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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGBA 95 232 161 0.75 it is the complementary color RGBA 160 23 94 0.75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGBA 95 232 161 0.75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGBA 95 232 161 0.75 shade: RGBA 100 232 156 0.75, RGBA 117 250 175 0.75, RGBA 134 255 194 0.75, RGBA 151 255 213 0.75 and RGBA 168 255 232 0.75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGBA 95 232 161 0.75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGBA 95 232 161 0.75 shade: RGBA 95 232 161 0.75, RGBA 78 214 142 0.75, RGBA 61 196 123 0.75, RGBA 44 178 104 0.75 and RGBA 27 160 85 0.75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGBA 95 232 161 0.75 shade: RGB 94 232 161, RGB 94 232 124, RGB 102 232 94, RGB 139 232 94 and RGB 177 232 94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGBA 95 232 161 0.75 shade: RGB 94 232 161, RGB 94 232 198, RGB 94 229 232, RGB 94 192 232 and RGB 94 155 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGBA 95 232 161 0.75 shade matches the following richer shades: RGB 94 232 161 and RGB 79 247 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGBA 95 232 161 0.75 shade: RGB 94 232 161, RGB 109 217 161, RGB 124 202 162, RGB 139 187 162 and RGB 154 173 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGBA 95 232 161 0.75 shade: RGB 104 232 94, RGB 94 232 122, RGB 94 232 159, RGB 94 232 195 and RGB 94 232 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGBA 95 232 161 0.75 shade: RGB 30 213 119, RGB 58 227 140, RGB 94 232 161, RGB 130 237 182 and RGB 167 242 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGBA 95 232 161 0.75 shade: RGB 95 232 161, RGB 94 140 232 and RGB 232 104 94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGBA 95 232 161 0.75 shade: RGB 95 232 161, RGB 159 94 232 and RGB 232 159 94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGBA 95 232 161 0.75 shade: RGB 95 232 161, RGB 94 140 232, RGB 232 94 168 and RGB 232 186 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGBA 95 232 161 0.75 shade: RGB 95 232 161, RGB 94 99 232, RGB 232 94 168 and RGB 232 227 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 23 / 7

HEX #5FE8A1BF

RGBA 95 232 161 0.75

HSLA 148.91, 0.75%, 0.64%, 0.75

LABA 83.29, -53.27, 23.65, 0.75

 

Complementary color

CMYK 0 / 64 / 31 / 28

HEX #A0175EBF

RGBA 160 23 94 0.75

HSLA 328.91, 0.75%, 0.36%, 0.75

LABA 35.78, 57.55, -5.04, 0.75

 

CMYK 43 / 0 / 25 / 7

HEX #64E89CBF

RGBA 100 232 156 0.75

HSLA 145.45, 0.74%, 0.65%, 0.75

LABA 83.35, -53.18, 26.32, 0.75

 

CMYK 40 / 0 / 23 / 1

HEX #75FAAFBF

RGBA 117 250 175 0.75

HSLA 146.17, 0.93%, 0.72%, 0.75

LABA 89.51, -53.16, 25.1, 0.75

 

CMYK 36 / 0 / 18 / 0

HEX #86FFC2BF

RGBA 134 255 194 0.75

HSLA 149.75, 1%, 0.76%, 0.75

LABA 91.9, -47.61, 18.8, 0.75

 

CMYK 31 / 0 / 12 / 0

HEX #97FFD5BF

RGBA 151 255 213 0.75

HSLA 155.77, 1%, 0.8%, 0.75

LABA 92.97, -39.52, 10.66, 0.75

 

CMYK 26 / 0 / 7 / 0

HEX #A8FFE8BF

RGBA 168 255 232 0.75

HSLA 164.14, 1%, 0.83%, 0.75

LABA 94.17, -31.06, 2.69, 0.75

 

CMYK 44 / 0 / 23 / 7

HEX #5FE8A1BF

RGBA 95 232 161 0.75

HSLA 148.91, 0.75%, 0.64%, 0.75

LABA 83.29, -53.27, 23.65, 0.75

 

CMYK 48 / 0 / 25 / 12

HEX #4ED68EBF

RGBA 78 214 142 0.75

HSLA 148.24, 0.62%, 0.57%, 0.75

LABA 77.08, -53.12, 24.97, 0.75

 

CMYK 52 / 0 / 28 / 17

HEX #3DC47BBF

RGBA 61 196 123 0.75

HSLA 147.56, 0.53%, 0.5%, 0.75

LABA 70.8, -52.77, 26.39, 0.75

 

