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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 98 142 189 0.75 it is the complementary color RGBA 157 113 66 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 98 142 189 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 98 142 189 0.75 shade: RGBA 103 142 184 0.75, RGBA 120 160 203 0.75, RGBA 137 178 222 0.75, RGBA 154 196 241 0.75 and RGBA 171 214 255 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 98 142 189 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 98 142 189 0.75 shade: RGBA 98 142 189 0.75, RGBA 81 124 170 0.75, RGBA 64 106 151 0.75, RGBA 47 88 132 0.75 and RGBA 30 70 113 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 98 142 189 0.75 shade: RGB 97 141 189, RGB 97 116 189, RGB 102 97 189, RGB 127 97 189 and RGB 152 97 189

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 98 142 189 0.75 shade: RGB 97 141 189, RGB 97 116 189 and RGB 97 97 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 98 142 189 0.75 shade matches the following richer shades: RGB 97 141 189, RGB 79 141 207, RGB 60 140 225 and RGB 42 139 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 98 142 189 0.75 shade: RGB 97 141 189, RGB 115 142 171, RGB 133 142 152, RGB 151 143 134 and RGB 169 144 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 98 142 189 0.75 shade: RGB 97 189 186, RGB 97 167 189, RGB 97 143 189, RGB 97 118 189 and RGB 100 97 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 98 142 189 0.75 shade: RGB 60 100 143, RGB 72 121 172, RGB 97 141 189, RGB 126 162 201 and RGB 155 183 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 98 142 189 0.75 shade: RGB 98 142 189, RGB 161 97 189 and RGB 180 189 97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 98 142 189 0.75 shade: RGB 98 142 189, RGB 189 97 143 and RGB 143 189 97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 98 142 189 0.75 shade: RGB 98 142 189, RGB 161 97 189, RGB 189 143 97 and RGB 124 189 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 98 142 189 0.75 shade: RGB 98 142 189, RGB 189 97 189, RGB 189 143 97 and RGB 97 189 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 19 / 0 / 19

HEX #628EBDBF

RGBA 98 142 189 0.75

HSLA 210.99, 0.41%, 0.56%, 0.75

LABA 57.67, -1.98, -29.14, 0.75

 

Complementary color

CMYK 0 / 21 / 43 / 29

HEX #9D7142BF

RGBA 157 113 66 0.75

HSLA 30.99, 0.41%, 0.44%, 0.75

LABA 51.12, 11.97, 32.67, 0.75

 

CMYK 33 / 17 / 0 / 21

HEX #678EB8BF

RGBA 103 142 184 0.75

HSLA 211.11, 0.36%, 0.56%, 0.75

LABA 57.74, -2.18, -26.17, 0.75

 

CMYK 31 / 16 / 0 / 15

HEX #78A0CBBF

RGBA 120 160 203 0.75

HSLA 211.08, 0.44%, 0.63%, 0.75

LABA 64.52, -2.54, -26.33, 0.75

 

CMYK 29 / 15 / 0 / 10

HEX #89B2DEBF

RGBA 137 178 222 0.75

HSLA 211.06, 0.56%, 0.7%, 0.75

LABA 71.17, -2.85, -26.51, 0.75

 

CMYK 27 / 14 / 0 / 4

HEX #9AC4F1BF

RGBA 154 196 241 0.75

HSLA 211.03, 0.76%, 0.77%, 0.75

LABA 77.7, -3.11, -26.71, 0.75

 

CMYK 25 / 12 / 0 / 0

HEX #ABD6FFBF

RGBA 171 214 255 0.75

HSLA 209.29, 1%, 0.84%, 0.75

LABA 83.95, -4.56, -24.54, 0.75

 

CMYK 36 / 19 / 0 / 19

HEX #628EBDBF

RGBA 98 142 189 0.75

HSLA 210.99, 0.41%, 0.56%, 0.75

LABA 57.67, -1.98, -29.14, 0.75

 

CMYK 39 / 20 / 0 / 25

HEX #517CAABF

RGBA 81 124 170 0.75

HSLA 211.01, 0.35%, 0.49%, 0.75

LABA 50.77, -1.41, -29.04, 0.75

 

CMYK 43 / 22 / 0 / 31

HEX #406A97BF

RGBA 64 106 151 0.75

HSLA 211.03, 0.4%, 0.42%, 0.75

LABA 43.7, -0.68, -28.97, 0.75

 

