.01

 

CMYK 0 / 19 / 79 / 60

HEX #665315

RGB 102 83 21

HSL 45.93, 0.66%, 0.24%

LAB 36.11, 0.79, 37.07

 

CMYK 3 / 0 / 79 / 60

HEX #636615

RGB 99 102 21

HSL 62.22, 0.66%, 0.24%

LAB 41.55, -11.75, 42.09

 

CMYK 25 / 0 / 79 / 60

HEX #4D6615

RGB 77 102 21

HSL 78.52, 0.66%, 0.24%

LAB 39.81, -21.9, 39.83

 

CMYK 45 / 0 / 79 / 60

HEX #386615

RGB 56 102 21

HSL 94.07, 0.66%, 0.24%

LAB 38.55, -30.46, 38.18

 

CMYK 3 / 0 / 79 / 87

HEX #202107

RGB 32 33 7

HSL 62.31, 0.65%, 0.08%

LAB 12.02, -5.09, 14.85

 

CMYK 3 / 0 / 79 / 74

HEX #41430E

RGB 65 67 14

HSL 62.26, 0.65%, 0.16%

LAB 27.21, -8.57, 30.14

 

CMYK 4 / 0 / 79 / 60

HEX #626615

RGB 98 102 21

HSL 62.96, 0.66%, 0.24%

LAB 41.46, -12.23, 41.98

 

CMYK 4 / 0 / 79 / 47

HEX #83881C

RGB 131 136 28

HSL 62.78, 0.66%, 0.32%

LAB 54.57, -15.08, 52.65

 

CMYK 4 / 0 / 79 / 33

HEX #A3AA23

RGB 163 170 35

HSL 63.11, 0.66%, 0.4%

LAB 67.02, -18.23, 62.65

 

CMYK 4 / 0 / 80 / 60

HEX #636715

RGB 99 103 21

HSL 62.93, 0.66%, 0.24%

LAB 41.86, -12.31, 42.38

 

CMYK 79 / 0 / 61 / 60

HEX #156628

RGB 21 102 40

HSL 134.07, 0.66%, 0.24%

LAB 37.51, -37.91, 27.98

 

CMYK 29 / 79 / 0 / 60

HEX #481566

RGB 72 21 102

HSL 277.78, 0.66%, 0.24%

LAB 19.53, 38.34, -36.83

 

CMYK 4 / 0 / 80 / 60

HEX #636715

RGB 99 103 21

HSL 62.93, 0.66%, 0.24%

LAB 41.86, -12.31, 42.38

 

CMYK 79 / 3 / 0 / 60

HEX #156366

RGB 21 99 102

HSL 182.22, 0.66%, 0.24%

LAB 37.92, -21.15, -8.3

 

CMYK 0 / 79 / 3 / 60

HEX #661563

RGB 102 21 99

HSL 302.22, 0.66%, 0.24%

LAB 24.52, 44.47, -26.57

 

CMYK 4 / 0 / 80 / 60

HEX #636715

RGB 99 103 21

HSL 62.93, 0.66%, 0.24%

LAB 41.86, -12.31, 42.38

 

CMYK 79 / 0 / 61 / 60

HEX #156628

RGB 21 102 40

HSL 134.07, 0.66%, 0.24%

LAB 37.51, -37.91, 27.98

 

CMYK 76 / 79 / 0 / 60

HEX #181566

RGB 24 21 102

HSL 242.22, 0.66%, 0.24%

LAB 13.77, 30.46, -46.49

 

CMYK 0 / 79 / 19 / 60

HEX #661553

RGB 102 21 83

HSL 314.07, 0.66%, 0.24%

LAB 23.62, 41.83, -17.39

 

CMYK 4 / 0 / 80 / 60

HEX #636715

RGB 99 103 21

HSL 62.93, 0.66%, 0.24%

LAB 41.86, -12.31, 42.38

 

CMYK 79 / 0 / 37 / 60

HEX #156640

RGB 21 102 64

HSL 151.85, 0.66%, 0.24%

LAB 37.9, -33.4, 14.88

 

CMYK 76 / 79 / 0 / 60

HEX #181566

RGB 24 21 102

HSL 242.22, 0.66%, 0.24%

LAB 13.77, 30.46, -46.49

 

CMYK 0 / 79 / 42 / 60

HEX #66153B

RGB 102 21 59

HSL 331.85, 0.66%, 0.24%

LAB 22.57, 38.59, -2.66

 

Description

Color code: RGBA 99 103 21 0.5 | qconv.com Color code: RGBA 99 103 21 0.5 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 103 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 103 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 40 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 40% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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