CMYK 56 / 0 / 31 / 23

HEX #2CB268BF

RGBA 44 178 104 0.75

HSLA 146.87, 0.6%, 0.44%, 0.75

LABA 64.46, -52.14, 27.93, 0.75

 

CMYK 62 / 0 / 35 / 28

HEX #1BA055BF

RGBA 27 160 85 0.75

HSLA 146.17, 0.71%, 0.37%, 0.75

LABA 58.07, -51.09, 29.61, 0.75

 

CMYK 59 / 0 / 31 / 9

HEX #5EE8A1

RGB 94 232 161

HSL 149.13, 0.75%, 0.64%

LAB 83.27, -53.47, 23.61

 

CMYK 59 / 0 / 47 / 9

HEX #5EE87C

RGB 94 232 124

HSL 133.04, 0.75%, 0.64%

LAB 82.67, -59.87, 41.46

 

CMYK 56 / 0 / 59 / 9

HEX #66E85E

RGB 102 232 94

HSL 116.52, 0.75%, 0.64%

LAB 82.56, -61.89, 55.28

 

CMYK 40 / 0 / 59 / 9

HEX #8BE85E

RGB 139 232 94

HSL 100.43, 0.75%, 0.64%

LAB 83.97, -51.51, 57.26

 

CMYK 24 / 0 / 59 / 9

HEX #B1E85E

RGB 177 232 94

HSL 83.91, 0.75%, 0.64%

LAB 85.94, -38.46, 60.01

 

CMYK 59 / 0 / 31 / 9

HEX #5EE8A1

RGB 94 232 161

HSL 149.13, 0.75%, 0.64%

LAB 83.27, -53.47, 23.61

 

CMYK 59 / 0 / 15 / 9

HEX #5EE8C6

RGB 94 232 198

HSL 165.22, 0.75%, 0.64%

LAB 84.05, -45.46, 5.4

 

CMYK 59 / 1 / 0 / 9

HEX #5EE5E8

RGB 94 229 232

HSL 181.3, 0.75%, 0.64%

LAB 84.09, -35.48, -12.48

 

CMYK 59 / 17 / 0 / 9

HEX #5EC0E8

RGB 94 192 232

HSL 197.39, 0.75%, 0.64%

LAB 73.48, -17.26, -28.56

 

CMYK 59 / 33 / 0 / 9

HEX #5E9BE8

RGB 94 155 232

HSL 213.48, 0.75%, 0.64%

LAB 63.05, 3.08, -44.79

 

CMYK 59 / 0 / 31 / 9

HEX #5EE8A1

RGB 94 232 161

HSL 149.13, 0.75%, 0.64%

LAB 83.27, -53.47, 23.61

 

CMYK 68 / 0 / 35 / 3

HEX #4FF7A0

RGB 79 247 160

HSL 148.93, 0.91%, 0.64%

LAB 87.35, -62.14, 29.6

 

CMYK 59 / 0 / 31 / 9

HEX #5EE8A1

RGB 94 232 161

HSL 149.13, 0.75%, 0.64%

LAB 83.27, -53.47, 23.61

 

CMYK 50 / 0 / 26 / 15

HEX #6DD9A1

RGB 109 217 161

HSL 148.89, 0.59%, 0.64%

LAB 79.3, -43.88, 18.21

 

CMYK 39 / 0 / 20 / 21

HEX #7CCAA2

RGB 124 202 162

HSL 149.23, 0.42%, 0.64%

LAB 75.54, -32.94, 12.5

 

CMYK 26 / 0 / 13 / 27

HEX #8BBBA2

RGB 139 187 162

HSL 148.75, 0.26%, 0.64%

LAB 71.99, -21.07, 7.55

 

CMYK 11 / 0 / 6 / 32

HEX #9AADA3

RGB 154 173 163

HSL 148.42, 0.1%, 0.64%

LAB 69.04, -8.58, 2.89

 

CMYK 55 / 0 / 59 / 9

HEX #68E85E

RGB 104 232 94

HSL 115.65, 0.75%, 0.64%

LAB 82.63, -61.4, 55.37

 

CMYK 59 / 0 / 47 / 9

HEX #5EE87A

RGB 94 232 122

HSL 132.17, 0.75%, 0.64%

LAB 82.65, -60.16, 42.39

 

CMYK 59 / 0 / 31 / 9

HEX #5EE89F

RGB 94 232 159

HSL 148.26, 0.75%, 0.64%

LAB 83.23, -53.86, 24.59

 