CMYK 48 / 25 / 0 / 36

HEX #2F5884BF

RGBA 47 88 132 0.75

HSLA 211.06, 0.47%, 0.35%, 0.75

LABA 36.46, 0.3, -28.92, 0.75

 

CMYK 55 / 29 / 0 / 42

HEX #1E4671BF

RGBA 30 70 113 0.75

HSLA 211.08, 0.58%, 0.28%, 0.75

LABA 29.03, 1.7, -28.89, 0.75

 

CMYK 49 / 25 / 0 / 26

HEX #618DBD

RGB 97 141 189

HSL 211.3, 0.41%, 0.56%

LAB 57.33, -1.65, -29.67

 

CMYK 49 / 39 / 0 / 26

HEX #6174BD

RGB 97 116 189

HSL 227.61, 0.41%, 0.56%

LAB 50.34, 13.22, -40.62

 

CMYK 46 / 49 / 0 / 26

HEX #6661BD

RGB 102 97 189

HSL 243.26, 0.41%, 0.56%

LAB 45.7, 26.09, -47.97

 

CMYK 33 / 49 / 0 / 26

HEX #7F61BD

RGB 127 97 189

HSL 259.57, 0.41%, 0.56%

LAB 47.93, 32.44, -44.29

 

CMYK 20 / 49 / 0 / 26

HEX #9861BD

RGB 152 97 189

HSL 275.87, 0.41%, 0.56%

LAB 50.57, 39.33, -39.94

 

CMYK 49 / 25 / 0 / 26

HEX #618DBD

RGB 97 141 189

HSL 211.3, 0.41%, 0.56%

LAB 57.33, -1.65, -29.67

 

CMYK 49 / 39 / 0 / 26

HEX #6174BD

RGB 97 116 189

HSL 227.61, 0.41%, 0.56%

LAB 50.34, 13.22, -40.62

 

CMYK 49 / 49 / 0 / 26

HEX #6161BD

RGB 97 97 189

HSL 240, 0.41%, 0.56%

LAB 45.31, 24.92, -48.62

 

CMYK 49 / 25 / 0 / 26

HEX #618DBD

RGB 97 141 189

HSL 211.3, 0.41%, 0.56%

LAB 57.33, -1.65, -29.67

 

CMYK 62 / 32 / 0 / 19

HEX #4F8DCF

RGB 79 141 207

HSL 210.94, 0.57%, 0.56%

LAB 57.29, 0.19, -39.98

 

CMYK 73 / 38 / 0 / 12

HEX #3C8CE1

RGB 60 140 225

HSL 210.91, 0.73%, 0.56%

LAB 57.22, 4.02, -50.21

 

CMYK 83 / 43 / 0 / 5

HEX #2A8BF3

RGB 42 139 243

HSL 211.04, 0.89%, 0.56%

LAB 57.49, 9.32, -59.81

 

CMYK 49 / 25 / 0 / 26

HEX #618DBD

RGB 97 141 189

HSL 211.3, 0.41%, 0.56%

LAB 57.33, -1.65, -29.67

 

CMYK 33 / 17 / 0 / 33

HEX #738EAB

RGB 115 142 171

HSL 211.07, 0.25%, 0.56%

LAB 57.97, -2.4, -18.35

 

CMYK 13 / 7 / 0 / 40

HEX #858E98

RGB 133 142 152

HSL 211.58, 0.08%, 0.56%

LAB 58.6, -1.14, -6.42

 

CMYK 0 / 5 / 11 / 41

HEX #978F86

RGB 151 143 134

HSL 31.76, 0.08%, 0.56%

LAB 59.84, 1.33, 5.84

 

CMYK 0 / 15 / 31 / 34

HEX #A99074

RGB 169 144 116

HSL 31.7, 0.24%, 0.56%

LAB 61.34, 5.1, 18.37

 

CMYK 49 / 0 / 2 / 26

HEX #61BDBA

RGB 97 189 186

HSL 178.04, 0.41%, 0.56%

LAB 71.2, -28.07, -6.95

 

CMYK 49 / 12 / 0 / 26

HEX #61A7BD

RGB 97 167 189

HSL 194.35, 0.41%, 0.56%

LAB 64.85, -16.04, -18.14

 