CMYK 59 / 0 / 16 / 9

HEX #5EE8C3

RGB 94 232 195

HSL 163.91, 0.75%, 0.64%

LAB 83.98, -46.17, 6.88

 

CMYK 59 / 0 / 0 / 9

HEX #5EE8E8

RGB 94 232 232

HSL 180, 0.75%, 0.64%

LAB 84.96, -36.87, -11.2

 

CMYK 86 / 0 / 44 / 16

HEX #1ED577

RGB 30 213 119

HSL 149.18, 0.75%, 0.48%

LAB 75.57, -63.37, 34.62

 

CMYK 74 / 0 / 38 / 11

HEX #3AE38C

RGB 58 227 140

HSL 149.11, 0.75%, 0.56%

LAB 80.59, -61.58, 30.63

 

CMYK 59 / 0 / 31 / 9

HEX #5EE8A1

RGB 94 232 161

HSL 149.13, 0.75%, 0.64%

LAB 83.27, -53.47, 23.61

 

CMYK 45 / 0 / 23 / 7

HEX #82EDB6

RGB 130 237 182

HSL 149.16, 0.75%, 0.72%

LAB 86.35, -43.18, 17.2

 

CMYK 31 / 0 / 16 / 5

HEX #A7F2CB

RGB 167 242 203

HSL 148.8, 0.74%, 0.8%

LAB 89.87, -31.12, 11.51

 

CMYK 59 / 0 / 31 / 9

HEX #5FE8A1

RGB 95 232 161

HSL 148.91, 0.75%, 0.64%

LAB 83.29, -53.27, 23.65

 

CMYK 59 / 40 / 0 / 9

HEX #5E8CE8

RGB 94 140 232

HSL 220, 0.75%, 0.64%

LAB 58.94, 11.88, -51.3

 

CMYK 0 / 55 / 59 / 9

HEX #E8685E

RGB 232 104 94

HSL 4.35, 0.75%, 0.64%

LAB 59.77, 48.89, 30.06

 

CMYK 59 / 0 / 31 / 9

HEX #5FE8A1

RGB 95 232 161

HSL 148.91, 0.75%, 0.64%

LAB 83.29, -53.27, 23.65

 

CMYK 31 / 59 / 0 / 9

HEX #9F5EE8

RGB 159 94 232

HSL 268.26, 0.75%, 0.64%

LAB 53.17, 52.8, -60.23

 

CMYK 0 / 31 / 59 / 9

HEX #E89F5E

RGB 232 159 94

HSL 28.26, 0.75%, 0.64%

LAB 71.39, 20.64, 44.42

 

CMYK 59 / 0 / 31 / 9

HEX #5FE8A1

RGB 95 232 161

HSL 148.91, 0.75%, 0.64%

LAB 83.29, -53.27, 23.65

 

CMYK 59 / 40 / 0 / 9

HEX #5E8CE8

RGB 94 140 232

HSL 220, 0.75%, 0.64%

LAB 58.94, 11.88, -51.3

 

CMYK 0 / 59 / 28 / 9

HEX #E85EA8

RGB 232 94 168

HSL 327.83, 0.75%, 0.64%

LAB 59.88, 60.75, -12.55

 

CMYK 0 / 20 / 59 / 9

HEX #E8BA5E

RGB 232 186 94

HSL 40, 0.75%, 0.64%

LAB 77.92, 6.33, 52.07

 

CMYK 59 / 0 / 31 / 9

HEX #5FE8A1

RGB 95 232 161

HSL 148.91, 0.75%, 0.64%

LAB 83.29, -53.27, 23.65

 

CMYK 59 / 57 / 0 / 9

HEX #5E63E8

RGB 94 99 232

HSL 237.83, 0.75%, 0.64%

LAB 48.42, 36.77, -68.19

 

CMYK 0 / 59 / 28 / 9

HEX #E85EA8

RGB 232 94 168

HSL 327.83, 0.75%, 0.64%

LAB 59.88, 60.75, -12.55

 

CMYK 0 / 2 / 59 / 9

HEX #E8E35E

RGB 232 227 94

HSL 57.83, 0.75%, 0.64%

LAB 88.4, -14.59, 63.8

 

Description

Color code: RGBA 95 232 161 0.75 | qconv.com Color code: RGBA 95 232 161 0.75 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 95 red, 232 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
95 232 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 23 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 23% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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