CMYK 49 / 24 / 0 / 26

HEX #618FBD

RGB 97 143 189

HSL 210, 0.41%, 0.56%

LAB 57.9, -2.8, -28.78

 

CMYK 49 / 38 / 0 / 26

HEX #6176BD

RGB 97 118 189

HSL 226.3, 0.41%, 0.56%

LAB 50.89, 12, -39.75

 

CMYK 47 / 49 / 0 / 26

HEX #6461BD

RGB 100 97 189

HSL 241.96, 0.41%, 0.56%

LAB 45.54, 25.62, -48.23

 

CMYK 58 / 30 / 0 / 44

HEX #3C648F

RGB 60 100 143

HSL 211.08, 0.41%, 0.4%

LAB 41.31, -0.59, -27.94

 

CMYK 58 / 30 / 0 / 33

HEX #4879AC

RGB 72 121 172

HSL 210.6, 0.41%, 0.48%

LAB 49.53, -1, -32.15

 

CMYK 49 / 25 / 0 / 26

HEX #618DBD

RGB 97 141 189

HSL 211.3, 0.41%, 0.56%

LAB 57.33, -1.65, -29.67

 

CMYK 37 / 19 / 0 / 21

HEX #7EA2C9

RGB 126 162 201

HSL 211.2, 0.41%, 0.64%

LAB 65.35, -2.58, -23.91

 

CMYK 27 / 14 / 0 / 16

HEX #9BB7D5

RGB 155 183 213

HSL 211.03, 0.41%, 0.72%

LAB 73.31, -2.73, -18.24

 

CMYK 48 / 25 / 0 / 26

HEX #628EBD

RGB 98 142 189

HSL 210.99, 0.41%, 0.56%

LAB 57.67, -1.98, -29.14

 

CMYK 15 / 49 / 0 / 26

HEX #A161BD

RGB 161 97 189

HSL 281.74, 0.41%, 0.56%

LAB 51.61, 41.89, -38.22

 

CMYK 5 / 0 / 49 / 26

HEX #B4BD61

RGB 180 189 97

HSL 65.87, 0.41%, 0.56%

LAB 74.17, -16.53, 45.07

 

CMYK 48 / 25 / 0 / 26

HEX #628EBD

RGB 98 142 189

HSL 210.99, 0.41%, 0.56%

LAB 57.67, -1.98, -29.14

 

CMYK 0 / 49 / 24 / 26

HEX #BD618F

RGB 189 97 143

HSL 330, 0.41%, 0.56%

LAB 53.33, 42.41, -8.42

 

CMYK 24 / 0 / 49 / 26

HEX #8FBD61

RGB 143 189 97

HSL 90, 0.41%, 0.56%

LAB 71.62, -31, 41.39

 

CMYK 48 / 25 / 0 / 26

HEX #628EBD

RGB 98 142 189

HSL 210.99, 0.41%, 0.56%

LAB 57.67, -1.98, -29.14

 

CMYK 15 / 49 / 0 / 26

HEX #A161BD

RGB 161 97 189

HSL 281.74, 0.41%, 0.56%

LAB 51.61, 41.89, -38.22

 

CMYK 0 / 24 / 49 / 26

HEX #BD8F61

RGB 189 143 97

HSL 30, 0.41%, 0.56%

LAB 62.78, 11.72, 31.14

 

CMYK 34 / 0 / 49 / 26

HEX #7CBD61

RGB 124 189 97

HSL 102.39, 0.41%, 0.56%

LAB 70.55, -37.77, 39.84

 

CMYK 48 / 25 / 0 / 26

HEX #628EBD

RGB 98 142 189

HSL 210.99, 0.41%, 0.56%

LAB 57.67, -1.98, -29.14

 

CMYK 0 / 49 / 0 / 26

HEX #BD61BD

RGB 189 97 189

HSL 300, 0.41%, 0.56%

LAB 55.12, 49.95, -32.48

 

CMYK 0 / 24 / 49 / 26

HEX #BD8F61

RGB 189 143 97

HSL 30, 0.41%, 0.56%

LAB 62.78, 11.72, 31.14

 

CMYK 49 / 0 / 49 / 26

HEX #61BD61

RGB 97 189 97

HSL 120, 0.41%, 0.56%

LAB 69.33, -46.21, 38.05

 

Description

Color code: RGBA 98 142 189 0.75 | qconv.com Color code: RGBA 98 142 189 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 142 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 142 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 19 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 19% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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